BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Foggy Notions - ECPv6.15.15//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:http://foggynotions.ie X-WR-CALDESC:Events for Foggy Notions REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:UTC BEGIN:STANDARD TZOFFSETFROM:+0000 TZOFFSETTO:+0000 TZNAME:UTC DTSTART:20250101T000000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=UTC:20260125T200000 DTEND;TZID=UTC:20260125T223000 DTSTAMP:20260624T213323 CREATED:20251126T100327Z LAST-MODIFIED:20251126T161019Z UID:10000137-1769371200-1769380200@foggynotions.ie SUMMARY:GLASSHOUSE PERFORM SIGUR RÓS DESCRIPTION:FOGGY NOTIONS & BETWEEN THE NOTES PRESENT\nGLASSHOUSE PERFORM SIGUR RÓS\nNATIONAL CONCERT HALL\n25TH JANUARY \n \n TICKETS\n \n\n \n Add to calendar \n \n \n \n\n\n Google Calendar\n\n\n iCalendar\n\n\n Outlook 365\n\n\n Outlook Live\n\n\n \nTickets on sale now. \nFollowing their sold out Ryuichi Sakamoto concert in January\, acclaimed Dublin music ensemble Glasshouse return to the National Concert Hall to reimagine the work of Icelandic giants Sigur Rós for their ensemble. \nArranger Robert Reid Allan crafts new textures and dynamic arcs that honour the band’s luminous sound and reveal unexpected detail and intimacy. Drawing from across their catalogue\, the programme traces whisper-soft incantations to sky-wide crescendos\, inviting listeners into a landscape of shimmering harmony\, pulsing rhythm and suspended time. \nJoin us to celebrate the enduring influence of Sigur Rós and experience these songs anew in the grandeur of Ireland’s national stage. A rare chance to hear iconic tracks lovingly reimagined in concert\, in a setting built for deep listening. \nLISTEN NOW \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/glasshouse-perform-sigur-ros-national-concert-hall-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/11/Glasshouse-Sigur-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260130T200000 DTEND;TZID=UTC:20260130T230000 DTSTAMP:20260624T213323 CREATED:20251016T074240Z LAST-MODIFIED:20260130T125755Z UID:10000091-1769803200-1769814000@foggynotions.ie SUMMARY:FAETOOTH DESCRIPTION:FOGGY NOTIONS PRESENTS\nFAETOOTH\nWORKMAN’S CLUB\n30TH JANUARY\n \n TICKETMASTER\n \n\n \n Add to calendar \n \n \n \n\n\n Google Calendar\n\n\n iCalendar\n\n\n Outlook 365\n\n\n Outlook Live\n\n\n \nFoggy Notions & U:mack present Faetooth love at Workman’s Club. Tickets on sale now. \n“If you’ve ever wanted to hear the vibe of doom-laden bands like Subrosa blended with the sonic approach of bands like True Widow\, L.A\,’s Faetooth is the perfect band for you.” Decibel Magazine \nSpawning from Los Angeles\, Faetooth forges “fairy-doom”: an eclectic amalgamation of doom metal\, sludge\, and shoegaze. From spellbinding melodies to guttural shrieks\, Faetooth’s music conjures a looming atmosphere offering you a glimpse into their mystifying realm. Having recently released the ferociously beautiful track “Death of Day\,” sound\, Faetooth returns with their sophomore album\, Labyrinthine. \nLabyrinthine is a visceral\, haunting\, disturbing vision filled with introspection. Enter through the \n“Iron Gate” — the garden\, the light\, the void\, the body. This is exemplified by their new track\, \n“White Noise\,” out today. “White Noise” emerged from a diary entry\, and is a relentless and intense reflection on inner turmoil. We’re often drawn to the familiar\, even when we don’t realize we’re reaching out for it. It is an emotional upheaval\, carrying harsh truths that weigh heavily on the heart. Guitarist\, Ari May mentions\, “Performing the song always takes me back to a specific place\, even if just for a moment.” \nFrom profoundly intimate to explosively cathartic moments — Faetooth’s latest offering features their distinctive blend of ethereal clean and roaring harsh vocals\, fuzzy guitars\, and pounding rhythms. Coming off of 2022’s Remnants of the Vessel\, the trio continues to explore sounds ranging from gliding to grinding\, from the rhythmic grunge of “Death of Day\,” to the bittersweet melodies of “October.” While embracing a newly softened\, more intimate tone\, Faetooth releases even more emotional rawness. Themes of loss\, self-pity\, personal relationships\, and more find a focus in singles like “Hole\,” and “White Noise.” This new intimate balance doesn’t dilute their palpable intensity; rather reframing it\, offering listeners a haunting yet delicate atmosphere layered with entrancing textures that build up into eruptive climaxes. \nLike the ancient myth of the minotaur in the labyrinth\, at its core\, Labyrinthine is a deeply personal\, shrouded\, monster of an album; It is a winding\, toilful\, maze to a tender center not quite prevalent yet in Faetooth’s mystical and metaphorical universe.  \nLISTEN NOW \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/faetooth-workmans-club-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Faetooth-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260204T200000 DTEND;TZID=UTC:20260204T230000 DTSTAMP:20260624T213323 CREATED:20251211T085239Z LAST-MODIFIED:20251211T085714Z UID:10000145-1770235200-1770246000@foggynotions.ie SUMMARY:CORTISA STAR DESCRIPTION:FOGGY NOTIONS PRESENTS\nCORTISA STAR\nTHE SOUND HOUSE\n4TH FEBRUARY\n\n \n \n \n \n\n Tickets\n The numbers below include tickets for this event already in your cart. Clicking “Get Tickets” will allow you to edit any existing attendee information as well as change ticket quantities.\n Tickets will be available on December 12\, 2025\n \n \n\n \n \n\n \n \n\n \n \n TICKETMASTER\n \n\n \n Add to calendar \n \n \n \n\n\n Google Calendar\n\n\n iCalendar\n\n\n Outlook 365\n\n\n Outlook Live\n\n\n \nFoggy Notions are proud to present the Irish Debut of Cortisa Star. Tickets on general sale Friday 12th December at 10:00. \nCortisa Star is a 19-year-old trans rapper from the DMV area who’s taking the industry by storm. \nBursting onto the scene with her raw talent and fearless authenticity\, Cortisa’s music blends hard-hitting rap with powerful storytelling\, making waves online and earning her a plethora of co-signs from Charlie XCX to Lil Nas X and many others. Known for her unapologetic lyricism and unique sound\, she’s been recognized for pushing boundaries in both her artistry and her identity as a trans woman in a space that’s often resistant to change. \nCortisa’s recent viral success is a testament to her undeniable presence and the magnetic energy she brings to every track. Her latest single “Fun” is making significant waves online after her viral “From The Block” performance\, earning her press features on The Fader\, Out Magazine\, Dazed and several others while garnering over 5 million global streams independently.  \nLISTEN NOW \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/cortisa-star-soundhouse-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/12/CORTISA-STAR-Web.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260207T200000 DTEND;TZID=UTC:20260207T230000 DTSTAMP:20260624T213323 CREATED:20251015T193534Z LAST-MODIFIED:20251220T205305Z UID:10000076-1770494400-1770505200@foggynotions.ie SUMMARY:THEY ARE GUTTING A BODY OF WATER DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHEY ARE GUTTING A BODY OF WATER\nWHELAN’S\n7TH FEBRUARY\n\n\n\n \nTickets\nThe numbers below include tickets for this event already in your cart. Clicking “Get Tickets” will allow you to edit any existing attendee information as well as change ticket quantities.\nTHEY ARE GUTTING A BODY OF WATER\nWHELAN’S\n7TH FEBRUARY\n€20.50\n150 available\n\nDecrease ticket quantity for THEY ARE GUTTING A BODY OF WATER\n–\n\nQuantity \n\n\nIncrease ticket quantity for THEY ARE GUTTING A BODY OF WATER\n+\n\nQuantity:\n0\nTotal:\n€0.00\nGet Tickets \n\n\nWAV TICKETS\n\n\nTICKETMASTER\n\n\n\nAdd to calendar \n  \n\nGoogle Calendar\niCalendar\nOutlook 365\nOutlook Live\n\n \nThey Are Gutting A Body Of Water _Philadelphia\, PA_ \nFollowing their sold out debut in June\, They Are Gutting A Body Of Water (TAGABOW) return for their biggest headline show in Dublin to date at Whelan’s on Saturday 7th February 2026. \nLISTEN NOW \n\n\n\nALL SHOWS URL:http://foggynotions.ie/concerts/they-are-gutting-a-body-of-water-whelans-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/TAGABOW-Website-SO.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260211T200000 DTEND;TZID=UTC:20260211T230000 DTSTAMP:20260624T213323 CREATED:20251112T145316Z LAST-MODIFIED:20260127T190351Z UID:10000120-1770840000-1770850800@foggynotions.ie SUMMARY:MARIA SOMERVILLE DESCRIPTION:FOGGY NOTIONS PRESENTS\nMARIA SOMERVILLE \nSPECIAL GUESTS \nNASHPAINTS\nKASBAH LIMERICK\n11TH FEBRUARY\n \n TICKETS\n \n\n \n Add to calendar \n \n \n \n\n\n Google Calendar\n\n\n iCalendar\n\n\n Outlook 365\n\n\n Outlook Live\n\n\n \nTickets on sale Friday 14th November at 10:00. \nrish musician Maria Somerville shared her second album and debut project on 4AD\,Luster\, in April. A few months on from its release\, Somerville now announces a brandnew Luster (Remixes) EP\, due 21 January. In total\, the EP gives six tracks off Somerville’s already mesmerizing\, wind-sweptrecord new life in fitting\, and sometimes surprising ways via its enlisted cast of friendsand collaborators (Seefeel\, YHWH Nailgun\, Fatshaudi\, colle\, Asa Nisi Masa &Oscar18\, and Boris). Alongside the announcement\, today finds the release of three remix tracks off the EP— Seefeel’s slow-burning ‘Stonefly’ remix\, where the track is extended over 7-minutes with crackling synths and whispered cosmological refrains; colle’s (MayaMcGrory of Chanel Beads) ‘Projections’ remix\, where she adds to the longinginherent of the single with delicately plucked strings and lightly swirling feedback; andBrisbane-based underground dream-pop artist Fatshaudi’s (aka Rachael Ryan)swooning and romantic remix of ‘Up’\, where she takes the track to an even glossier\,more atmospheric plane. \nMaria Somerville’s Luster\, the otherworldly yet grounded record including atmosphericand whirring dreamgaze singles ‘Spring’ and ‘Garden’\, channels her experiences onthe bank of the Corrib in her native Connemara\, Ireland and pays homage to the sonictapestry woven by classic 4AD collective This Mortal Coil. In the short time since itsrelease\, the critically acclaimed record has seen a Best New Music accolade fromPitchfork and a glowing Guardian review\, among other pieces of praise such as beingnamed one of The FADER’s ‘30 coolest artists right now’\, and Clash and Loud &Quiet’s best albums of 2025 so far.In continued celebration of Luster\, Maria Somerville will hit the road next Spring\, withcontinued dates across the United States (including Big Ears Festival in Knoxville\,TN)\, the UK\, and her native Ireland (headline dates in Limerick\, Dublin\, and Galway).In addition\, she has just been announced as support on two of My Bloody Valentine’sUK/EU tour dates this November (Manchester and Dublin)\, which fittingly follows hernaming the band’s seminal record Loveless as her Pitchfork Perfect 10. Thisforthcoming run follows highly touted sold-out 2025 shows in New York and Londonamidst other buzzy headline dates across the UK/EU/US (with shows alongsideChanel Beads\, james K\, and others). The full Luster (Remixes) EP\, rounded out with further remixes from YHWHNailgun\, Asa Nisi Masa & Oscar 18\, and Boris\, will be available digitally on 21January 21 — pre-save the EP HERE.EP Artwork by Nicola TirabassoMaria Somerville – Luster (Remixes) MARIA SOMERVILLE BIO:By the time Irish musician Maria Somerville started writing Luster\, her landmark labeldebut for 4AD\, she had lived away from her native Connemara for quite some time.Having grown up amongst the wild\, mountainous terrain of Galway’s rural west coast\,she later relocated to Dublin\, where she patiently developed an atmospheric dreampop signature inspired by the landscape of her youth – a spellbinding soundworld ofgusting ambient electronics\, ethereal guitar strums\, sparse percussion\, and hushedlyrical vignettes. In 2019\, this culminated in All My People\, a self-released LP steepedin reverb\, nostalgia and a yearning for home that won praise from discerning pressand listeners alike.It was upon returning to Connemara\, in a house near where she was raisedoverlooking one of the country’s largest lakes\, Lough Corrib\, that work commenced onthe songs that would eventually become Luster\, an album that illuminates Somerville’smusic anew\, pushing it forward in both sound and spirit. Where All My Peopleconveyed memories and melancholic longing with misty slowcore balladry\, these 12tracks show us an artist who’s more assured in the path her life has taken\, and theperson she’s become in the process. As she sings in ‘Trip’ – “I can see more clearlythan I could before. I know now what’s true for me.”Invigorated by her surroundings and emboldened by her community\, Somerville founda renewed sense of creative energy upon returning to home soil. It provided “fertileground” for free-flowing recording sessions in her small living room studio\, where shestitched together demos that were then fleshed out with friends and collaborators\, andlater mixed by the renowned New York-based engineer Gabriel Schuman.Contributors included producers J. Colleran\, Brendan Jenkinson and Diego Herrera(aka Suzanne Kraft)\, as well as Lankum’s Ian Lynch\, whose uilleann pipe drones youcan hear in ‘Violet’\, and Margie Jean Lewis\, whose violin bows reverberate throughthe ambient haze of ‘Flutter’. Sessions with musicians Henry Earnest and FinnCarraher McDonald (aka Nashpaints) helped “tie it all together”\, while contributionsfrom friends Roisin Berkley and Olan Monk enshrined the companionship they’veshared since Somerville returned to Connemara.Listeners have had a window into Somerville’s world every Monday and Tuesdaymorning since 2021 via her beloved Early Bird Show on NTS Radio\, where her dawnchorus selections range from blissful ambient and shoegaze to traditional Irish folksongs. Since signing to 4AD that same year\, Somerville has toured with her labelmates Dry Cleaning\, and released two covers for the label’s 40th anniversarycelebrations – taking on Nancy Sinatra’s ‘Kinky Love’ and Air Miami’s ‘Sea Bird’. Withthe release of Luster\, she has signaled the arrival of a new era that will see her playaround the world in 2025 accompanied by a live band. Rest assured though\, no matterwhere Somerville goes\, she’ll take a piece of home with her – a living\, breathing\,timeless essence you can sense in every note\, as clear as the air by the Corrib.Maria Somerville – Luster4AD 0755 | 25 April 2025 \n“There’s not a duff moment here – Luster isn’t just one of the best pop albums of the year\, it’s the bestthing we’ve heard from 4AD in years.” Boomkat“Through a dense mist of shoegaze\, post-punk\, and ambient electronics\, Somerville presents adreamworld that is both mythic and real\, a wild and ancient landscape in which her own figure is justbarely perceptible.” Pitchfork (Best New Music\, 8.5/10)“[Luster] feels like a representation of the expansive beauty of solitude\, and the beautiful chaos thatcan be found in quiet moments: a symphony of small ideas rendered in the colours of a sunset.”The Guardian ****“One of Ireland’s most vital young voices.” Bandcamp “A soulful take on post-punk\, built out of austere guitar strums\, ambient atmosphere and understatedvocals that feel as if they could get lost in the breeze.” Crack Magazine “Pop\, trad and electronica are fused into gripping new contortions by the Connemara-born artist.”Irish Times \nLISTEN NOW \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/maria-somerville-kasbah-limerick-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/11/Maria-All-New-Instagram-Post.