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BEGIN:VEVENT
DTSTART;TZID=UTC:20251117T193000
DTEND;TZID=UTC:20251117T230000
DTSTAMP:20260917T044550
CREATED:20251014T181550Z
LAST-MODIFIED:20251014T182229Z
UID:10000057-1763407800-1763420400@foggynotions.ie
SUMMARY:Mac DeMarco
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/mac-demarco-dublin-2025/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/MAC-DEMARCO-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251116T200000
DTEND;TZID=UTC:20251116T230000
DTSTAMP:20260917T044550
CREATED:20251015T195142Z
LAST-MODIFIED:20251110T214705Z
UID:10000078-1763323200-1763334000@foggynotions.ie
SUMMARY:WATER FROM YOUR EYES
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/water-from-your-eyes-workmans-club-dublin-2025/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/WaterFromYourEyes-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251115T200000
DTEND;TZID=UTC:20251115T230000
DTSTAMP:20260917T044550
CREATED:20251016T190633Z
LAST-MODIFIED:20251016T191126Z
UID:10000097-1763236800-1763247600@foggynotions.ie
SUMMARY:PROTOMARTYR
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/protomartyr-dublin-november-2025-saturday/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/PROTOMARTYR-Website-Support.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251114T200000
DTEND;TZID=UTC:20251114T230000
DTSTAMP:20260917T044550
CREATED:20251016T131729Z
LAST-MODIFIED:20251016T190352Z
UID:10000096-1763150400-1763161200@foggynotions.ie
SUMMARY:PROTOMARTYR
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/protomartyr-dublin-november-2025-friday/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/PROTOMARTYR-Website-Support.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251114T193000
DTEND;TZID=UTC:20251114T223000
DTSTAMP:20260917T044550
CREATED:20251014T140519Z
LAST-MODIFIED:20251014T141006Z
UID:10000044-1763148600-1763159400@foggynotions.ie
SUMMARY:RÓIS
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/rois-button-factory-november-2025/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/RÓIS-Website-SO.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251113T213000
DTEND;TZID=UTC:20251113T233000
DTSTAMP:20260917T044550
CREATED:20251014T132529Z
LAST-MODIFIED:20251014T141441Z
UID:10000043-1763069400-1763076600@foggynotions.ie
SUMMARY:JANE REMOVER
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/jane-remover-grand-social-dublin-2025/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/JANE-REMOVER-SO-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251112T200000
DTEND;TZID=UTC:20251112T230000
DTSTAMP:20260917T044550
CREATED:20251015T194312Z
LAST-MODIFIED:20251107T174121Z
UID:10000077-1762977600-1762988400@foggynotions.ie
SUMMARY:MOMMA
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/momma-workmans-club-dublin-2025/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/MOMMA-website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251111T200000
DTEND;TZID=UTC:20251111T230000
DTSTAMP:20260917T044550
CREATED:20251015T214124Z
LAST-MODIFIED:20251024T214139Z
UID:10000088-1762891200-1762902000@foggynotions.ie
SUMMARY:HOTLINE TNT
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/hotline-tnt-dublin-2025/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/HOTLINE-TNT-Website-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251110T200000
DTEND;TZID=UTC:20251110T230000
DTSTAMP:20260917T044550
CREATED:20251015T191404Z
LAST-MODIFIED:20251024T212810Z
UID:10000074-1762804800-1762815600@foggynotions.ie
SUMMARY:THESE NEW PURITANS
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/these-new-puritans-workmans-club-dublin-2025/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/TNP-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251108T193000
DTEND;TZID=UTC:20251108T220000
DTSTAMP:20260917T044550
CREATED:20251016T080034Z
LAST-MODIFIED:20251024T134429Z
UID:10000093-1762630200-1762639200@foggynotions.ie
SUMMARY:BOG BAND
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/bog-band-tengu-dublin-november-2025/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/bog-band-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251104T200000
