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BEGIN:VEVENT
DTSTART;TZID=UTC:20261110T200000
DTEND;TZID=UTC:20261110T230000
DTSTAMP:20260916T181821
CREATED:20260623T185727Z
LAST-MODIFIED:20260624T214221Z
UID:10000257-1794340800-1794351600@foggynotions.ie
SUMMARY:WENDY EISENBERG & DAN ENGLISH & SUPERFAN
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/modern-lovers-wendy-eisenberg-dan-english-superfan-grand-social-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/Wendy-Eisenberg-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261111T200000
DTEND;TZID=UTC:20261111T230000
DTSTAMP:20260916T181821
CREATED:20260623T183300Z
LAST-MODIFIED:20260626T154915Z
UID:10000255-1794427200-1794438000@foggynotions.ie
SUMMARY:ANNA VON HAUSSWOLFF
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/modern-lovers-anna-von-hausswolff-national-concert-hall-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/Anna-Von-Hausswolff-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261112T200000
DTEND;TZID=UTC:20261112T230000
DTSTAMP:20260916T181821
CREATED:20260623T190821Z
LAST-MODIFIED:20260626T155009Z
UID:10000258-1794513600-1794524400@foggynotions.ie
SUMMARY:GB
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/modern-lovers-gb-david-de-barra-bello-bar-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/GB-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261113T200000
DTEND;TZID=UTC:20261113T230000
DTSTAMP:20260916T181821
CREATED:20260812T124823Z
LAST-MODIFIED:20260812T125810Z
UID:10000286-1794600000-1794610800@foggynotions.ie
SUMMARY:POISON RUIN
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/poison-ruin-special-branch-lost-lane-dublin-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/08/Poison-Ruin-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261115T193000
DTEND;TZID=UTC:20261115T230000
DTSTAMP:20260916T181821
CREATED:20260623T175436Z
LAST-MODIFIED:20260814T144033Z
UID:10000253-1794771000-1794783600@foggynotions.ie
SUMMARY:BASSVICTIM
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/modern-lovers-bassvictim-opium-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/SO-Bassvictim-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261115T200000
DTEND;TZID=UTC:20261115T230000
DTSTAMP:20260916T181821
CREATED:20260728T084344Z
LAST-MODIFIED:20260730T102147Z
UID:10000283-1794772800-1794783600@foggynotions.ie
SUMMARY:CLARA MANN
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/modern-lovers-clara-mann-and-guests-sugar-club-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/07/Clara-Mann-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261116T200000
DTEND;TZID=UTC:20261116T230000
DTSTAMP:20260916T181821
CREATED:20260623T192503Z
LAST-MODIFIED:20260914T122424Z
UID:10000259-1794859200-1794870000@foggynotions.ie
SUMMARY:@ & Ellie O'Neill
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/modern-lovers-at-band-workmans-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/@-Website-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261119T193000
DTEND;TZID=UTC:20261119T230000
DTSTAMP:20260916T181821
CREATED:20260225T095236Z
LAST-MODIFIED:20260225T095836Z
UID:10000191-1795116600-1795129200@foggynotions.ie
SUMMARY:THE PROCLAIMERS
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/the-proclaimers-national-stadium-dublin-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/02/The-Proclaimers-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261119T200000
DTEND;TZID=UTC:20261119T230000
DTSTAMP:20260916T181821
CREATED:20260319T093918Z
LAST-MODIFIED:20260319T114526Z
UID:10000199-1795118400-1795129200@foggynotions.ie
SUMMARY:SEAMUS FOGARTY
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/seamus-fogarty-bello-bar-november-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/03/Seamus-Fogarty-Corner.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261121T190000
DTEND;TZID=UTC:20261121T230000
DTSTAMP:20260916T181821
CREATED:20260512T132439Z
LAST-MODIFIED:20260624T111439Z
UID:10000223-1795287600-1795302000@foggynotions.ie
SUMMARY:THIS IS LORELEI
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/this-is-lorelei-dublin-november-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/05/TIL-Instagram-Post-SO-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261123T200000
DTEND;TZID=UTC:20261123T223000
DTSTAMP:20260916T181821
CREATED:20260429T084616Z
LAST-MODIFIED:20260831T202533Z
UID:10000220-1795464000-1795473000@foggynotions.ie
SUMMARY:JON HOPKINS
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/jon-hopkins-national-concert-hall-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/04/Jon-Hopkins-Website-SO.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261124T200000
DTEND;TZID=UTC:20261124T230000
DTSTAMP:20260916T181821
CREATED:20260420T212314Z
LAST-MODIFIED:20260421T134214Z
UID:10000217-1795550400-1795561200@foggynotions.ie
SUMMARY:LEENALCHI
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/leenalchi-dublin-november-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/04/Leenalchi-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261129T200000
DTEND;TZID=UTC:20261129T230000
DTSTAMP:20260916T181821
CREATED:20260627T192331Z
LAST-MODIFIED:20260629T085333Z
UID:10000266-1795982400-1795993200@foggynotions.ie
SUMMARY:MILO KORBENSKI
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/milo-korbenski-bello-bar-dublin-november-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/Milo-Korbenski-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261206T200000
DTEND;TZID=UTC:20261206T230000
DTSTAMP:20260916T181821
CREATED:20260915T181253Z
LAST-MODIFIED:20260916T090551Z
UID:10000298-1796587200-1796598000@foggynotions.ie
SUMMARY:how r u
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/how-r-u-dublin-december-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/09/how-are-u-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261221T193000
DTEND;TZID=UTC:20261221T230000
DTSTAMP:20260916T181821
CREATED:20260907T211909Z
LAST-MODIFIED:20260908T090205Z
UID:10000293-1797881400-1797894000@foggynotions.ie
SUMMARY:LISA O'NEILL