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260212T200000 DTEND;TZID=UTC:20260212T230000 DTSTAMP:20260624T213324 CREATED:20251112T150008Z LAST-MODIFIED:20260212T154342Z UID:10000121-1770926400-1770937200@foggynotions.ie SUMMARY:MARIA SOMERVILLE DESCRIPTION:FOGGY NOTIONS PRESENTS\nMARIA SOMERVILLE\nSPECIAL GUESTS\nNASHPAINTS\nRÓISÍN DUBH\n12TH FEBRUARY\n \n TICKETS\n \n\n \n Add to calendar \n \n \n \n\n\n Google Calendar\n\n\n iCalendar\n\n\n Outlook 365\n\n\n Outlook Live\n\n\n \nTickets on sale Friday 14th November at 10:00. \nIrish musician Maria Somerville shared her second album and debut project on 4AD\,Luster\, in April. A few months on from its release\, Somerville now announces a brandnew Luster (Remixes) EP\, due 21 January. In total\, the EP gives six tracks off Somerville’s already mesmerizing\, wind-sweptrecord new life in fitting\, and sometimes surprising ways via its enlisted cast of friendsand collaborators (Seefeel\, YHWH Nailgun\, Fatshaudi\, colle\, Asa Nisi Masa &Oscar18\, and Boris). Alongside the announcement\, today finds the release of three remix tracks off the EP— Seefeel’s slow-burning ‘Stonefly’ remix\, where the track is extended over 7-minutes with crackling synths and whispered cosmological refrains; colle’s (MayaMcGrory of Chanel Beads) ‘Projections’ remix\, where she adds to the longinginherent of the single with delicately plucked strings and lightly swirling feedback; andBrisbane-based underground dream-pop artist Fatshaudi’s (aka Rachael Ryan)swooning and romantic remix of ‘Up’\, where she takes the track to an even glossier\,more atmospheric plane. \nMaria Somerville’s Luster\, the otherworldly yet grounded record including atmosphericand whirring dreamgaze singles ‘Spring’ and ‘Garden’\, channels her experiences onthe bank of the Corrib in her native Connemara\, Ireland and pays homage to the sonictapestry woven by classic 4AD collective This Mortal Coil. In the short time since itsrelease\, the critically acclaimed record has seen a Best New Music accolade fromPitchfork and a glowing Guardian review\, among other pieces of praise such as beingnamed one of The FADER’s ‘30 coolest artists right now’\, and Clash and Loud &Quiet’s best albums of 2025 so far.In continued celebration of Luster\, Maria Somerville will hit the road next Spring\, withcontinued dates across the United States (including Big Ears Festival in Knoxville\,TN)\, the UK\, and her native Ireland (headline dates in Limerick\, Dublin\, and Galway).In addition\, she has just been announced as support on two of My Bloody Valentine’sUK/EU tour dates this November (Manchester and Dublin)\, which fittingly follows hernaming the band’s seminal record Loveless as her Pitchfork Perfect 10. Thisforthcoming run follows highly touted sold-out 2025 shows in New York and Londonamidst other buzzy headline dates across the UK/EU/US (with shows alongsideChanel Beads\, james K\, and others). The full Luster (Remixes) EP\, rounded out with further remixes from YHWHNailgun\, Asa Nisi Masa & Oscar 18\, and Boris\, will be available digitally on 21January 21 — pre-save the EP HERE.EP Artwork by Nicola TirabassoMaria Somerville – Luster (Remixes) MARIA SOMERVILLE BIO:By the time Irish musician Maria Somerville started writing Luster\, her landmark labeldebut for 4AD\, she had lived away from her native Connemara for quite some time.Having grown up amongst the wild\, mountainous terrain of Galway’s rural west coast\,she later relocated to Dublin\, where she patiently developed an atmospheric dreampop signature inspired by the landscape of her youth – a spellbinding soundworld ofgusting ambient electronics\, ethereal guitar strums\, sparse percussion\, and hushedlyrical vignettes. In 2019\, this culminated in All My People\, a self-released LP steepedin reverb\, nostalgia and a yearning for home that won praise from discerning pressand listeners alike.It was upon returning to Connemara\, in a house near where she was raisedoverlooking one of the country’s largest lakes\, Lough Corrib\, that work commenced onthe songs that would eventually become Luster\, an album that illuminates Somerville’smusic anew\, pushing it forward in both sound and spirit. Where All My Peopleconveyed memories and melancholic longing with misty slowcore balladry\, these 12tracks show us an artist who’s more assured in the path her life has taken\, and theperson she’s become in the process. As she sings in ‘Trip’ – “I can see more clearlythan I could before. I know now what’s true for me.”Invigorated by her surroundings and emboldened by her community\, Somerville founda renewed sense of creative energy upon returning to home soil. It provided “fertileground” for free-flowing recording sessions in her small living room studio\, where shestitched together demos that were then fleshed out with friends and collaborators\, andlater mixed by the renowned New York-based engineer Gabriel Schuman.Contributors included producers J. Colleran\, Brendan Jenkinson and Diego Herrera(aka Suzanne Kraft)\, as well as Lankum’s Ian Lynch\, whose uilleann pipe drones youcan hear in ‘Violet’\, and Margie Jean Lewis\, whose violin bows reverberate throughthe ambient haze of ‘Flutter’. Sessions with musicians Henry Earnest and FinnCarraher McDonald (aka Nashpaints) helped “tie it all together”\, while contributionsfrom friends Roisin Berkley and Olan Monk enshrined the companionship they’veshared since Somerville returned to Connemara.Listeners have had a window into Somerville’s world every Monday and Tuesdaymorning since 2021 via her beloved Early Bird Show on NTS Radio\, where her dawnchorus selections range from blissful ambient and shoegaze to traditional Irish folksongs. Since signing to 4AD that same year\, Somerville has toured with her labelmates Dry Cleaning\, and released two covers for the label’s 40th anniversarycelebrations – taking on Nancy Sinatra’s ‘Kinky Love’ and Air Miami’s ‘Sea Bird’. Withthe release of Luster\, she has signaled the arrival of a new era that will see her playaround the world in 2025 accompanied by a live band. Rest assured though\, no matterwhere Somerville goes\, she’ll take a piece of home with her – a living\, breathing\,timeless essence you can sense in every note\, as clear as the air by the Corrib.Maria Somerville – Luster4AD 0755 | 25 April 2025 \n“There’s not a duff moment here – Luster isn’t just one of the best pop albums of the year\, it’s the bestthing we’ve heard from 4AD in years.” Boomkat“Through a dense mist of shoegaze\, post-punk\, and ambient electronics\, Somerville presents adreamworld that is both mythic and real\, a wild and ancient landscape in which her own figure is justbarely perceptible.” Pitchfork (Best New Music\, 8.5/10)“[Luster] feels like a representation of the expansive beauty of solitude\, and the beautiful chaos thatcan be found in quiet moments: a symphony of small ideas rendered in the colours of a sunset.”The Guardian ****“One of Ireland’s most vital young voices.” Bandcamp “A soulful take on post-punk\, built out of austere guitar strums\, ambient atmosphere and understatedvocals that feel as if they could get lost in the breeze.” Crack Magazine “Pop\, trad and electronica are fused into gripping new contortions by the Connemara-born artist.”Irish Times  \nLISTEN NOW \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/maria-somerville-roisin-dubh-galway-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/11/Maria-All-New-Instagram-Post.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260213T200000 DTEND;TZID=UTC:20260213T230000 DTSTAMP:20260624T213324 CREATED:20251016T191433Z LAST-MODIFIED:20251220T204541Z UID:10000098-1771012800-1771023600@foggynotions.ie SUMMARY:JOHN BRAMWELL (I AM KLOOT) DESCRIPTION:FOGGY NOTIONS PRESENTS\nJOHN BRAMWELL (I AM KLOOT)\nBELLO BAR\n13TH FEBRUARY\n\n\n\n \nTickets\nThe numbers below include tickets for this event already in your cart. Clicking “Get Tickets” will allow you to edit any existing attendee information as well as change ticket quantities.\nJOHN BRAMWELL (I AM KLOOT)\nBELLO BAR\n13TH FEBRUARY\nOVER 18’S ID REQUIRED\n€28.00\n150 available\n\nDecrease ticket quantity for JOHN BRAMWELL (I AM KLOOT)\n–\n\nQuantity \n\n\nIncrease ticket quantity for JOHN BRAMWELL (I AM KLOOT)\n+\n\nQuantity:\n0\nTotal:\n€0.00\nGet Tickets \n\n\nTICKETMASTER\n\n\n\nAdd to calendar \n \n\nGoogle Calendar\niCalendar\nOutlook 365\nOutlook Live\n\n \nFoggy Notions presents John John Bramwell (I Am Kloot) live at Bello Bar on 13th & 14th February. Tickets on sale now. \nThere’s a line in the E.E. Cummings poem ‘Somewhere I Have Never Travelled\, Gladly Beyond’ which goes ‘No one\, not even the rain\, has such small hands’ which I paraphrased to ‘Nothing can wash this away\, not even the rain’ –– I’ve always loved that imagery and intrigue… I’ve never been a realist\, the magic and mystery is where my heart lies and where my mind wonders…” John Bramwell –– 2026 \nAs the singer in I Am Kloot from 1999 to 2014\, John Bramwell achieved a Mercury Prize nomination for 2010’s The Sky At Night\, a Top 10 chart position for 2013’s Let It All In\, numerous UK and European tours and a triumphant farewell at the Queen Elizabeth Hall with an orchestra in 2014. \nNow\, as a solo artist\, Bramwell travels a very different path\, a path that criss-crosses the length and breadth of the UK with a humble agenda of taking his heartwarming songs to the stage and enjoying another moment in time with his devoted fans. \nThe stunning 2023 sophomore solo album\, The Light Fantastic was an almost complete u-turn from the I Am Kloot outlook they were known for. Darker clouds banished and in replacement strings\, four-part harmonies [a warming development\, since Kloot never had any backing vocals] and a dozen gloriously exhilarating\, beautifully crafted and observed songs about life\, humanity\, the universe and everything. As John put it\, “It’s been great to find the joy of making music once again. These are the most uplifting songs of my career.” \nThe album received unanimous praise from the UK press but it is the all-encapsulating live show where Bramwell conjures up his true magic as songwriter and performer. Bramwell has been on a never-ending rolling adventure since his workings away from Kloot and in the last three years has visited almost every parish in England\, Scotland and Wales to be met with halls\, theatres\, arts centres\, churches\, festival tents and folk clubs full with his eager fans waiting to see which direction Bramwell will take the mood of the night – the enriched\, wildly playful inter-song banter is so good\, a stand up comedy tour has been contemplated. \nBramwell’s razor sharp wit\, on the line and refreshingly true [and often hilarious] observations and instantly recognisible haunting vocal channeled through some of the most honest and direct songwriting of our times has seen Bramwell championed in rave reviews\, time after time. Most recently\, God Is In The TV celebrated John’s 2025 Beautiful Days performance as the highlight of the weekend. \nPraise for The Light Fantastic \n‘The regular harmonising with his cast of supporting musicians is especially beautiful’ CLASH \n‘Wonderfully grown-up pop music delivered by an adept songwriter’ – 4* MOJO \n‘This is hazy music\, with purpose\, and very pretty with it.’ – 4* The Times \n‘A splendid solo set of sumptuous vocal harmonies’ – UNCUT \n‘A unique voice both literally and metaphorically’ – Lauren Laverne \n‘Bramwell’s new songs are spellbinding’ – The Guardian \n‘My favourite songwriter of all time’ – Cate Blanchett \n‘The UK’s finest export’ – New York Times. \nLISTEN NOW \n\n\n\nALL SHOWS URL:http://foggynotions.ie/concerts/john-bramwell-i-am-kloot-dublin-2026-friday/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/John-B-Web.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260213T200000 DTEND;TZID=UTC:20260213T230000 DTSTAMP:20260624T213324 CREATED:20251112T150636Z LAST-MODIFIED:20260129T185724Z UID:10000122-1771012800-1771023600@foggynotions.ie SUMMARY:MARIA SOMERVILLE DESCRIPTION:FOGGY NOTIONS PRESENTS\nMARIA SOMERVILLE\nSPECIAL GUESTS\nNASHPAINTS\nWHELAN’S\n13TH FEBRUARY\nSOLD OUT\n \n WAV TICKETS\n \n \n TICKETMASTER\n \n\n \n Add to calendar \n \n \n \n\n\n Google Calendar\n\n\n iCalendar\n\n\n Outlook 365\n\n\n Outlook Live\n\n\n \nTickets on sale now. \nIrish musician Maria Somerville shared her second album and debut project on 4AD\,Luster\, in April. A few months on from its release\, Somerville now announces a brandnew Luster (Remixes) EP\, due 21 January. In total\, the EP gives six tracks off Somerville’s already mesmerizing\, wind-sweptrecord new life in fitting\, and sometimes surprising ways via its enlisted cast of friendsand collaborators (Seefeel\, YHWH Nailgun\, Fatshaudi\, colle\, Asa Nisi Masa &Oscar18\, and Boris).  \nAlongside the announcement\, today finds the release of three remix tracks off the EP— Seefeel’s slow-burning ‘Stonefly’ remix\, where the track is extended over 7-minutes with crackling synths and whispered cosmological refrains; colle’s (MayaMcGrory of Chanel Beads) ‘Projections’ remix\, where she adds to the longinginherent of the single with delicately plucked strings and lightly swirling feedback; andBrisbane-based underground dream-pop artist Fatshaudi’s (aka Rachael Ryan)swooning and romantic remix of ‘Up’\, where she takes the track to an even glossier\,more atmospheric plane. \nMaria Somerville’s Luster\, the otherworldly yet grounded record including atmosphericand whirring dreamgaze singles ‘Spring’ and ‘Garden’\, channels her experiences onthe bank of the Corrib in her native Connemara\, Ireland and pays homage to the sonictapestry woven by classic 4AD collective This Mortal Coil. In the short time since itsrelease\, the critically acclaimed record has seen a Best New Music accolade fromPitchfork and a glowing Guardian review\, among other pieces of praise such as beingnamed one of The FADER’s ‘30 coolest artists right now’\, and Clash and Loud &Quiet’s best albums of 2025 so far. \nIn continued celebration of Luster\, Maria Somerville will hit the road next Spring\, withcontinued dates across the United States (including Big Ears Festival in Knoxville\,TN)\, the UK\, and her native Ireland (headline dates in Limerick\, Dublin\, and Galway).In addition\, she has just been announced as support on two of My Bloody Valentine’sUK/EU tour dates this November (Manchester and Dublin)\, which fittingly follows hernaming the band’s seminal record Loveless as her Pitchfork Perfect 10. Thisforthcoming run follows highly touted sold-out 2025 shows in New York and Londonamidst other buzzy headline dates across the UK/EU/US (with shows alongsideChanel Beads\, james K\, and others). The full Luster (Remixes) EP\, rounded out with further remixes from YHWHNailgun\, Asa Nisi Masa & Oscar 18\, and Boris\, will be available digitally on 21January 21 — pre-save the EP HERE.EP Artwork by Nicola TirabassoMaria Somerville – Luster (Remixes) MARIA SOMERVILLE BIO:By the time Irish musician Maria Somerville started writing Luster\, her landmark labeldebut for 4AD\, she had lived away from her native Connemara for quite some time.Having grown up amongst the wild\, mountainous terrain of Galway’s rural west coast\,she later relocated to Dublin\, where she patiently developed an atmospheric dreampop signature inspired by the landscape of her youth – a spellbinding soundworld ofgusting ambient electronics\, ethereal guitar strums\, sparse percussion\, and hushedlyrical vignettes. In 2019\, this culminated in All My People\, a self-released LP steepedin reverb\, nostalgia and a yearning for home that won praise from discerning pressand listeners alike.It was upon returning to Connemara\, in a house near where she was raisedoverlooking one of the country’s largest lakes\, Lough Corrib\, that work commenced onthe songs that would eventually become Luster\, an album that illuminates Somerville’smusic anew\, pushing it forward in both sound and spirit. Where All My Peopleconveyed memories and melancholic longing with misty slowcore balladry\, these 12tracks show us an artist who’s more assured in the path her life has taken\, and theperson she’s become in the process. As she sings in ‘Trip’ – “I can see more clearlythan I could before. I know now what’s true for me.”Invigorated by her surroundings and emboldened by her community\, Somerville founda renewed sense of creative energy upon returning to home soil. It provided “fertileground” for free-flowing recording sessions in her small living room studio\, where shestitched together demos that were then fleshed out with friends and collaborators\, andlater mixed by the renowned New York-based engineer Gabriel Schuman.Contributors included producers J. Colleran\, Brendan Jenkinson and Diego Herrera(aka Suzanne Kraft)\, as well as Lankum’s Ian Lynch\, whose uilleann pipe drones youcan hear in ‘Violet’\, and Margie Jean Lewis\, whose violin bows reverberate throughthe ambient haze of ‘Flutter’. Sessions with musicians Henry Earnest and FinnCarraher McDonald (aka Nashpaints) helped “tie it all together”\, while contributionsfrom friends Roisin Berkley and Olan Monk enshrined the companionship they’veshared since Somerville returned to Connemara.Listeners have had a window into Somerville’s world every Monday and Tuesdaymorning since 2021 via her beloved Early Bird Show on NTS Radio\, where her dawnchorus selections range from blissful ambient and shoegaze to traditional Irish folksongs. Since signing to 4AD that same year\, Somerville has toured with her labelmates Dry Cleaning\, and released two covers for the label’s 40th anniversarycelebrations – taking on Nancy Sinatra’s ‘Kinky Love’ and Air Miami’s ‘Sea Bird’. Withthe release of Luster\, she has signaled the arrival of a new era that will see her playaround the world in 2025 accompanied by a live band. Rest assured though\, no matterwhere Somerville goes\, she’ll take a piece of home with her – a living\, breathing\,timeless essence you can sense in every note\, as clear as the air by the Corrib.Maria Somerville – Luster4AD 0755 | 25 April 2025 \n“There’s not a duff moment here – Luster isn’t just one of the best pop albums of the year\, it’s the bestthing we’ve heard from 4AD in years.” Boomkat \n“Through a dense mist of shoegaze\, post-punk\, and ambient electronics\, Somerville presents adreamworld that is both mythic and real\, a wild and ancient landscape in which her own figure is justbarely perceptible.” Pitchfork (Best New Music\, 8.5/10)“[Luster] feels like a representation of the expansive beauty of solitude\, and the beautiful chaos thatcan be found in quiet moments: a symphony of small ideas rendered in the colours of a sunset.”The Guardian ****“One of Ireland’s most vital young voices.” Bandcamp “A soulful take on post-punk\, built out of austere guitar strums\, ambient atmosphere and understatedvocals that feel as if they could get lost in the breeze.” Crack Magazine “Pop\, trad and electronica are fused into gripping new contortions by the Connemara-born artist.”Irish Times  \nLISTEN NOW \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/maria-somerville-whelans-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/11/Maria-SO-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260214T200000 DTEND;TZID=UTC:20260214T230000 DTSTAMP:20260624T213324 CREATED:20251015T204705Z LAST-MODIFIED:20260204T175500Z UID:10000084-1771099200-1771110000@foggynotions.ie SUMMARY:WAVVES DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nWAVVES\nGRAND SOCIAL\n14TH FEBRUARY\n\n\n\n \nTickets\nThe numbers below include tickets for this event already in your cart. Clicking “Get Tickets” will allow you to edit any existing attendee information as well as change ticket quantities.\nWAVVES\nGRAND SOCIAL\n14TH FEBRUARY\nOVER 18S ID REQUIRED\n€24.50\n150 available\n\nDecrease ticket quantity for WAVVES\n–\n\nQuantity \n\n\nIncrease ticket quantity for WAVVES\n+\n\nQuantity:\n0\nTotal:\n€0.00\nGet Tickets \n\n\nTICKETMASTER\n\n\n\nAdd to calendar \n \n\nGoogle Calendar\niCalendar\nOutlook 365\nOutlook Live\n\n \nFoggy Notions & U:Mack present Wavves live at Grand Social on Saturday 14th February. Tickets on sale now. \nWavves returns with Spun\, their first album since 2021\, marking a new chapter for Nathan Williams and longtime bandmates Stephen Pope\, Ross Traver\, and Alex Gates. Written in the same backyard shed where it all began\, the record captures the band’s signature blend of chaos\, clarity\, and self-aware sneer. After years of label detours\, solo ventures\, and side hustles—including the launch of their cannabis brand Wavvy Supply Co.—Wavves is back on the road in 2025 with a full North American tour and a renewed sense of purpose. Same noise\, new energy. \nLISTEN NOW \n\n\n\nALL SHOWS URL:http://foggynotions.ie/concerts/wavves-grand-social-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/WAVVES-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260214T200000 DTEND;TZID=UTC:20260214T230000 DTSTAMP:20260624T213324 CREATED:20251016T192128Z LAST-MODIFIED:20251220T204739Z UID:10000099-1771099200-1771110000@foggynotions.ie SUMMARY:JOHN BRAMWELL (I AM KLOOT) DESCRIPTION:FOGGY NOTIONS PRESENTS\nJOHN BRAMWELL (I AM KLOOT)\nBELLO BAR\n14TH FEBRUARY\n\n\n\n \nTickets\nThe numbers below include tickets for this event already in your cart. Clicking “Get Tickets” will allow you to edit any existing attendee information as well as change ticket quantities.\nJOHN BRAMWELL (I AM KLOOT)\nBELLO BAR\n14TH FEBRUARY\nOVER 18’S ID REQUIRED\n€28.00\n150 available\n\nDecrease ticket quantity for JOHN BRAMWELL (I AM KLOOT)\n–\n\nQuantity \n\n\nIncrease ticket quantity for JOHN BRAMWELL (I AM KLOOT)\n+\n\nQuantity:\n0\nTotal:\n€0.00\nGet Tickets \n\n\nTICKETMASTER\n\n\n\nAdd to calendar \n \n\nGoogle Calendar\niCalendar\nOutlook 365\nOutlook Live\n\n \nFoggy Notions presents John John Bramwell (I Am Kloot) live at Bello Bar on 13th & 14th February. Tickets on sale now. \nThere’s a line in the E.E. Cummings poem ‘Somewhere I Have Never Travelled\, Gladly Beyond’ which goes ‘No one\, not even the rain\, has such small hands’ which I paraphrased to ‘Nothing can wash this away\, not even the rain’ –– I’ve always loved that imagery and intrigue… I’ve never been a realist\, the magic and mystery is where my heart lies and where my mind wonders…” John Bramwell –– 2026 \nAs the singer in I Am Kloot from 1999 to 2014\, John Bramwell achieved a Mercury Prize nomination for 2010’s The Sky At Night\, a Top 10 chart position for 2013’s Let It All In\, numerous UK and European tours and a triumphant farewell at the Queen Elizabeth Hall with an orchestra in 2014. \nNow\, as a solo artist\, Bramwell travels a very different path\, a path that criss-crosses the length and breadth of the UK with a humble agenda of taking his heartwarming songs to the stage and enjoying another moment in time with his devoted fans. \nThe stunning 2023 sophomore solo album\, The Light Fantastic was an almost complete u-turn from the I Am Kloot outlook they were known for. Darker clouds banished and in replacement strings\, four-part harmonies [a warming development\, since Kloot never had any backing vocals] and a dozen gloriously exhilarating\, beautifully crafted and observed songs about life\, humanity\, the universe and everything. As John put it\, “It’s been great to find the joy of making music once again. These are the most uplifting songs of my career.” \nThe album received unanimous praise from the UK press but it is the all-encapsulating live show where Bramwell conjures up his true magic as songwriter and performer. Bramwell has been on a never-ending rolling adventure since his workings away from Kloot and in the last three years has visited almost every parish in England\, Scotland and Wales to be met with halls\, theatres\, arts centres\, churches\, festival tents and folk clubs full with his eager fans waiting to see which direction Bramwell will take the mood of the night – the enriched\, wildly playful inter-song banter is so good\, a stand up comedy tour has been contemplated. \nBramwell’s razor sharp wit\, on the line and refreshingly true [and often hilarious] observations and instantly recognisible haunting vocal channeled through some of the most honest and direct songwriting of our times has seen Bramwell championed in rave reviews\, time after time. Most recently\, God Is In The TV celebrated John’s 2025 Beautiful Days performance as the highlight of the weekend. \nPraise for The Light Fantastic \n‘The regular harmonising with his cast of supporting musicians is especially beautiful’ CLASH \n‘Wonderfully grown-up pop music delivered by an adept songwriter’ – 4* MOJO \n‘This is hazy music\, with purpose\, and very pretty with it.’ – 4* The Times \n‘A splendid solo set of sumptuous vocal harmonies’ – UNCUT \n‘A unique voice both literally and metaphorically’ – Lauren Laverne \n‘Bramwell’s new songs are spellbinding’ – The Guardian \n‘My favourite songwriter of all time’ – Cate Blanchett \n‘The UK’s finest export’ – New York Times. \nLISTEN NOW \n\n\n\nALL SHOWS URL:http://foggynotions.ie/concerts/john-bramwell-i-am-kloot-dublin-2026-saturday/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/John-B-Web.jpeg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260217T193000 DTEND;TZID=UTC:20260217T230000 DTSTAMP:20260624T213324 CREATED:20251015T201634Z LAST-MODIFIED:20251127T131227Z UID:10000081-1771356600-1771369200@foggynotions.ie SUMMARY:MILITARIE GUN DESCRIPTION:FOGGY NOTIONS PRESENTS\nMILITARIE GUN\nBUTTON FACTORY\n17TH FEBRUARY\n\n \n \n \n \n\n Tickets\n The numbers below include tickets for this event already in your cart. Clicking “Get Tickets” will allow you to edit any existing attendee information as well as change ticket quantities.\n MILITARIE GUN\n BUTTON FACTORY\n17TH FEBRUARY\nOVER 18S ID REQUIRED\n €24.50\n 300 available\n \n Decrease ticket quantity for MILITARIE GUN\n –\n \n Quantity \n \n \n Increase ticket quantity for MILITARIE GUN\n +\n \n Quantity:\n 0\n Total:\n €0.00\n Get Tickets\n \n \n\n \n \n\n \n \n\n \n \n TICKETMASTER\n \n\n \n Add to calendar \n \n \n \n\n\n Google Calendar\n\n\n iCalendar\n\n\n Outlook 365\n\n\n Outlook Live\n\n\n \nFoggy Notions is proud to present Militarie Gun and special guests The Tubs live at Button Factory on 17th February. \nTickets on sale now. \nMilitarie Gun’s new album\, God Save The Gun\, starts with a confession. “I’ve been slipping up” frontman Ian Shelton roars on the opening cut “B A D I D E A.” It’s real vulnerability tucked amongst distorted bass and blown-out drums\, and the perfect introduction to one of the most exciting records of the year. This isn’t just a sonically daring\, massive swing of a rock album\, it’s also a very human document of being at your worst when you should be on top of the world – an absurdist guide to the intersection of self-destruction and self-belief. \n“I’m well aware that being this vulnerable turns my personal trauma into a marketing hook for this album\,” Shelton says. “But I’m fine with it\, if not provoking it. Over the past couple years\, as I spoke about addiction from the perspective of someone affected by it\, I became the one struggling with it. There’s a farcical logic to entering a situation\, fully knowing the consequences\, and doing it anyway–but that’s where my head was when I started leaning on drinking.” Militarie Gun’s 2023 debut album\, Life Under The Gun was centered around lifelong cycles of hurt\, with the singer looking back at growing up with family members struggling with addiction\, and while God Save The Gun is still tethered to that history\, this time\, he’s not the witness—he’s the protagonist. It wasn’t until the band was scheduled to enter the studio in early 2025 that Shelton realized he was the one who needed to hear God Save The Gun’s message. “I thought I was playing a character\, but it was becoming my reality\,” he explains. “Right before recording\, it hit me that I was really losing control and needed to do something about it. I looked at the record as a whole and could see that it was a note to myself – when I read back those lyrics\, I could clearly see they’re saying ‘yeah man\, you’re fucking up.’” \nDespite all of the inner turmoil leading to God Save The Gun\, Shelton and his bandmates – guitarists William Acuña and Kevin Kiley\, bassist Waylon Trim\, and drummer David Stalsworth – more than rose to the challenge of following up Militarie Gun’s acclaimed debut. Stalsworth\, Trim\, and Kiley all joined during Life Under The Gun’s extensive touring cycle after a series of member shakeups that would hobble most bands\, but only made Militarie Gun stronger. “It took us a long time to find the right people to be in this band but it feels like all the pieces have finally fallen into place\,” Shelton says. “It’s like we’ve had a fast car for a while but we just now figured out how to drive it. We wrote for three years consistently because our intention was to make a classic record—full stop. The songs need to be as emotional as possible but the music needs to fully hit too. Big ideas need big songs.” \nGod Save The Gun certainly lives up to that credo\, and to do it\, the band recruited a village of new and old collaborators. Shelton continued his creative relationship with songsmith Phillip Odom\, co-wrote with longtime conspirator and frequent harmonizer James Goodson of Dazy\, and newly tapped Nick Panella of MSPAINT\, among others. “Phil really taught me how to sing\, he knows my voice better than anyone\,” says Shelton. “Or sometimes it’s about bringing in a fresh perspective – I call someone like James or Nick because those guys write songs in a totally different way than I do.” That outside view also came from producer / engineer Riley MacIntyre (Adele\, Arlo Parks\, The Kills)\, who was chosen not only to make the songs sound huge\, but also to access the sentiments behind them. “We went with Riley because he’s the emotional producer\,” Shelton says. “We wanted someone who locked in with what the songs were about\, not just how they sounded. And he was so dedicated – we would do 14-hour days and Riley would be there an hour before me and an hour after I left.” God Save The Gun does indeed feel massive\, but it’s the sound of real people working together to make something bigger than themselves–not computer-replaced perfectionism. And its musical scope is matched by its lyrical depths. \nThe album’s cover art depicts Shelton as a cult leader\, subverting the idea of a charismatic rock n’ roll messiah: the vocalist is selling salvation when he’s the one in need\, a sly jab at the commodification of art and self-help. “The album has a pretty defined arc\,” Shelton explains. “Sometimes I think people like me more when I’m at my worst and the first few songs are about seeking external validation – needing people or drugs or alcohol to provide your value\, anything but yourself. Then it’s songs that reflect on what I went through when I was younger and coming away with the wrong conclusions. It’s kind of ridiculous\, me thinking ‘I saw my mom attempt homicide\, so it’s ok for me to get out of control as long as it’s less than that.’ After that the album gets manic. Then it’s the hard comedown after the episode\, where the stakes get very real.” \nGod Save The Gun’s begins with “Pt II\,” a spoken word intro where Shelton sets the tone\, admitting “things have not been great…” before kicking into the pissed-off pogo of “B A D I D E A.” The record then surges forward with “Fill Me With Paint” and “Throw Me Away\,” two gigantic alt-rock barnburners that sound more confident than ever despite lyrics of biting self-doubt and paranoia. It’s a magic trick that Militarie Gun performs throughout the record: hyper-energetic songwriting that makes the heavy lyrical content hit even harder. “God Owes Me Money” follows\, a defiant synth-flecked rocker that just might be the jewel of the record and ties Shelton’s past to his present. “The idea of god or the universe owing you something because of the bad hand you’ve been dealt is just a brash idea that I really connect to\,” he says. “It’s my right to redefine my pain and make it pay me.” Next on the hazy acoustic ballad “Daydream” Shelton begins to subconsciously realize he might have a problem\, but things get messier and more complicated from there as the narrative and the music jackknife through turbulence. “I was trying to make an album with so much chaos in my life and in my head\,” Shelton says. “A break-up\, crazy touring\, family trouble from the past\, family trouble from now… It’s hard for me not to just lean into the absurdity of it all sometimes\, like if you’re not laughing you’re crying.” God Save The Gun swings from the punk stomp of “Maybe I’ll Burn My Life Down\,” to the Killing Joke sampling rave up of “Kick\,” to the chiming jangle pop of “Laugh At Me\,” tackling nihilistic abandon\, anger\, and love–all that mania channels into the record’s harrowing next chapter. \n“I’m a depressed person and so much of this has really just been about trying to find a distraction from that\,” Shelton says plainly. “At the end of the day it’s not appropriate for me to talk about a lot of the things I see in my brain – it would bum people out – so the only place I have for this stuff is in these songs.” Shelton puts that idea to the test with “I Won’t Murder Your Friend\,” an agonizing portrayal of suicidal ideation that’s very intentionally drained of any possible romanticization. “I grew up hearing songs that glorified suicide and I wanted to write a song that de-glorified it\,” he explains. “I heard David Choe talking about Anthony Bourdain with that perspective – that suicide doesn’t make you the glorious martyr\, you’re the selfish murderer and your own life isn’t the only casualty – it really stuck with me and he let us put that audio into the track.” Thankfully God Save The Gun stops short of the abyss\, with Shelton finding hope by looking outside himself. “The album gets more empathetic\,” Shelton says. “It becomes about realizing you’ve been missing that other people are struggling because you’re so wrapped up in your own problems.” \nThat glimmer of hope carries into God Save The Gun’s climactic title track\, a song that tries to reject the cycle of bad choices and bad results. If reveling in self-destruction didn’t work then maybe only the hardest option is left: change. “Your people love you\, they don’t let it show / and I know you’re out of control\,” Shelton howls over top of churning bass and tremolo guitars\, singing each verse to the various characters that populate the song’s unhinged existential party-gone-wrong. Suzy\, Martin\, Blaine\, Lucy\, Liam – Shelton rattles off the names with increasing desperation\, as if he’s trying to direct the lines to anyone but himself. “It’s me speaking to other people\, but I was the person who needed to hear what I was saying the most\,” he admits. “You shouldn’t have to wait until your life is completely destroyed to try to improve it\, and I don’t want to lose what I’ve worked for because I have a drinking problem.” The song’s twisting structure hurls the listener through exhilarating dynamic shifts before abruptly cutting to just bass and vocals for its final lines: “If you want to keep your life\, you gotta let it go\,” Shelton sings\, his voice resolute. God can’t save The Gun but he can do it himself.   \nLISTEN NOW \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/militarie-gun-button-factory-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Militarie-Gun-New-Instagram-Post-copy.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260218T193000 DTEND;TZID=UTC:20260218T230000 DTSTAMP:20260624T213324 CREATED:20251014T193436Z LAST-MODIFIED:20251014T194557Z UID:10000065-1771443000-1771455600@foggynotions.ie SUMMARY:GAVIN FRIDAY DESCRIPTION:FOGGY NOTIONS PRESENTS\nGAVIN FRIDAY\nDOLAN’S LIMERICK\n18TH FEBRUARY\n \n DOLAN’S TICKETS\n \n \n TICKETMASTER\n \n\n \n Add to calendar \n \n \n \n\n\n Google Calendar\n\n\n iCalendar\n\n\n Outlook 365\n\n\n Outlook Live\n\n\n \nFoggy Notions is proud to present the iconic Gavin Friday live in 2026 as part of the Ecce Homo Live Spring 2026 tour. Tickets on sale now. \nFriday will perform a hometown show at Dublin’s Vicar Street on Thursday 12th March and a show in Limerick at Dolan’s Warehouse on Wednesday 18th February. \nFriday’s sold-out performance at Vicar Street in April 2025 marked a triumphant homecoming after many years and was met with unanimous critical acclaim. \n“reminded us of his status as a master showman.” – Irish Examiner \n“raises the roof\, bar and gold standard to a transfixed Vicar Street.” – Hot Press \nOn the subject of his return to the live stage Friday remarked\, “Performing ‘live’ is probably the place I feel most comfortable with myself – it’s been an age and I cannot wait to get back on stage especially now that you’ve heard Ecce Homo – ‘live’ you can to see it\, smell it and let it kiss you”. \nTickets go on general sale on Friday 10th October at 10:00 with exclusive presale access for gavinfriday.com subscribers from Wednesday 8th October at 10:00. \nECCE HOMO: \nIn the red-walled library of Gavin Friday’s home in downtown Dublin\, a sacred heart hangs from the white ceiling. The glass totem was a housewarming gift when Friday returned to the city’s centre about two years ago; it presides there like a reminder of his past and a lure yet toward his future. \nFriday\, now 65\, began to question Catholicism more than a half-century ago\, when he wondered why the teachers in his strict Catholic school\, so-called servants of God\, would beat him and his classmates. This was just before he witnessed the rise of glam and punk\, before he saw Joy Division for the first time or snuck across the Irish Sea to catch David Bowie in London. This\, too\, was just before he started Virgin Prunes\, his canonically transgressive post-punk band that scrambled perceptions of genre and gender. And this was just before the acts of rebellion and interrogation that have crafted his singular career as a singer\, composer\, visual artist\, and actor merged into an astonishingly creative life. But there are some symbols and some histories you can’t outrun—or really don’t want to. “Maybe I haven’t grown up\,” he quips beneath the sacred heart\, winking. “Or maybe I am growing up.” \nThat toggle and tension animate Ecce Homo\, Friday’s first album in 13 years and an engrossing culmination of the life he has lived and the life he is now determined to make for himself. Driven alternately by thundering electronics that recall the power of the Prunes and exquisite acoustics that reflect the beauty of his most recent solo work and soundtracks\, Ecce Homo is an ecstatic and unbound expression of anger and independence\, of severing oneself from stereotypes of what you’re supposed to be while also acknowledging that our hardest battles are often our collective ones. There are love songs and fight songs\, reflections on loss and reveries of nostalgia\, anthems for solidarity and excoriations of the powerful. Friday thinks it’s the most honest album he’s ever made; it is also his most riveting. \nEcce Homo began more than a decade ago with a surprise email from Dave Ball\, the Soft Cell cofounder who produced Virgin Prunes 40 years ago. They hadn’t seen each other during that long span\, but Ball asked if Friday wanted to conspire on a cover of Suicide’s “Ghost Rider” for Alan Vega’s 70th birthday. For several years\, they bounced ideas for other songs back and forth via email until Friday finally visited him in London for a series of studio sessions. They wrote the bulk of Ecce Homo’s music together\, their interpersonal dynamic resulting in tracks that moved freely between disparate emotional ends. \nFriday\, though\, wanted to make it all bigger\, to drape the songs in the finery and grandeur he’d indulged with his soundtrack work. He did that back in Dublin with a cast of familiar collaborators including Michael Heffernan\, as he also cared for his ailing mother\, then suffering the final stages of Alzheimer’s. Enraged by the rise of international strongmen but inspired by a long\, loving\, and stable relationship with another man after a prolonged divorce\, Friday built Ecce Homo as a monument of and to his own emotions. In early 2020\, he was ready to mix it when Covid-19 arrived. He put it down for two years\, vowing to revisit it only when he could make a little more sense of the world. His mother died\, as did Hal Willner\, one of his closest collaborators\, and one of his two beloved dogs\, Ralf. Hard seasons\, all around. \nThat difficult gap seemed to supercharge Ecce Homo\, enhancing not only its sense of deserved indignation but also amplifying the tenderness and love that undergird so many of these songs. In the former category\, the title track is a pulsing\, pulverising menace\, its streaks of florid noise and walls of hard-edged rhythms squaring up against enemies of inclusion and liberty. He throws the words of Pontius Pilate back at our persecutors\, promising to “Fight fire with fire/We can walk on water” over warped gospel harmonies. “Lamento” summons similar betrayal from the personal rather than political vantage\, Friday’s yearning voice rising to meet the little symphony that slowly circles beneath the track’s distant sequencers and acoustic guitars. He sings his late mother’s name here\, Anne Storey\, and samples her voice during “Amaranthus (Love Lies Bleeding)\,” a hardcore electro browbeater that aims to dance the hardship away. Hurt comes from every side here\, in every possible shape. \nBut the real core of Ecce Homo is a reaction rooted in hope and love\, in seeing the struggles of the past and the possibilities of the future through the same unified gaze. Dedicated to longtime friends Bono and Guggi\, and their youthful posse Lypton Village\, the gorgeous and wistful “When the World Was Young” feels both like a sad goodbye to the past and a cheery hello for the kids who can remake the world right now. “Lady Esquire” celebrates teenage indiscretion\, to watching buildings dance after getting high on shoe polish. “The Church of Love” shimmies away from the conservative and Catholic mores of old Ireland\, relishing in rejection of hierarchies and sexual strictures. “Happiness is heaven\,” Friday sings\, his own personal Bacchus. “And heaven is at our feet.” \nThe two most affecting songs might be about the loves of his current life. Opener “Lovesubzero” slowly rises from coruscant symphonic splendour to an unapologetic electronic ode to the partner who has helped set him free and find himself. It is an anthem of love\, a dark disco tribute to the brilliance of romance and partnership. And then there is “The Best Boys in Dublin\,” an unguarded paean to his pups\, Ralfie and Stan the Man\, who escorted him to many of these sessions. It is a short little tune\, acoustic guitar and piano ensconced inside lush strings. Still\, it is a stirring testament to finding comfort and strength wherever we can\, to enduring in whatever way we must. \nWhen Friday was a teenager\, alienated from the Catholic church and looking for meaning\, music became his godsend\, his lifeline\, his revelation. Or\, as he calls it\, “the release where I could bleed publicly.” He surmises it saved his life. Though it is rooted in so much loss\, Ecce Homo advances that story of survival\, of how we are always looking for what can ferry us into the next phase of our life. It is neither a happy album nor a tragic one; it is\, instead\, a bracingly honest thing\, staring at both sides of a life and testifying to how it has been and how it may yet be. \nLISTEN NOW \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/gavin-friday-ireland-spring-2026-limerick/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Gavin-Friday-Website-Both.