DTEND;TZID=UTC:20251104T230000
DTSTAMP:20260917T044550
CREATED:20251016T075233Z
LAST-MODIFIED:20251024T212617Z
UID:10000092-1762286400-1762297200@foggynotions.ie
SUMMARY:SLATER
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/slater-the-soundhouse-dublin-november-2025/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Slater-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251104T193000
DTEND;TZID=UTC:20251104T223000
DTSTAMP:20260917T044550
CREATED:20251014T131815Z
LAST-MODIFIED:20251014T132345Z
UID:10000042-1762284600-1762295400@foggynotions.ie
SUMMARY:JULIAN LAGE
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/julian-lage-the-helix-dublin-2025/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Julian-Lage-H-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251101T193000
DTEND;TZID=UTC:20251101T223000
DTSTAMP:20260917T044550
CREATED:20251015T190603Z
LAST-MODIFIED:20251101T141558Z
UID:10000073-1762025400-1762036200@foggynotions.ie
SUMMARY:MONO
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/mono-button-factory-dublin-2025/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/MONO-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251101T190000
DTEND;TZID=UTC:20251101T233000
DTSTAMP:20260917T044550
CREATED:20251016T193126Z
LAST-MODIFIED:20251024T211717Z
UID:10000100-1762023600-1762039800@foggynotions.ie
SUMMARY:JAZZ SABBATH
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/jazz-sabbath-sugar-club-dublin-november-2025/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/JAZZ-SABBATH-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251030T200000
DTEND;TZID=UTC:20251030T230000
DTSTAMP:20260917T044550
CREATED:20251014T131030Z
LAST-MODIFIED:20251029T154832Z
UID:10000041-1761854400-1761865200@foggynotions.ie
SUMMARY:MARK WILLIAM LEWIS
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/mark-william-lewis-dublin-2025/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/MWL-Website-SO.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251027T193000
DTEND;TZID=UTC:20251027T230000
DTSTAMP:20260917T044550
CREATED:20251014T125607Z
LAST-MODIFIED:20251014T130754Z
UID:10000040-1761593400-1761606000@foggynotions.ie
SUMMARY:FRAZEY FORD
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/frazey-ford-button-factory-dublin-2025/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Frazey-Ford-Website-SO.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251026T200000
DTEND;TZID=UTC:20251026T230000
DTSTAMP:20260917T044550
CREATED:20251015T184550Z
LAST-MODIFIED:20251024T211046Z
UID:10000072-1761508800-1761519600@foggynotions.ie
SUMMARY:GHOSTWOMAN
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/ghostwoman-grand-social-dublin-2025/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/GHOSTWOMAN-Website-Poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251025T150000
DTEND;TZID=UTC:20251025T230000
DTSTAMP:20260917T044550
CREATED:20251014T123359Z
LAST-MODIFIED:20251014T124931Z
UID:10000039-1761404400-1761433200@foggynotions.ie
SUMMARY:HAUNTED DANCEHALL
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/haunted-dancehall-dublin-october-2025/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Haunted-Dancehall_1080x1080.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251023T200000
DTEND;TZID=UTC:20251023T230000
DTSTAMP:20260917T044550
CREATED:20251015T183400Z
LAST-MODIFIED:20251015T184111Z
UID:10000071-1761249600-1761260400@foggynotions.ie
SUMMARY:NIALL MCNAMEE
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/niall-mcnamee-whelans-october-2025/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/NIALL-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251023T200000
DTEND;TZID=UTC:20251023T230000
DTSTAMP:20260917T044550
CREATED:20251015T180333Z
LAST-MODIFIED:20251015T180914Z
UID:10000070-1761249600-1761260400@foggynotions.ie
SUMMARY:YHWH NAILGUN
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/yhwh-nailgun-workmans-club-dublin-2025/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/YHWH-Website-S.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251018T200000
