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DTSTART;TZID=UTC:20270219T200000
DTEND;TZID=UTC:20270219T230000
DTSTAMP:20260625T165005
CREATED:20260607T165933Z
LAST-MODIFIED:20260611T170640Z
UID:10000241-1803067200-1803078000@foggynotions.ie
SUMMARY:ICEAGE
DESCRIPTION:FOGGY NOTIONS PRESENTS\nAGNES OBEL\nSPECIAL GUEST\nPETER GREGSON\nNATIONAL CONCERT HALL\n25TH JULY\nSOLD OUT.				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETS\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									On Sale Friday 30th January at 9am. Acclaimed Danish songwriter\, singer producer & classically trained pianist Agnes Obel performs at the National Concert Hall for the very first time. In 2018 Agnes signed with Deutsche Grammophon and Blue Note Records in the United States. 2020 saw Obel release her fourth full-length studio album\, Myopia\, and once again\, just like her previous album trilogy\, was entirely self-written\, recorded & produced by Obel herself in her home studio in Berlin. Agnes Obel – Berlin-based\, Danish-born; singer\, songwriter\, producer & classically trained pianist with an elegant and elastic voice. Obel’s poised & melancholic chamber pop draws from the same atmosphere-heavy well as cinematic spellcasters\, but with a succinct aura of Scandinavian refinery. An evocative blend of alternative\, neo-classical\, pop\, jazz & electronic production found mass success in Europe on the strength of the platinum-selling Philharmonics & Aventine. Both albums were written (with the exception of a John Cale cover)\, performed & produced by Obel herself. Pure\, austere\, and remarkably poised\, the pristine mix of instrumentals\, atmosphere\, melancholy balladry and unique production was both a critical & commercial success. Her ambitious 2016 release\, Citizen of Glass\, introduced ghostly electronics\, voice modulation\, and a late-’20s monophonic synthesizer called a Trautonium into the mix\, helped to establish her on a world-wide basis as both a songwriter\, artist and producer. In 2018 Agnes signed with Deutsche Grammophon (and Blue Note Records in the United States). Later the same year Obel curated a Late Night Tales compilation\, featuring original music and poetry. 2020 saw Obel release her fourth full-length studio album\, Myopia\, and once again\, just like her previous album trilogy\, was entirely self-written\, recorded & produced by Obel herself in her home studio in Berlin. Extensive world touring followed across 18 countries throughout Europe\, United Kingdom\, United States\, Australia & New Zealand. Obel’s music is a mainstay in the world of TV\, cinema\, gaming and fashion. Including usage in the likes of The Last of Us\, True Detective\, Big Little Lies and Dark Souls III. Riverside\, Fuel to Fire\, The Curse\, September Song\, It’s Happening Again\, Familiar… the list of tracks adored by fellow creatives goes on. After a five-year break from the foreground\, Obel returns to stages in 2025 – announcing her September 2025 European theatre tour. Including a date at London’s prestigious Royal Albert Hall. A more fitting venue for Obel’s music to resonate with her audience may not exist. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/iceage-dublin-february-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/ICEAGE-Website.jpg
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DTSTART;TZID=UTC:20270519T193000
DTEND;TZID=UTC:20270519T230000
DTSTAMP:20260625T165006
CREATED:20260521T122523Z
LAST-MODIFIED:20260521T125153Z
UID:10000232-1810755000-1810767600@foggynotions.ie
SUMMARY:KINGS OF CONVENIENCE
DESCRIPTION:FOGGY NOTIONS PRESENTS\nAGNES OBEL\nSPECIAL GUEST\nPETER GREGSON\nNATIONAL CONCERT HALL\n25TH JULY\nSOLD OUT.				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETS\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									On Sale Friday 30th January at 9am. Acclaimed Danish songwriter\, singer producer & classically trained pianist Agnes Obel performs at the National Concert Hall for the very first time. In 2018 Agnes signed with Deutsche Grammophon and Blue Note Records in the United States. 2020 saw Obel release her fourth full-length studio album\, Myopia\, and once again\, just like her previous album trilogy\, was entirely self-written\, recorded & produced by Obel herself in her home studio in Berlin. Agnes Obel – Berlin-based\, Danish-born; singer\, songwriter\, producer & classically trained pianist with an elegant and elastic voice. Obel’s poised & melancholic chamber pop draws from the same atmosphere-heavy well as cinematic spellcasters\, but with a succinct aura of Scandinavian refinery. An evocative blend of alternative\, neo-classical\, pop\, jazz & electronic production found mass success in Europe on the strength of the platinum-selling Philharmonics & Aventine. Both albums were written (with the exception of a John Cale cover)\, performed & produced by Obel herself. Pure\, austere\, and remarkably poised\, the pristine mix of instrumentals\, atmosphere\, melancholy balladry and unique production was both a critical & commercial success. Her ambitious 2016 release\, Citizen of Glass\, introduced ghostly electronics\, voice modulation\, and a late-’20s monophonic synthesizer called a Trautonium into the mix\, helped to establish her on a world-wide basis as both a songwriter\, artist and producer. In 2018 Agnes signed with Deutsche Grammophon (and Blue Note Records in the United States). Later the same year Obel curated a Late Night Tales compilation\, featuring original music and poetry. 2020 saw Obel release her fourth full-length studio album\, Myopia\, and once again\, just like her previous album trilogy\, was entirely self-written\, recorded & produced by Obel herself in her home studio in Berlin. Extensive world touring followed across 18 countries throughout Europe\, United Kingdom\, United States\, Australia & New Zealand. Obel’s music is a mainstay in the world of TV\, cinema\, gaming and fashion. Including usage in the likes of The Last of Us\, True Detective\, Big Little Lies and Dark Souls III. Riverside\, Fuel to Fire\, The Curse\, September Song\, It’s Happening Again\, Familiar… the list of tracks adored by fellow creatives goes on. After a five-year break from the foreground\, Obel returns to stages in 2025 – announcing her September 2025 European theatre tour. Including a date at London’s prestigious Royal Albert Hall. A more fitting venue for Obel’s music to resonate with her audience may not exist. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/kings-of-convenience-vicar-street-may-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/05/KOC-Website.jpg
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