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260219T193000 DTEND;TZID=UTC:20260219T230000 DTSTAMP:20260624T213324 CREATED:20251014T195241Z LAST-MODIFIED:20251102T203327Z UID:10000066-1771529400-1771542000@foggynotions.ie SUMMARY:STEREOLAB DESCRIPTION:FOGGY NOTIONS PRESENTS\nSTEREOLAB\nCYPRUS AVENUE CORK\n19TH FEBRUARY\nSOLD OUT\n \n TICKETMASTER\n \n \n EVENTBRITE\n \n\n \n Add to calendar \n \n \n \n\n\n Google Calendar\n\n\n iCalendar\n\n\n Outlook 365\n\n\n Outlook Live\n\n\n \nFoggy Notions is proud to present Stereolab in February 2026. Tickets on sale now. \nSpecial guest Emma Tricca. \nFollowing the release of their first album in fifteen years\, Instant Holograms On Metal Film\, seminal avant-pop Stereolab will perform an Irish tour in February 2026 including their first ever show in Limerick\, first time in Dublin’s National Concert Hall and their first Cork show in 18 years. \nStereolab are an Anglo-French avant-pop band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier\, the group’s sound incorporates repetitive motorik beats with the use of vintage electronic keyboards and female vocals sung in English and French\, drawing influences from krautrock\, funk\, jazz\, 1960s French pop and Brazilian music. Their lyrics have political and philosophical themes influenced by the Surrealist and Situationist art movements.  \nLISTEN NOW \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/stereolab-ireland-february-2026-cork/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Stereolab-ALL-Website-Updated.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260220T193000 DTEND;TZID=UTC:20260220T230000 DTSTAMP:20260624T213324 CREATED:20251014T201649Z LAST-MODIFIED:20251102T203204Z UID:10000067-1771615800-1771628400@foggynotions.ie SUMMARY:STEREOLAB DESCRIPTION:FOGGY NOTIONS PRESENTS\nSTEREOLAB\nDOLAN’S LIMERICK\n20TH FEBRUARY\nSOLD OUT\n \n DOLAN’S TICKETS\n \n \n TICKETMASTER\n \n\n \n Add to calendar \n \n \n \n\n\n Google Calendar\n\n\n iCalendar\n\n\n Outlook 365\n\n\n Outlook Live\n\n\n \nFoggy Notions is proud to present Stereolab in February 2026. Tickets on sale now. \nSpecial guest Emma Tricca. \nFollowing the release of their first album in fifteen years\, Instant Holograms On Metal Film\, seminal avant-pop Stereolab will perform an Irish tour in February 2026 including their first ever show in Limerick\, first time in Dublin’s National Concert Hall and their first Cork show in 18 years. \nStereolab are an Anglo-French avant-pop band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier\, the group’s sound incorporates repetitive motorik beats with the use of vintage electronic keyboards and female vocals sung in English and French\, drawing influences from krautrock\, funk\, jazz\, 1960s French pop and Brazilian music. Their lyrics have political and philosophical themes influenced by the Surrealist and Situationist art movements.   \nLISTEN NOW \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/stereolab-ireland-february-2026-limerick/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Stereolab-ALL-Website-Updated.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260220T193000 DTEND;TZID=UTC:20260220T230000 DTSTAMP:20260624T213324 CREATED:20251015T200858Z LAST-MODIFIED:20251016T205706Z UID:10000080-1771615800-1771628400@foggynotions.ie SUMMARY:DANNY L HARLE DESCRIPTION:FOGGY NOTIONS PRESENTS\nDANNY L HARLE\nBUTTON FACTORY\n20TH FEBRUARY\n\n\n\n \nTickets\nThe numbers below include tickets for this event already in your cart. Clicking “Get Tickets” will allow you to edit any existing attendee information as well as change ticket quantities.\nDANNY L HARLE\nBUTTON FACTORY\n20TH FEBRUARY\nOVER 18S ID REQUIRED\n€23.50\n250 available\n\nDecrease ticket quantity for DANNY L HARLE\n–\n\nQuantity \n\n\nIncrease ticket quantity for DANNY L HARLE\n+\n\nQuantity:\n0\nTotal:\n€0.00\nGet Tickets \n\n\nTICKETMASTER\n\n\n\nAdd to calendar \n \n\nGoogle Calendar\niCalendar\nOutlook 365\nOutlook Live\n\n \nFoggy Notions is proud to present Danny L Harle live at Button Factory on Friday 20th February. Tickets on sale now. \nDanny L Harle is a Grammy nominated British music producer and composer\, who has written and produced for artists including Dua Lipa\, Charli XCX\, Caroline Polachek\, Clairo\, Rina Sawayama\, Olly Alexander and PinkPantheress. \nA founding member of the London-based PC Music collective\, Harle’s music draws upon his classical background\, having studied composition at the Guildhall School of Music. \nIn August 2025\, Harle signed with XL Recordings releasing first single ‘Starlight’ featuring Pinkpantheress followed by ‘Azimuth’ featuring long-time collaborator Caroline Polachek\, marking an adventurous new musical chapter for this visionary artist. \nLISTEN NOW \n\n\n\nALL SHOWS URL:http://foggynotions.ie/concerts/danny-l-harle-button-factory-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Danny-L-Harle-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260220T200000 DTEND;TZID=UTC:20260220T223000 DTSTAMP:20260624T213324 CREATED:20251016T201158Z LAST-MODIFIED:20251102T153723Z UID:10000105-1771617600-1771626600@foggynotions.ie SUMMARY:FABIANO DO NASCIMENTO DESCRIPTION:FOGGY NOTIONS PRESENTS\nFABIANO DO NASCIMENTO\nGRAND SOCIAL\n20TH FEBRUARY\n\n\n\n \nTickets\nThe numbers below include tickets for this event already in your cart. Clicking “Get Tickets” will allow you to edit any existing attendee information as well as change ticket quantities.\nFABIANO DO NASCIMENTO\nGRAND SOCIAL\n20TH FEBRUARY\nOVER 18’S ID REQUIRED\n€22.50\n200 available\n\nDecrease ticket quantity for FABIANO DO NASCIMENTO\n–\n\nQuantity \n\n\nIncrease ticket quantity for FABIANO DO NASCIMENTO\n+\n\nQuantity:\n0\nTotal:\n€0.00\nGet Tickets \n\n\nTICKETMASTER\n\n\n\nAdd to calendar \n \n\nGoogle Calendar\niCalendar\nOutlook 365\nOutlook Live\n\n \nFoggy Notions are proud to present Fabiano do Nascimento live at The Grand Social on Friday 20th February. Tickets on sale now. \nFabiano do Nascimento is a Rio de Janeiro-born\, Los Angeles and Tokyo-based guitarist\, composer\, arranger\, and producer\, known for his stunning tapestry of intricately woven\, multi-string performances. Fabiano is a singular voice in contemporary music\, blending the deep traditions of Brazilian jazz with an adventurous\, genre-fluid approach. His music effortlessly moves between hypnotic ambient soundscapes\, intricate acoustic-electronic textures\, and the infectious rhythms of bossa nova. \nRooted in the rhythms of Afro-samba and choro\, his compositions fuse elements of American jazz\, experimental electronica\, and orchestral arrangements\, creating a sound that is expansive by nature. His unique voice in contemporary music has led to collaborations with world-class artists such as Airto Moreira\, Arthur Verocai\, Sam Gendel\, Carioca Freitas\, Beirut\, Aloe Blacc\, Daniel Santiago\, Itiberê Zwarg\, and Vittor Santos\, among many others.\nFabiano’s musical journey began in Rio de Janeiro\, where he grew up in a family deeply connected to music. His great-grandfather\, Ladario Teixeira\, was a blind virtuoso saxophonist who helped shape the instrument’s role in Brazilian music. Though initially trained in classical piano\, Fabiano’s passion was ignited when he picked up the guitar at age ten. His devotion to the instrument led him to study intensively under the mentorship of his late uncle\, Lucio Nascimento\, a revered bassist\, composer\, and arranger. \nIn 2001\, Fabiano moved to Los Angeles\, where his distinct artistry quickly gained recognition. He first made waves as a founding member of the critically acclaimed Latin jazz group Triorganico before launching a prolific solo career. His discography spans nine full-length LPs\, released on esteemed labels including Now-Again Records (Dança dos Tempos\, Tempos dos Mestres\, Prelúdio\, Ykytu\, Lendas)\, Far Out Recordings (Mundo Solo)\, Leaving Records (Das Nuvens)\, and Real World Records (The Room). His music has been celebrated by major media outlets\, with highlights including a feature on NPR’s Tiny Desk Concerts. \nA seasoned live performer\, Fabiano has toured extensively across North America and Asia\, and his debut European tour in 2024 saw multiple sold-out shows\, including a standout performance at London’s ICA. His versatility extends beyond intimate solo and ensemble performances—he has also played with a symphony orchestra in Brazil\, further showcasing the depth and adaptability of his artistry. With a sound that is both timeless and forward-thinking\, Fabiano do Nascimento continues to carve out a unique space in global music\, seamlessly bridging past and present while captivating audiences worldwide. \n“A spellbinding display of musical virtuosity and spiritual connection.” Clash Magazine \n“Charming and intimate” Pitchfork “A celebration of acoustics” The Guardian \n“The Rio-born guitarist whisks you away from any woes and plonk you down on a sidestreet in Lisbon on a dusky evening where the beer flows smoothly\, and a frisson of passion is afoot.” Far Out Magazine. \nLISTEN NOW \n\n\n\nALL SHOWS URL:http://foggynotions.ie/concerts/fabiano-do-nascimento-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/FABIANO-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260220T200000 DTEND;TZID=UTC:20260220T230000 DTSTAMP:20260624T213324 CREATED:20251015T211038Z LAST-MODIFIED:20251015T211646Z UID:10000086-1771617600-1771628400@foggynotions.ie SUMMARY:TEI SHI DESCRIPTION:FOGGY NOTIONS PRESENTS\nTEI SHI\nBELLO BAR\n20TH FEBRUARY\n\n \n \n \n \n\n Tickets\n The numbers below include tickets for this event already in your cart. Clicking “Get Tickets” will allow you to edit any existing attendee information as well as change ticket quantities.\n TEI SHI\n BELLO BAR\n20TH FEBRUARY\nOVER 18’S ID REQUIRED\n €19.50\n 100 available\n \n Decrease ticket quantity for TEI SHI\n –\n \n Quantity \n \n \n Increase ticket quantity for TEI SHI\n +\n \n Quantity:\n 0\n Total:\n €0.00\n Get Tickets\n \n \n\n \n \n\n \n \n\n \n \n TICKETMASTER\n \n\n \n Add to calendar \n \n \n \n\n\n Google Calendar\n\n\n iCalendar\n\n\n Outlook 365\n\n\n Outlook Live\n\n\n \nFoggy Notions is proud to present Tei Shi live at Bello Bar on Friday 20th February 2026. Tickets on sale now. \nTei Shi (pronounced “tay-shee”) is the moniker of singer-songwriter & producer Valerie Teicher Barbosa. \nGrowing up between Bogotá\, Colombia\, & Vancouver\, Canada\, Tei Shi is heavily influenced by her ever-changing environment & cross-cultural identity. \nSince her first two EPs\, ‘Saudade’ (2013) & ‘Verde’ (2015)\, “introduced her to the world as a skilled & fluid vocalist… [Tei Shi] has fully stepped into her own\, brewing up confections centered on trusting your own intuition\,” (Pitchfork). Her groundbreaking song ‘Bassically’ garnered over 21 million streams on Spotify alone & set the scene for her critically acclaimed debut album ‘Crawl Space’ (2017) – leading her to embark on world tours & make headway in the art & fashion world. \nShe wrote & was featured on Blood Orange’s ‘Hope’ off his album ‘Negro Swan’ & starred in its music video alongside Tyler the Creator & A$AP Rocky\, also performing the song onstage at 2019’s Coachella Music Festival. In November of 2019\, Tei Shi released ‘La Linda\,’ her much anticipated second full-length album. Emotionally evocative & sonically daring\, “the 11-track project sees Tei Shi more self-assured & fully formed than ever” (i-D). On this album\, Tei Shi further embraces her Latin roots & multicultural identity\, seamlessly shifting between the languages & musical genres that make her such a unique songwriter & noteworthy artist. \nTei Shi went on to release her 2020 pandemic-made EP ‘Die 4 Ur Love’\, followed by her third full length album ‘Valerie’ in 2024. 2025 holds her fourth album\, ‘Make believe I make believe’\, with its initial singles ‘Best Be Leaving’ and ‘Drop Dead’ released this Spring.   \nLISTEN NOW \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/tei-shi-bello-bar-february-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Tei-Shi-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260221T200000 DTEND;TZID=UTC:20260221T230000 DTSTAMP:20260624T213324 CREATED:20251014T202700Z LAST-MODIFIED:20251102T203437Z UID:10000068-1771704000-1771714800@foggynotions.ie SUMMARY:STEREOLAB DESCRIPTION:FOGGY NOTIONS PRESENTS\nSTEREOLAB\nNATIONAL CONCERT HALL DUBLIN\n21ST FEBRUARY\nSOLD OUT\n \n TICKETS\n \n\n \n Add to calendar \n \n \n \n\n\n Google Calendar\n\n\n iCalendar\n\n\n Outlook 365\n\n\n Outlook Live\n\n\n \nFoggy Notions is proud to present Stereolab in February 2026. Tickets on sale now. \nSpecial guest Emma Tricca. \nFollowing the release of their first album in fifteen years\, Instant Holograms On Metal Film\, seminal avant-pop Stereolab will perform an Irish tour in February 2026 including their first ever show in Limerick\, first time in Dublin’s National Concert Hall and their first Cork show in 18 years. \nStereolab are an Anglo-French avant-pop band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier\, the group’s sound incorporates repetitive motorik beats with the use of vintage electronic keyboards and female vocals sung in English and French\, drawing influences from krautrock\, funk\, jazz\, 1960s French pop and Brazilian music. Their lyrics have political and philosophical themes influenced by the Surrealist and Situationist art movements.   \nLISTEN NOW \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/stereolab-ireland-february-2026-dublin/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Stereolab-ALL-Website-Updated.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260221T203000 DTEND;TZID=UTC:20260221T230000 DTSTAMP:20260624T213324 CREATED:20251015T205634Z LAST-MODIFIED:20251015T210750Z UID:10000085-1771705800-1771714800@foggynotions.ie SUMMARY:COURTNEY MARIE ANDREWS DESCRIPTION:FOGGY NOTIONS PRESENTS\nCOURTNEY MARIE ANDREWS\nWHELAN’S\n21ST FEBRUARY\n\n \n \n \n \n\n Tickets\n The numbers below include tickets for this event already in your cart. Clicking “Get Tickets” will allow you to edit any existing attendee information as well as change ticket quantities.\n COURTNEY MARIE ANDREWS\n WHELAN’S\n21ST FEBRUARY\nOBER 18S ID REQUIRED\n €28.00\n 100 available\n \n Decrease ticket quantity for COURTNEY MARIE ANDREWS\n –\n \n Quantity \n \n \n Increase ticket quantity for COURTNEY MARIE ANDREWS\n +\n \n Quantity:\n 0\n Total:\n €0.00\n Get Tickets\n \n \n\n \n \n\n \n \n\n \n \n WAV TICKETS\n \n \n TICKETMASTER\n \n\n \n Add to calendar \n \n \n \n\n\n Google Calendar\n\n\n iCalendar\n\n\n Outlook 365\n\n\n Outlook Live\n\n\n \nFoggy Notions is proud to present Courtney Marie Andrews live at Whelan’s on Saturday 21st February. Tickets on sale now. \nCourtney Marie Andrews has returned with her first new song in three years – “Cons and Clowns” – a celebration of living authentically\, and embracing our truest selves amidst the chaos of the current world. Showcasing the GRAMMY nominee’s “astonishingly beautiful” (Stereogum) vocal work\, “Cons and Clowns” builds on a signature songwriting approach that “doesn’t just tell us truths; but makes us feel them poignantly\, and right on time” (NPR Music). \n“Cons & Clowns is an ode to all the artists\, outsiders\, and shy loved ones you want to see shine!