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/lisa-oneill-vicar-street-december-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/09/LISA-DECEMBER-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270129T200000
DTEND;TZID=UTC:20270129T230000
DTSTAMP:20260916T181821
CREATED:20260602T181432Z
LAST-MODIFIED:20260604T074522Z
UID:10000239-1801252800-1801263600@foggynotions.ie
SUMMARY:GOLD PANDA
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/gold-panda-dublin-january-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/Gold-Panda-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270202T200000
DTEND;TZID=UTC:20270202T230000
DTSTAMP:20260916T181821
CREATED:20260708T183112Z
LAST-MODIFIED:20260709T181447Z
UID:10000272-1801598400-1801609200@foggynotions.ie
SUMMARY:HAYDEN THORPE - WILD BEASTS
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/hayden-thorpe-songs-of-wild-beasts-sugar-club-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/07/Hayden-Thorpe-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270212T200000
DTEND;TZID=UTC:20270212T230000
DTSTAMP:20260916T181821
CREATED:20260914T184541Z
LAST-MODIFIED:20260915T190151Z
UID:10000296-1802462400-1802473200@foggynotions.ie
SUMMARY:GILES COREY
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/giles-corey-dublin-february-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/09/Giles-Corey-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270219T200000
DTEND;TZID=UTC:20270219T230000
DTSTAMP:20260916T181821
CREATED:20260607T165933Z
LAST-MODIFIED:20260611T170640Z
UID:10000241-1803067200-1803078000@foggynotions.ie
SUMMARY:ICEAGE
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/iceage-dublin-february-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/ICEAGE-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270303T200000
DTEND;TZID=UTC:20270303T230000
DTSTAMP:20260916T181821
CREATED:20260915T091702Z
LAST-MODIFIED:20260915T202406Z
UID:10000297-1804104000-1804114800@foggynotions.ie
SUMMARY:LAEL NEALE
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/lael-neale-bello-bar-dublin-march-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/09/Lael-Neale-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270313T193000
DTEND;TZID=UTC:20270313T230000
DTSTAMP:20260916T181821
CREATED:20260908T094353Z
LAST-MODIFIED:20260908T163205Z
UID:10000294-1804966200-1804978800@foggynotions.ie
SUMMARY:MY NEW BAND BELIEVE
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/my-new-band-believe-button-factory-dublin-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/09/MNBB-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270422T200000
DTEND;TZID=UTC:20270422T230000
DTSTAMP:20260916T181821
CREATED:20260826T150743Z
LAST-MODIFIED:20260826T162703Z
UID:10000289-1808424000-1808434800@foggynotions.ie
SUMMARY:SADNESS
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/sadness-bello-bar-dublin-april-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/08/Sadness-Website-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270519T193000
DTEND;TZID=UTC:20270519T230000
DTSTAMP:20260916T181821
CREATED:20260521T122523Z
LAST-MODIFIED:20260521T125153Z
UID:10000232-1810755000-1810767600@foggynotions.ie
SUMMARY:KINGS OF CONVENIENCE
DESCRIPTION:FOGGY NOTIONS PRESENTS\nKURT VILE & THE VIOLATORS\nSPECIAL GUESTS\nRYAN DAVIS & THE ROADHOUSE BAND\nVICAR STREET\n14TH SEPTEMBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on general sale Friday 10th April at 10:00. Released in God’s year of 2026\, the 250th anniversary of the founding of America in Kurt Vile’s fine city of Philadelphia\, Philadelphia’s been good to me finds one of our nation’s greatest songwriters staking a claim on his hometown. “This is my ‘bringing it all back home to Philly’ record\,” Vile says. “I’m treating it like my last one. I put everything into it. It’s my best vocal record. It’s my best electric guitar record. It’s my most organic record\, made in the comfort of my own zone.” Largely self-produced\, with assists from Adam Langellotti\, keys wiz Matthew Jugenheimer\, drummer Kyle Spence\, guitarist Jesse Trbovrich\, and longtime Violators boardsman Rob Schnapf\, the record embodies Vile’s understanding of music as a conversation between people across time and space. The title track is an ode to his hometown that doubles as an homage to Tom Petty’s homage to California. The barn-burning “Chance to Bleed” features guest spots from Memphis OGs Natalie Hoffman and Greg Cartwright but boasts a music video proudly shot at the Philly venue Kung Fu Necktime and features a cameo by local legend Schoolly D. “You Don’t Know Cuz It’s My Life” is Kurt’s take on a stadium anthem\, building up to a laid-back yet triumphant chant of “I’m from Phil-a-del-phiaaaaaaah!” that you can imagine a crowd of Eagles fans screaming along to\, Twisted Teas pointed towards the heavens. Make no mistake: Philadelphia’s been good to me is the sound of Philly’s constant hitmaker coming back to kick ass\, son the haters\, and put on for the City of Brotherly Love — and in true Kurt Vile fashion\, doing so while sounding more relaxed than ever. Between the 250th anniversary of America and its hosting of select World Cup games\, 2026 is shaping up to be a big deal for Philadelphia. “And then there’s one other thing\,” Vile says. “I gotta be that third thing. Because I am Philadelphia. I gotta own it. I gotta rise to the occasion.” Ryan Davis & the Roadhouse Band’s New Threats from the Soul is a masterclass in reducing the sublime to the prosaic\, immensity to infinitesimally\, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam\, rubbish heaps of fragments and shards. We\, especially\, are jerry-rigs of bubblegum and driftwood\, inconsistencies and incoherencies\, dead dreams and necrophagous hopes. The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe\, just not for us. New Threats suggests that maybe\, just maybe\, something like redemption is possible\, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/kings-of-convenience-vicar-street-may-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/05/KOC-Website.jpg
END:VEVENT
END:VCALENDAR