DTEND;TZID=UTC:20251018T230000
DTSTAMP:20260917T044550
CREATED:20251014T121220Z
LAST-MODIFIED:20251014T123106Z
UID:10000038-1760817600-1760828400@foggynotions.ie
SUMMARY:HARD SKIN
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/hard-skin-bello-bar-dublin-october-2025/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Hard-Skin-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251015T200000
DTEND;TZID=UTC:20251015T223000
DTSTAMP:20260917T044550
CREATED:20250806T202340Z
LAST-MODIFIED:20251014T125302Z
UID:10000036-1760558400-1760567400@foggynotions.ie
SUMMARY:ROBERT FORSTER
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/robert-forster-national-concert-hall-dublin-2025/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/08/ROBERT-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251011T200000
DTEND;TZID=UTC:20251011T230000
DTSTAMP:20260917T044550
CREATED:20250806T195447Z
LAST-MODIFIED:20250806T200756Z
UID:10000034-1760212800-1760223600@foggynotions.ie
SUMMARY:BROADSIDE HACKS RECORDINGS TOUR
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/broadside-hacks-recordings-tour-dublin-2025/
ATTACH;FMTTYPE=image/png:http://foggynotions.ie/wp-content/uploads/2025/08/11-Bellobar-Dublin-♕-Foggy-Notions-web.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251010T200000
DTEND;TZID=UTC:20251010T230000
DTSTAMP:20260917T044550
CREATED:20250806T194743Z
LAST-MODIFIED:20250806T195113Z
UID:10000033-1760126400-1760137200@foggynotions.ie
SUMMARY:NIAMH REGAN
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/niamh-regan-bello-bar-october-2025/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2024/11/Niamh-Website-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251007T200000
DTEND;TZID=UTC:20251007T230000
DTSTAMP:20260917T044550
CREATED:20250806T193645Z
LAST-MODIFIED:20250806T194242Z
UID:10000032-1759867200-1759878000@foggynotions.ie
SUMMARY:GANAVYA
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/ganavya-sugar-club-dublin-2025/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2024/11/ganavya-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251006T183000
DTEND;TZID=UTC:20251006T230000
DTSTAMP:20260917T044550
CREATED:20250806T192508Z
LAST-MODIFIED:20250806T192907Z
UID:10000030-1759775400-1759791600@foggynotions.ie
SUMMARY:PATTI SMITH
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/patti-smith-horses-3arena-dublin-2025/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2024/11/PATTI-Website-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251004T200000
DTEND;TZID=UTC:20251004T230000
DTSTAMP:20260917T044550
CREATED:20250806T193044Z
LAST-MODIFIED:20250806T193407Z
UID:10000031-1759608000-1759618800@foggynotions.ie
SUMMARY:JOHN GRANT
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/john-grant-national-stadium-dublin-october-2025/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2024/11/JOHN-GRANT-Website-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251004T200000
DTEND;TZID=UTC:20251004T230000
DTSTAMP:20260917T044550
CREATED:20250806T191409Z
LAST-MODIFIED:20250806T192030Z
UID:10000029-1759608000-1759618800@foggynotions.ie
SUMMARY:VRAELL
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/vraell-grand-social-dublin-october-2025/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2024/11/Vraell-New-Website-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250926T200000
DTEND;TZID=UTC:20250926T230000
DTSTAMP:20260917T044550
CREATED:20250806T180957Z
LAST-MODIFIED:20250806T182034Z
UID:10000026-1758916800-1758927600@foggynotions.ie
SUMMARY:SIR RICHARD BISHOP
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/sir-richard-bishop-dublin-2025/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2024/11/Richard-Bishop-Instagram-Post-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250919T193000
DTEND;TZID=UTC:20250919T223000
DTSTAMP:20260917T044550
CREATED:20250806T163742Z
LAST-MODIFIED:20250806T164423Z
UID:10000024-1758310200-1758321000@foggynotions.ie
SUMMARY:MICHAEL ROTHER
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/michael-rother-neu-button-factory-september-2025/
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