\,” says Andrews. “In this world of growing sameness I wanted to write a love letter of encouragement to anyone who was afraid to be their wildest and weirdest self\, especially amid the dark landscape of now. With a desire to embody the unencumbered playfulness of youth\, I played the flute on this track\, an instrument I haven’t played since my childhood.” \nLISTEN NOW \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/courtney-marie-andrews-whelans-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Courtney-Instagram-Post-updated-copy.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260222T193000 DTEND;TZID=UTC:20260222T230000 DTSTAMP:20260624T213324 CREATED:20251014T203210Z LAST-MODIFIED:20251014T203726Z UID:10000069-1771788600-1771801200@foggynotions.ie SUMMARY:STEREOLAB DESCRIPTION:FOGGY NOTIONS PRESENTS\nSTEREOLAB\nMANDELA HALL BELFAST\n22ND FEBRUARY\n \n VENUE TICKETS\n \n \n TICKETMASTER\n \n\n \n Add to calendar \n \n \n \n\n\n Google Calendar\n\n\n iCalendar\n\n\n Outlook 365\n\n\n Outlook Live\n\n\n \nFoggy Notions is proud to present Stereolab in February 2026. Tickets on sale now. \nSpecial guest Emma Tricca. \nFollowing the release of their first album in fifteen years\, Instant Holograms On Metal Film\, seminal avant-pop Stereolab will perform an Irish tour in February 2026 including their first ever show in Limerick\, first time in Dublin’s National Concert Hall and their first Cork show in 18 years. \nStereolab are an Anglo-French avant-pop band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier\, the group’s sound incorporates repetitive motorik beats with the use of vintage electronic keyboards and female vocals sung in English and French\, drawing influences from krautrock\, funk\, jazz\, 1960s French pop and Brazilian music. Their lyrics have political and philosophical themes influenced by the Surrealist and Situationist art movements.  \nLISTEN NOW \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/stereolab-ireland-february-2026-belfast/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Stereolab-ALL-Website-Updated.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260223T200000 DTEND;TZID=UTC:20260223T230000 DTSTAMP:20260624T213324 CREATED:20260108T145131Z LAST-MODIFIED:20260109T095658Z UID:10000162-1771876800-1771887600@foggynotions.ie SUMMARY:STEREOLAB DESCRIPTION:FOGGY NOTIONS PRESENTS\nSTEREOLAB\nWHELAN’S\n23RD FEBRUARY\n\n\n\n \nTickets\nThe numbers below include tickets for this event already in your cart. Clicking “Get Tickets” will allow you to edit any existing attendee information as well as change ticket quantities.\nTickets will be available on January 9\, 2026 \n\n\nWAV TICKETS\n\n\nTICKETMASTER\n\n\n\nAdd to calendar \n  \n\nGoogle Calendar\niCalendar\nOutlook 365\nOutlook Live\n\n \nDue to phenomenal demand Stereolab have added an extra Dublin date at Whelan’s on February 23rd. This will be a fully standing show. Tickets on sale now. \nFollowing the release of their first album in fifteen years\, Instant Holograms On Metal Film\, seminal avant-pop Stereolab will perform an Irish tour in February 2026 including their first ever show in Limerick\, first time in Dublin’s National Concert Hall and their first Cork show in 18 years. \nStereolab are an Anglo-French avant-pop band formed in London in 1990. Led by the songwriting team of Tim Gane and Lætitia Sadier\, the group’s sound incorporates repetitive motorik beats with the use of vintage electronic keyboards and female vocals sung in English and French\, drawing influences from krautrock\, funk\, jazz\, 1960s French pop and Brazilian music. Their lyrics have political and philosophical themes influenced by the Surrealist and Situationist art movements. \nLISTEN NOW \n\n\n\nALL SHOWS URL:http://foggynotions.ie/concerts/stereolab-whelans-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/01/Stereolab-Whelans-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260224T200000 DTEND;TZID=UTC:20260224T230000 DTSTAMP:20260624T213324 CREATED:20251113T115355Z LAST-MODIFIED:20251113T115850Z UID:10000125-1771963200-1771974000@foggynotions.ie SUMMARY:MARK WILLIAM LEWIS DESCRIPTION:FOGGY NOTIONS PRESENTS\nMARK WILLIAM LEWIS\nWORKMAN’S CLUB\n24TH FEBRUARY\n\n \n \n \n \n\n Tickets\n The numbers below include tickets for this event already in your cart. Clicking “Get Tickets” will allow you to edit any existing attendee information as well as change ticket quantities.\n MARK WILLIAM LEWIS\n WORKMAN’S CLUB\n24TH FEBRUARY\nOVER 18’S ID REQUIRED\n €24.50\n 200 available\n \n Decrease ticket quantity for MARK WILLIAM LEWIS\n –\n \n Quantity \n \n \n Increase ticket quantity for MARK WILLIAM LEWIS\n +\n \n Quantity:\n 0\n Total:\n €0.00\n Get Tickets\n \n \n\n \n \n\n \n \n\n \n \n TICKETMASTER\n \n\n \n Add to calendar \n \n \n \n\n\n Google Calendar\n\n\n iCalendar\n\n\n Outlook 365\n\n\n Outlook Live\n\n\n \nTickets on sale now. \nPraise for mark william lewis \n“Cinematic and sentimental reflections on London life” – The Face \n” Narcotically familiar and ineffably fresh” – The Guardian\, ★ ★★★ \n“His music paints impressionistic narratives with sound” – The Observer \n“A cult classic with a bestseller edge ” – Wonderland \n“Tender vignettes of metropolitan life” – So Young \nLondon artist mark william lewis has released his self-titled album\, Mark William Lewis\, which is out now via A24 Music. The release possesses a widescreen scope and showcases an artist who combines texturally rich soundscapes with vivid\, poetic lyrics and an immediately recognizable vocal delivery. \nThe album was preceded by the release of “Seventeen”\, “Still Above”\, “Tomorrow is Perfect” and “Skeletons Coupling”. Now\, with the release of the full album\, the project has become fully realised\, putting a spotlight on mark william lewis’ ability to create moving\, spectral music about metropolitan life. New track “Petals” is a case in point\, lewis’ echoing harmonica is paired with skipping drums and his inimitable vocals\, evoking the twilight feeling of a relationship and London after dark. \nLISTEN NOW \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/mark-william-lewis-workmans-club-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/11/MWL-Web-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260227T200000 DTEND;TZID=UTC:20260227T230000 DTSTAMP:20260624T213324 CREATED:20251218T111649Z LAST-MODIFIED:20251218T112150Z UID:10000154-1772222400-1772233200@foggynotions.ie SUMMARY:JANA HORN DESCRIPTION:FOGGY NOTIONS PRESENTS\nJANA HORN\nBELLO BAR\n27TH FEBRUARY\n\n \n \n \n \n\n Tickets\n The numbers below include tickets for this event already in your cart. Clicking “Get Tickets” will allow you to edit any existing attendee information as well as change ticket quantities.\n JANA HORN\n BELLO BAR\n27TH FEBRUARY\nOVER 18’S ID REQUIRED\n €24.50\n 100 available\n \n Decrease ticket quantity for JANA HORN\n –\n \n Quantity \n \n \n Increase ticket quantity for JANA HORN\n +\n \n Quantity:\n 0\n Total:\n €0.00\n Get Tickets\n \n \n\n \n \n\n \n \n\n \n \n TICKETMASTER\n \n\n \n Add to calendar \n \n \n \n\n\n Google Calendar\n\n\n iCalendar\n\n\n Outlook 365\n\n\n Outlook Live\n\n\n \nFoggy Notions announces a debut headline show in Dublin for Jana Horn ahead of the 2026 release of her eponymous third album. \nJANA HORN – S/TCD/LP/Digital | January 16\, 2026 \nFrom the first line on Jana Horn’s eponymous third album\, “nothing prepares you for this\, or is a cure\,” the tone is set for a record that is enunciated as it is open. Akin to the desert landscape where it was recorded—Sonic Ranch\, in west Texas—the work’s dry production and use of silence\, ringing guitar and discordant flute\, has a vitality calling back to early Cat Power/Moon Pix. \nRecorded essentially as a trio with Adam Jones and Jade Guterman—how the New York-based band performs—this ten-song album has Horn’s spoken-sung\, stark vocals in useful conflict with the melodic\, earworm quality of Guterman’s bass\, and Jones’ jazz and punk-influenced approach to drums. The flute and clarinet of Adelyn Strei diverges and coalesces\, spirit-like (“Go on\, move your body\,” “Untitled (Cig)”)\, while pianist Miles Hewitt grounds\, sometimes with a single note repeated\, like a hammer on a nail (“All in bet”). This third iteration from Horn reveals the artist at perhaps her most distilled and resourceful\, hitting on a feeling with a touch. \nPersonal statement: \nThis album comes mostly from my first year of living in New York. There’s some bleed over from leaving Charlottesville\, where I’d been in a graduate program for writing. And then there’s “Go on\, move your body\,” written in the Optimism days\, before it was reissued by No Quarter. I can see how the conditions of my life may have caused this song to resurface\, but it wasn’t a conscious decision then. It just felt like it was time\, or something. To be reiterated.  \nMoving to New York after graduation had felt almost too right\, like an arranged marriage. I was pretty unhappy for a while. My life was still in Virginia\, where my friends were\, in Texas\, where my mother was learning to live again after years of being passed from one hospital to the next\, like a crime no one wanted to be responsible for. I drifted through the city in pajamas\, at midday. I wasn’t the only one. I saw real people painting (with paintbrushes) murals advertising iPhones\, finding it funny to hump barstools\, looking everywhere for their stolen cars\, as though they had only been hiding. There’s a city marshal who once had a car towed with a child inside.  \nI was sanded-down and open and far away. And then I would come to (“Blue skies again / It isn’t the end / It is like my eyes to cry / To die and die to feel / the cycle repeat / The pit is the seed / It’s alright”). \nThe last verse of “Come on” is a collage of these things: “In the city I was on time / Couldn’t get off my mind / On pills\, on trains\, on praying / take\, take\, take / Take off my mind / On wind\, on steam / Waiting rooms\, hospitals / Angel trash bag wings / fly on a two-moon night / I couldn’t change / I couldn’t change her mind.” \nAt some point my friend Helena Deland thought to keep each other up with a songwriting group\, so we did and called it the Dead Letters Office\, after “Bartleby\, the Scrivener.” A letter a week or so. “Untitled (Cig)” and “Unused” came from that. I wrote “Love” at her kitchen table with her weirdly-tuned guitar that was also out of tune\, we learned later when trying to solve it from the voice memo. Someone should make a game of that.  \n“All in bet” signaled a kind of end\, or change\, to this period. I wrote it after a late night at a dive in the Lower East Side with a friend who helped me realize it was “not over yet / all in bet.” It felt like a prayer\, a total guess. The last line of the record is “Spirit\, if you do the writing\, I will sign.” \nIn New York\, a city I grew to love when I could see it\, I’d been performing as a trio with Adam drumming and Jade Guterman on bass. Jade has a very melodic\, almost lead guitar style of playing\, and I tend to play guitar like a bass\, hanging out on the top two strings and letting the others ring. Adam’s approach is very instinctual and in the moment. There’s some inherent conflict\, I think\, in any creation\, but also apparently in our dynamic\, and I wanted the recording to reflect that. Our broken-down\, elemental approach. As much as the music\, the silence\, space.  \nIn fall of 2024\, we traveled to Texas to record in the desert for ten days at Sonic Ranch\, a studio where many albums I love were made. We slept in a house next to the studio and took walks down the mile-long dirt road with Shirley\, the studio dog\, to the kitchen. The whole thing was very pure\, and focused. I remember us listening back after a few days and being surprised at what we didn’t remember playing\, as though we’d been recording in trance. Halfway in\, our friend Adelyn Strei came down to stay with us and improvise on clarinet and flute. I love how the bass and clarinet move together on “Don’t think\,” how the flute on “Go on\, move your body” sort of signifies its surroundings\, like trees in the wind. \nBack in New York\, I spent a while working on the songs with an old synthesizer and recording background vocal arrangements in my bedroom\, going every couple of weeks to my friend Miles Hewitt’s apartment to sit with him at the piano. We sat side by side\, him patiently translating while I hummed and pointed\, until we reached a shared meaning for “It’s alright\,” “All in bet\,” “Unused\,” and “Designer\,” which we recorded during off hours at the Power Station.  \n\nJana Horn\, October 2025\n\nLISTEN NOW \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/jana-horn-bello-bar-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/12/Jana-Horn-Website-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260305T200000 DTEND;TZID=UTC:20260305T230000 DTSTAMP:20260624T213325 CREATED:20251105T100234Z LAST-MODIFIED:20260225T150120Z UID:10000111-1772740800-1772751600@foggynotions.ie SUMMARY:REMEMBER SPORTS DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nREMEMBER SPORTS\nSPECIAL GUEST\nPASSERSBY\nWORKMAN’S CLUB\n5TH MARCH\n\n \n \n \n \n\n Tickets\n The numbers below include tickets for this event already in your cart. Clicking “Get Tickets” will allow you to edit any existing attendee information as well as change ticket quantities.\n REMEMBER SPORTS\n WORKMAN’S CLUB\n5TH MARCH\nOVER 18’S ID REQUIRED\n €22.50\n 149 available\n \n Decrease ticket quantity for REMEMBER SPORTS\n –\n \n Quantity \n \n \n Increase ticket quantity for REMEMBER SPORTS\n +\n \n Quantity:\n 0\n Total:\n €0.00\n Get Tickets\n \n \n\n \n \n\n \n \n\n \n \n TICKETMASTER\n \n\n \n Add to calendar \n \n \n \n\n\n Google Calendar\n\n\n iCalendar\n\n\n Outlook 365\n\n\n Outlook Live\n\n\n \n Tickets on sale Friday 7th November at 10:00. Remember Sports is a Philadelphia-based indie rock band formed in 2012 at Kenyon College in Ohio. Originally known as Sports\, the group began as a college project between friends Carmen Perry (vocals\, guitar)\, Catherine Dwyer (bass)\, Benji Dossetter (drums)\, and James Karlin. In 2014 Remember Sports self-released their debut album Sunchokes. The record was made quickly and captured the energy of their early shows\, gaining attention outside their immediate circle. A year later\, they signed with Father/Daughter Records and released their second album\, All of Something. Written while members were still in school\, it showed the band growing while still holding onto the urgency of their early work. After graduation\, members moved to Philadelphia\, and the lineup shifted with Connor Perry joining on drums and Jack Washburn on guitar. In 2017 they changed their name to Remember Sports\, both to distinguish themselves from other bands called Sports and to mark a new phase. Their 2018 album Slow Buzz was the first under the new name. It expanded their sound with fuller arrangements and a broader range of songs\, while 2021’s Like a Stone continued that progression. That record dealt more directly with themes of identity and mental health and was received as their most developed work to date. Carmen Perry’s songwriting remains the band’s core. Her lyrics are personal\, often blunt\, and deal with subjects like growing up\, relationships\, and religion. The directness of her writing\, combined with the band’s tight performances\, has helped Remember Sports build a steady following. Their live shows are known for being energetic and participatory\, with audiences deeply connected to the songs.    \nLISTEN NOW \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/remember-sports-workmans-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/11/Remember-Sports-Web-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260308T200000 DTEND;TZID=UTC:20260308T223000 DTSTAMP:20260624T213325 CREATED:20260205T085054Z LAST-MODIFIED:20260205T091823Z UID:10000179-1773000000-1773009000@foggynotions.ie SUMMARY:LISA O'NEILL DESCRIPTION:FOGGY NOTIONS PRESENTS\nLISA O’NEILL\nPAVILION THEATRE\n8TH MARCH\n \n TICKETS\n \n\n \n Add to calendar \n \n \n \n\n\n Google Calendar\n\n\n iCalendar\n\n\n Outlook 365\n\n\n Outlook Live\n\n\n \nTickets are on sale Friday February 6th at 10:00. \nThis show will be to raise money for Saoirse Domestic Violence Services Domestic Violence Support – Help & Services | SDVS \nRenowned for her distinctive voice\, fearless songwriting and spellbinding stage presence\, O’Neill has become one of the most vital and respected figures in contemporary folk music. Her songs weave together history\, politics\, compassion and myth\, delivered with a rare emotional honesty that has earned her widespread critical acclaim. \nThe show follows an extraordinary period for O’Neill\, whose recent releases have cemented her reputation as a singular artistic voice. Her work has been critically acclaimed across the globe\, by the like of BBC 6 Music\, The Guardian\, Mojo\, Uncut\, NPR\, The Irish Times and The New York Times. Her album All Of This Is Chance was widely ranked among the best releases of that year\, with BBC 6 Music’s Gideon Coe naming it Album of the Year.    \nIn late 2025 O’Neill digitally released ‘The Wind Doesn’t Blow This Far Right’ EP. The EP comprises six tracks that Lisa considers to fit together well\, they include the haunting rendition of Bob Dylan’s ‘All The Tired Horses’ that was recorded to soundtrack the closing scene of the final episode of Peaky Blinders\, plus ‘Homeless In The Thousands (Dublin in the Digital Age)’ featuring Peter Doherty\, which was released as a stand-alone single in 2025 in response to the growing issue of homelessness in Dublin and across Ireland.  Added to these are a new song and recent live favourite ‘Mother Jones’ about the activist and union organiser  Mary G. Harris Jones\, who in 1902 was called ‘the most dangerous woman in America’ – following her organising of miners against mine owners leading directly to the introduction of America’s first child labor laws. The EP is completed with a stunning version of the seasonally topical ‘The Bleak Midwinter’ and a moving reading of the James Stevens poem ‘Autumn 1915’.  \nA compelling live performer and natural raconteur\, O’Neill’s concerts are known for their intimacy and intensity\, moving effortlessly between stark\, socially engaged songs and moments of warmth\, humour and reflection. Audiences can expect material spanning her celebrated catalogue\, alongside newer work that continues her tradition of giving voice to the unheard and overlooked. \nLisa O’Neill has also recently toured extensively across Ireland\, the UK and North America\, including high-profile performances celebrating the legacy of The Pogues and Shane MacGowan. \n“We’re incredibly grateful to Lisa O’Neill for this very special International Women’s Day concert\, raising vital support for women experiencing domestic violence. The funds raised will allow us to reach more women and families through our refuges\, outreach\, 24-hour helpline\, and children’s services. We extend our heartfelt thanks to Lisa and her fans for standing with domestic violence survivors this International Women’s Day.” – Zita Spring\, SAOIRSE Fundraising & Supporter Care Manager \nLISTEN NOW \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/lisa-oneill-pavilion-dun-laoghaire-march-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/02/LISA-ONEILL-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260312T193000 DTEND;TZID=UTC:20260312T230000 DTSTAMP:20260624T213325 CREATED:20251014T192322Z LAST-MODIFIED:20251014T192835Z UID:10000064-1773343800-1773356400@foggynotions.ie SUMMARY:GAVIN FRIDAY DESCRIPTION:FOGGY NOTIONS PRESENTS\nGAVIN FRIDAY\nVICAR STREET\n12TH MARCH\n \n TICKETMASTER\n \n\n \n Add to calendar \n \n \n \n\n\n Google Calendar\n\n\n iCalendar\n\n\n Outlook 365\n\n\n Outlook Live\n\n\n \nFoggy Notions is proud to present the iconic Gavin Friday live in 2026 as part of the Ecce Homo Live Spring 2026 tour. Tickets on sale now. \nFriday will perform a hometown show at Dublin’s Vicar Street on Thursday 12th March and a show in Limerick at Dolan’s Warehouse on Wednesday 18th February. \nFriday’s sold-out performance at Vicar Street in April 2025 marked a triumphant homecoming after many years and was met with unanimous critical acclaim. \n“reminded us of his status as a master showman.” – Irish Examiner \n“raises the roof\, bar and gold standard to a transfixed Vicar Street.” – Hot Press \nOn the subject of his return to the live stage Friday remarked\, “Performing ‘live’ is probably the place I feel most comfortable with myself – it’s been an age and I cannot wait to get back on stage especially now that you’ve heard Ecce Homo – ‘live’ you can to see it\, smell it and let it kiss you”. \nTickets go on general sale on Friday 10th October at 10:00 with exclusive presale access for gavinfriday.com subscribers from Wednesday 8th October at 10:00. \nECCE HOMO: \nIn the red-walled library of Gavin Friday’s home in downtown Dublin\, a sacred heart hangs from the white ceiling. The glass totem was a housewarming gift when Friday returned to the city’s centre about two years ago; it presides there like a reminder of his past and a lure yet toward his future. \nFriday\, now 65\, began to question Catholicism more than a half-century ago\, when he wondered why the teachers in his strict Catholic school\, so-called servants of God\, would beat him and his classmates. This was just before he witnessed the rise of glam and punk\, before he saw Joy Division for the first time or snuck across the Irish Sea to catch David Bowie in London. This\, too\, was just before he started Virgin Prunes\, his canonically transgressive post-punk band that scrambled perceptions of genre and gender. And this was just before the acts of rebellion and interrogation that have crafted his singular career as a singer\, composer\, visual artist\, and actor merged into an astonishingly creative life. But there are some symbols and some histories you can’t outrun—or really don’t want to. “Maybe I haven’t grown up\,” he quips beneath the sacred heart\, winking. “Or maybe I am growing up.” \nThat toggle and tension animate Ecce Homo\, Friday’s first album in 13 years and an engrossing culmination of the life he has lived and the life he is now determined to make for himself. Driven alternately by thundering electronics that recall the power of the Prunes and exquisite acoustics that reflect the beauty of his most recent solo work and soundtracks\, Ecce Homo is an ecstatic and unbound expression of anger and independence\, of severing oneself from stereotypes of what you’re supposed to be while also acknowledging that our hardest battles are often our collective ones. There are love songs and fight songs\, reflections on loss and reveries of nostalgia\, anthems for solidarity and excoriations of the powerful. Friday thinks it’s the most honest album he’s ever made; it is also his most riveting. \nEcce Homo began more than a decade ago with a surprise email from Dave Ball\, the Soft Cell cofounder who produced Virgin Prunes 40 years ago. They hadn’t seen each other during that long span\, but Ball asked if Friday wanted to conspire on a cover of Suicide’s “Ghost Rider” for Alan Vega’s 70th birthday. For several years\, they bounced ideas for other songs back and forth via email until Friday finally visited him in London for a series of studio sessions. They wrote the bulk of Ecce Homo’s music together\, their interpersonal dynamic resulting in tracks that moved freely between disparate emotional ends. \nFriday\, though\, wanted to make it all bigger\, to drape the songs in the finery and grandeur he’d indulged with his soundtrack work. He did that back in Dublin with a cast of familiar collaborators including Michael Heffernan\, as he also cared for his ailing mother\, then suffering the final stages of Alzheimer’s. Enraged by the rise of international strongmen but inspired by a long\, loving\, and stable relationship with another man after a prolonged divorce\, Friday built Ecce Homo as a monument of and to his own emotions. In early 2020\, he was ready to mix it when Covid-19 arrived. He put it down for two years\, vowing to revisit it only when he could make a little more sense of the world. His mother died\, as did Hal Willner\, one of his closest collaborators\, and one of his two beloved dogs\, Ralf. Hard seasons\, all around. \nThat difficult gap seemed to supercharge Ecce Homo\, enhancing not only its sense of deserved indignation but also amplifying the tenderness and love that undergird so many of these songs. In the former category\, the title track is a pulsing\, pulverising menace\, its streaks of florid noise and walls of hard-edged rhythms squaring up against enemies of inclusion and liberty. He throws the words of Pontius Pilate back at our persecutors\, promising to “Fight fire with fire/We can walk on water” over warped gospel harmonies. “Lamento” summons similar betrayal from the personal rather than political vantage\, Friday’s yearning voice rising to meet the little symphony that slowly circles beneath the track’s distant sequencers and acoustic guitars. He sings his late mother’s name here\, Anne Storey\, and samples her voice during “Amaranthus (Love Lies Bleeding)\,” a hardcore electro browbeater that aims to dance the hardship away. Hurt comes from every side here\, in every possible shape. \nBut the real core of Ecce Homo is a reaction rooted in hope and love\, in seeing the struggles of the past and the possibilities of the future through the same unified gaze. Dedicated to longtime friends Bono and Guggi\, and their youthful posse Lypton Village\, the gorgeous and wistful “When the World Was Young” feels both like a sad goodbye to the past and a cheery hello for the kids who can remake the world right now. “Lady Esquire” celebrates teenage indiscretion\, to watching buildings dance after getting high on shoe polish. “The Church of Love” shimmies away from the conservative and Catholic mores of old Ireland\, relishing in rejection of hierarchies and sexual strictures. “Happiness is heaven\,” Friday sings\, his own personal Bacchus. “And heaven is at our feet.” \nThe two most affecting songs might be about the loves of his current life. Opener “Lovesubzero” slowly rises from coruscant symphonic splendour to an unapologetic electronic ode to the partner who has helped set him free and find himself. It is an anthem of love\, a dark disco tribute to the brilliance of romance and partnership. And then there is “The Best Boys in Dublin\,” an unguarded paean to his pups\, Ralfie and Stan the Man\, who escorted him to many of these sessions. It is a short little tune\, acoustic guitar and piano ensconced inside lush strings. Still\, it is a stirring testament to finding comfort and strength wherever we can\, to enduring in whatever way we must. \nWhen Friday was a teenager\, alienated from the Catholic church and looking for meaning\, music became his godsend\, his lifeline\, his revelation. Or\, as he calls it\, “the release where I could bleed publicly.” He surmises it saved his life. Though it is rooted in so much loss\, Ecce Homo advances that story of survival\, of how we are always looking for what can ferry us into the next phase of our life. It is neither a happy album nor a tragic one; it is\, instead\, a bracingly honest thing\, staring at both sides of a life and testifying to how it has been and how it may yet be.  \nLISTEN NOW \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/gavin-friday-ireland-spring-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Gavin-Friday-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260318T200000 DTEND;TZID=UTC:20260318T230000 DTSTAMP:20260624T213325 CREATED:20251016T081138Z LAST-MODIFIED:20251102T203938Z UID:10000094-1773864000-1773874800@foggynotions.ie SUMMARY:BAR ITALIA DESCRIPTION:FOGGY NOTIONS PRESENTS\nBAR ITALIA\nBUTTON FACTORY\n18TH MARCH\n\n\n\n \nTickets\nThe numbers below include tickets for this event already in your cart. Clicking “Get Tickets” will allow you to edit any existing attendee information as well as change ticket quantities.\nBAR ITALIA\nBUTTON FACTORY\n18TH MARCH\n0VER 18’S ID REQUIRED\n€24.50\n200 available\n\nDecrease ticket quantity for BAR ITALIA\n–\n\nQuantity \n\n\nIncrease ticket quantity for BAR ITALIA\n+\n\nQuantity:\n0\nTotal:\n€0.00\nGet Tickets \n\n\nTICKETMASTER\n\n\n\nAdd to calendar \n \n\nGoogle Calendar\niCalendar\nOutlook 365\nOutlook Live\n\n \nFoggy Notions is proud to present bar italia live in Ireland in March 2026. Tickets on sale now. \nbar italia is a London-based band. \nBAR ITALIA\nSome Like It Hot – releasing on Matador Records 17th October \nSome Like It Hot is a 1959 film starring Marilyn Monroe\, Tony Curtis and Jack Lemmon about a group of rogue musicians on the adventure path. It is funny\, sexy\, rambunctious and evergreen – a showcase of a triple-threat cast at full-throttle. Some Like It Hot is also the new album by London three-piece bar italia\, and certain parallels are perhaps not accidental. It pulses with romance\, intrigue\, self-discovery and rapture over lustful rockers\, spellbinding folk pop\, punch-drunk ballads and undefinable moments that sneak up on you like a burst of 5pm sunshine. The record is the culmination of the joint inner world of Nina Cristante\, Jezmi Tarik Fehmi and Sam Fenton – three singer-songwriters who have transcended their underground roots to embrace a bold\, widescreen horizon. \nTake the multitudes contained within ‘Cowbella’. The lyrics are a character study and/or assassination of a mysterious female protagonist\, where kiss-and-tell gossip devolves into obsession: “Did she run or did she stay / whats it gonna take for you to say? How was her mother? Did she have a father? Did she keep a lover between the lines?” Unfolding over a wiry\, shapeshifting rocker that arrives at a skywards coda of ghostly vocals\, it’s a multi-pronged anthem that only bar italia could conjure. \nOn ‘Marble Arch’\, a playful shuffle like a midday stroll through Itchycoo Park is undercut with Cristante’s relaxed lilt: “I dreamt you hung yourself / And my little sister too / in desperation”. Fenton muses about “rain in london town / it reflects all the feelings of people around”. We are all walking around some part of a city trapped in our own thoughts\, it seems to say. But the power of bar italia is where their voices join in a chorus of devastating poignancy\, as with Jezmi and Nina’s: “What you doing in my head again / You dont belong here\, you never did”. \nThe synergy of this three-way blunt rotation is embedded in the trio’s DNA. Cristante brings a studied actors’ sensibility to vocals ranging from honeyed (the aforementioned ‘Marble Arch’) to hell-bent and possessed (‘rooster’). Fehmi ranges from airy\, brooding baritone (‘Lioness’) to mic-chewing megaphone histrionics (‘omni shambles’). Fenton\, a wispy tenor\, can veer between mystical melodicism and soaring blue-eyed soul within the same 8 bars (‘Plastered’). \nThe cultivation of their sound\, from early homespun recordings like hand drawn sketches (the band presented an exhibition of their drawings in 2023) into the ceiling-wide brush strokes of Some Like It Hot\, was chiselled via a relentless writing and touring schedule. When bar italia emerged in 2023 from an underground following to release two critically acclaimed albums on Matador only several months apart – the poised Tracey Denim and the grand The Twits – they were a shy\, eye-contact-avoiding band\, starting sets in darkness and just as soon disappearing backstage. They spent the next two years traversing the globe\, with headline performances from Istanbul to Tokyo\, sold-out multi-night stints in New York and Los Angeles\, and festivals including Corona Capital\, Glastonbury and Coachella. With over 160 shows worldwide across 2023-2024\, they dispelled any mystique by becoming an exhibitionist and muscular five-piece that gives multiple encores – equally comfortable at festival mosh-pit incitement and moments of pin-drop intimacy. \nSome Like It Hot is telling of this journey: a collection of rock songs voraciously embracing the main stage. The lightning choruses of ‘omni shambles’ and ‘Eyepatch’ show a band who have mastered melding their idiosyncrasies into tightly coiled pop songs. ‘Fundraiser’ is kinetic\, its charcuterie of jittery hooks threatening to spill over as Fenton sneers\, “must be an actor the way you play”. A pining for tangibility abounds: “just show me the face that you’ve been trying to hide”\, Fenton opines on the Balkan-tinged waltz of ‘bad reputation’. Other songs surrender to abandon wholesale: “I was lost to the world from the moment we kissed”\, Fenton sings on ‘rooster’\, while on the 12-string new wave majesty of ‘Lioness’\, Fehmi states\, “You have no idea what I can do for you when I’m in this mood”. \nbar italia have married their serious and heartfelt subject matter with a joy in showmanship. These are songs that twist their quirks into huge choruses\, and find elevation in tension\, playing with self-identity\, emotion and performance until the lines blur. That 1959 Hollywood classic from which the album takes its name ends with the immortal line: “Well\, nobody’s perfect.” This\, however\, comes pretty close. \nLISTEN NOW \n\n\n\nALL SHOWS URL:http://foggynotions.ie/concerts/bar-italia-ireland-march-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/bar-italia-Website-Dublin.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260319T200000 DTEND;TZID=UTC:20260319T230000 DTSTAMP:20260624T213325 CREATED:20251016T081930Z LAST-MODIFIED:20251016T083038Z UID:10000095-1773950400-1773961200@foggynotions.ie SUMMARY:BAR ITALIA DESCRIPTION:FOGGY NOTIONS PRESENTS\nBAR ITALIA\nEMPIRE MUSIC HALL BELFAST\n19TH MARCH\n \n TICKETMASTER\n \n\n \n Add to calendar \n \n \n \n\n\n Google Calendar\n\n\n iCalendar\n\n\n Outlook 365\n\n\n Outlook Live\n\n\n \nFoggy Notions is proud to present bar italia live in Ireland in March 2026. Tickets on sale now. \nbar italia is a London-based band. \nBAR ITALIASome Like It Hot – releasing on Matador Records 17th October \nSome Like It Hot is a 1959 film starring Marilyn Monroe\, Tony Curtis and Jack Lemmon about a group of rogue musicians on the adventure path. It is funny\, sexy\, rambunctious and evergreen – a showcase of a triple-threat cast at full-throttle. Some Like It Hot is also the new album by London three-piece bar italia\, and certain parallels are perhaps not accidental. It pulses with romance\, intrigue\, self-discovery and rapture over lustful rockers\, spellbinding folk pop\, punch-drunk ballads and undefinable moments that sneak up on you like a burst of 5pm sunshine. The record is the culmination of the joint inner world of Nina Cristante\, Jezmi Tarik Fehmi and Sam Fenton – three singer-songwriters who have transcended their underground roots to embrace a bold\, widescreen horizon. \nTake the multitudes contained within ‘Cowbella’. The lyrics are a character study and/or assassination of a mysterious female protagonist\, where kiss-and-tell gossip devolves into obsession: “Did she run or did she stay / whats it gonna take for you to say? How was her mother? Did she have a father? Did she keep a lover between the lines?” Unfolding over a wiry\, shapeshifting rocker that arrives at a skywards coda of ghostly vocals\, it’s a multi-pronged anthem that only bar italia could conjure. \nOn ‘Marble Arch’\, a playful shuffle like a midday stroll through Itchycoo Park is undercut with Cristante’s relaxed lilt: “I dreamt you hung yourself / And my little sister too / in desperation”. Fenton muses about “rain in london town / it reflects all the feelings of people around”. We are all walking around some part of a city trapped in our own thoughts\, it seems to say. But the power of bar italia is where their voices join in a chorus of devastating poignancy\, as with Jezmi and Nina’s: “What you doing in my head again / You dont belong here\, you never did”. \nThe synergy of this three-way blunt rotation is embedded in the trio’s DNA. Cristante brings a studied actors’ sensibility to vocals ranging from honeyed (the aforementioned ‘Marble Arch’) to hell-bent and possessed (‘rooster’). Fehmi ranges from airy\, brooding baritone (‘Lioness’) to mic-chewing megaphone histrionics (‘omni shambles’). Fenton\, a wispy tenor\, can veer between mystical melodicism and soaring blue-eyed soul within the same 8 bars (‘Plastered’). \nThe cultivation of their sound\, from early homespun recordings like hand drawn sketches (the band presented an exhibition of their drawings in 2023) into the ceiling-wide brush strokes of Some Like It Hot\, was chiselled via a relentless writing and touring schedule. When bar italia emerged in 2023 from an underground following to release two critically acclaimed albums on Matador only several months apart – the poised Tracey Denim and the grand The Twits – they were a shy\, eye-contact-avoiding band\, starting sets in darkness and just as soon disappearing backstage. They spent the next two years traversing the globe\, with headline performances from Istanbul to Tokyo\, sold-out multi-night stints in New York and Los Angeles\, and festivals including Corona Capital\, Glastonbury and Coachella. With over 160 shows worldwide across 2023-2024\, they dispelled any mystique by becoming an exhibitionist and muscular five-piece that gives multiple encores – equally comfortable at festival mosh-pit incitement and moments of pin-drop intimacy. \nSome Like It Hot is telling of this journey: a collection of rock songs voraciously embracing the main stage. The lightning choruses of ‘omni shambles’ and ‘Eyepatch’ show a band who have mastered melding their idiosyncrasies into tightly coiled pop songs. ‘Fundraiser’ is kinetic\, its charcuterie of jittery hooks threatening to spill over as Fenton sneers\, “must be an actor the way you play”. A pining for tangibility abounds: “just show me the face that you’ve been trying to hide”\, Fenton opines on the Balkan-tinged waltz of ‘bad reputation’. Other songs surrender to abandon wholesale: “I was lost to the world from the moment we kissed”\, Fenton sings on ‘rooster’\, while on the 12-string new wave majesty of ‘Lioness’\, Fehmi states\, “You have no idea what I can do for you when I’m in this mood”. \nbar italia have married their serious and heartfelt subject matter with a joy in showmanship. These are songs that twist their quirks into huge choruses\, and find elevation in tension\, playing with self-identity\, emotion and performance until the lines blur. That 1959 Hollywood classic from which the album takes its name ends with the immortal line: “Well\, nobody’s perfect.” This\, however\, comes pretty close.   \nLISTEN NOW \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/bar-italia-ireland-march-2026-belfast/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/bar-italia-Website-Belfast.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260321T200000 DTEND;TZID=UTC:20260321T230000 DTSTAMP:20260624T213325 CREATED:20251205T133635Z LAST-MODIFIED:20260321T165335Z UID:10000143-1774123200-1774134000@foggynotions.ie SUMMARY:CYPRESS\, MINE! DESCRIPTION:FOGGY NOTIONS PRESENTS\nCYPRESS\, MINE!\nSPECIAL GUESTS\nBIG BOY FOOLISH\nBELLO BAR\n21ST MARCH\n \n TICKETMASTER\n \n\n \n Add to calendar \n \n \n \n\n\n Google Calendar\n\n\n iCalendar\n\n\n Outlook 365\n\n\n Outlook Live\n\n\n \nOn sale now. \nCork in the 1980’s was awash with the voices of a disaffected generation who were unwilling to sit idly by as they watched the city they loved crumble around them. Amongst these voices were Cypress\, Mine! who made a splash with their jangly guitar pop\, introspective lyrics and standout live performances. With a cult following and an LP (Exit Trashtown) that remains a collectors item Cypress\, Mine! are back with a new single  ‘Spellbinding’\, out November 5\, 2025\, off their forthcoming new album. \nThe band formed in 1984 by Ian Olney (guitar)\, Ciarán Ó Tuama (vocals)\, Mark Healy (drums) and Denis O’Mullane (bass) the current iteration of Cypress\, Mine! has Mark Healy switching to bass while Morty McCarthy of The Sultans of Ping takes over drumming duties. \nInfluenced in those days by Orange Juice\, The Smiths\, REM\, and Hüsker Dü they performed alongside U2\, Echo and the Bunnymen\, and Aztec Camera before disbanding in 1989. Their 1987 debut Exit Trashtown received critical acclaim\, producing national radio favourites ‘Justine‘ and ‘Sugar Beet God’. \nAfter the breakup\, Ian Olney became a member of Dublin rock band Power of Dreams. \nA subsequent successful re-issue in 2017 of Exit Trashtown on Spanish label Pretty Olivia Records re-ignited an interest in Cypress\, Mine! \nSince then\, Cypress\, Mine! have been quietly reconnecting\, writing and recording new music. The band’s sound remains unmistakably theirs – expect shimmering guitars\, passionate vocals\, and songs that still feel like your favourite mixtape from 1986. \nCypress\, Mine! now bring with them the experience of getting older\, wiser and this is reflected in both the music and lyrical direction the band have chosen. Cypress\, Mine! release new music with single ‘Spellbinding’ the first single off a soon to be released new album. \nThe weather may be dreary in November but the band’s new music brings its own kind of sunny magic to your day.  \nLISTEN NOW \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/cypress-mine-bello-bar-march-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/12/CM-website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260328T193000 DTEND;TZID=UTC:20260328T220000 DTSTAMP:20260624T213325 CREATED:20260224T202526Z LAST-MODIFIED:20260313T165353Z UID:10000190-1774726200-1774735200@foggynotions.ie SUMMARY:E THE ARTIST DESCRIPTION:FOGGY NOTIONS PRESENTS\nE THE ARTIST\nTENGU DUBLIN 1\n28TH MARCH\nDOORS 7:30PM\n\n \n \n \n \n\n Tickets\n The numbers below include tickets for this event already in your cart. Clicking “Get Tickets” will allow you to edit any existing attendee information as well as change ticket quantities.\n E THE ARTIST\n TENGU DUBLIN 1\n28TH MARCH\nDOORS 7:30PM\nOVER 18’S ID REQUIRED\n €18.50\n 142 available\n \n Decrease ticket quantity for E THE ARTIST\n –\n \n Quantity \n \n \n Increase ticket quantity for E THE ARTIST\n +\n \n Quantity:\n 0\n Total:\n €0.00\n Get Tickets\n \n \n\n \n \n\n \n \n\n \n\n \n Add to calendar \n \n \n \n\n\n Google Calendar\n\n\n iCalendar\n\n\n Outlook 365\n\n\n Outlook Live\n\n\n \nFoggy Notions presents E THE ARTIST – SIX ALBUM LAUNCH on Saturday 28th March. Tickets on sale now. \nE The Artist presents Six\, his debut album for Nyahh Records; an incendiary opus of blown-out electronics and daring sonic abstractions\, inspired by the seven seals\, that posits E as a daring force within the Irish underground. \nGarnering a fierce reputation both in Ireland and abroad despite minimal recorded output\, the artist known as E instead boasts his infamy on the live circuit. The Nigerian-born\, Dublin-based musician impressed over the years with a slew of memorable performances inspired by AfroPunkism\, recontextualising contemporary black club genres into their loudest and most intense iterations. Following a brief side quest to Vienna early in 2025\, E returned to Dublin relieved by the tangibility in familiarity of his surroundings. This inspired a period of personal reflection on self\, mortality and religion in his cramped studio; from these sessions emerged his most substantial body of work to date in Six. \nInspired by the opening of the seven seals in the Book of Revelation\, Six acts as a radical departure for E. Opener IDTYEK signals this change\, a freak folk oddity that ill-prepares you for the road ahead. From MANTRAS’ obtuse techno through to RISE’s power electronics\, E fulfils a listening experience intent on submission rather than interpretation. Dynamic contrasts temper the parameters of its sonic catharsis\, a crescendo of geometric flow that challenges convention.  \nSix also extends the artist’s circle of collaborators. Ruby Eastwood and Mel Keane lend BRIDGE their poetry and creative instability respectively\, frequent live collaborator Julia Louise Knifefist douses BLACKOUT with his signature guttural cries while KRAF’s obscured lyrics gives LINT a wayward edge. Bulgarian Umbrella offers the record its most substantial contribution on DROGO\, a twenty minute meditation on life and death which forms the core inspiration for the album as a whole. \nSix exists as a world obsessed with rationalising finality\, a disorienting space between certainty and myth that stands as E The Artist’s most ambitious and strangely beautiful work to date. \nLISTEN NOW \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/e-the-artist-tengu-march-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/02/E-The-Artist-Instagram-Website.jpg END:VEVENT END:VCALENDAR