BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Foggy Notions - ECPv6.15.15//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:http://foggynotions.ie X-WR-CALDESC:Events for Foggy Notions REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:UTC BEGIN:STANDARD TZOFFSETFROM:+0000 TZOFFSETTO:+0000 TZNAME:UTC DTSTART:20250101T000000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=UTC:20260512T193000 DTEND;TZID=UTC:20260512T230000 DTSTAMP:20260916T225904 CREATED:20251112T085645Z LAST-MODIFIED:20260304T001553Z UID:10000115-1778614200-1778626800@foggynotions.ie SUMMARY:TRICKY DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/tricky-vicar-street-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/11/TRICKY-website-SO-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260509T193000 DTEND;TZID=UTC:20260509T223000 DTSTAMP:20260916T225904 CREATED:20251028T100005Z LAST-MODIFIED:20260509T010343Z UID:10000108-1778355000-1778365800@foggynotions.ie SUMMARY:THE TWILIGHT SAD DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/the-twilight-sad-button-factory-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/TWILIGHT-SAD-Website-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260508T193000 DTEND;TZID=UTC:20260508T223000 DTSTAMP:20260916T225904 CREATED:20260205T123931Z LAST-MODIFIED:20260505T141645Z UID:10000180-1778268600-1778279400@foggynotions.ie SUMMARY:ADRIAN CROWLEY DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/adrian-crowley-tengu-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/05/Adrian-Crowley-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260507T200000 DTEND;TZID=UTC:20260507T230000 DTSTAMP:20260916T225904 CREATED:20251202T104259Z LAST-MODIFIED:20260505T140755Z UID:10000139-1778184000-1778194800@foggynotions.ie SUMMARY:CRACK CLOUD DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/crack-cloud-grand-social-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/12/CrackCloud-Websiten.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260505T200000 DTEND;TZID=UTC:20260505T230000 DTSTAMP:20260916T225904 CREATED:20251029T100240Z LAST-MODIFIED:20260411T143209Z UID:10000110-1778011200-1778022000@foggynotions.ie SUMMARY:FRIENDSHIP DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/friendship-grand-social-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Friendship-Instagram-Post-copy.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260502T200000 DTEND;TZID=UTC:20260502T230000 DTSTAMP:20260916T225904 CREATED:20251112T092455Z LAST-MODIFIED:20251112T092913Z UID:10000117-1777752000-1777762800@foggynotions.ie SUMMARY:MODERN NATURE DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/modern-nature-bello-bar-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/11/Modern-Nature-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260430T200000 DTEND;TZID=UTC:20260430T230000 DTSTAMP:20260916T225904 CREATED:20251114T100705Z LAST-MODIFIED:20260428T111028Z UID:10000127-1777579200-1777590000@foggynotions.ie SUMMARY:CLAIRE ROUSAY DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/claire-rousay-bello-bar-april-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/11/claire-Instagram-Post-copy.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260430T193000 DTEND;TZID=UTC:20260430T230000 DTSTAMP:20260916T225904 CREATED:20251016T195304Z LAST-MODIFIED:20260420T133404Z UID:10000103-1777577400-1777590000@foggynotions.ie SUMMARY:THE BIG STAR QUINTET DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/the-big-star-quintet-dublin-2026-thursday/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/BIG-STAR-QUINTET-Website-SO.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260429T193000 DTEND;TZID=UTC:20260429T230000 DTSTAMP:20260916T225904 CREATED:20251016T200026Z LAST-MODIFIED:20260428T205215Z UID:10000104-1777491000-1777503600@foggynotions.ie SUMMARY:THE BIG STAR QUINTET DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/the-big-star-quintet-dublin-2026-wednesday/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/BIG-STAR-QUINTET-Website-SO.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260426T200000 DTEND;TZID=UTC:20260426T230000 DTSTAMP:20260916T225904 CREATED:20251119T090048Z LAST-MODIFIED:20260303T103346Z UID:10000132-1777233600-1777244400@foggynotions.ie SUMMARY:SMERZ DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/smerz-dublin-april-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/11/Smerz-Website-SO.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260424T200000 DTEND;TZID=UTC:20260424T230000 DTSTAMP:20260916T225904 CREATED:20260127T212647Z LAST-MODIFIED:20260129T123846Z UID:10000175-1777060800-1777071600@foggynotions.ie SUMMARY:JESSE SYKES & THE SWEET HEREAFTER DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/jesse-sykes-the-sweet-hereafter-bello-bar-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/01/JESSE-SKYES-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260423T190000 DTEND;TZID=UTC:20260423T230000 DTSTAMP:20260916T225904 CREATED:20251111T085745Z LAST-MODIFIED:20251113T100651Z UID:10000113-1776970800-1776985200@foggynotions.ie SUMMARY:HAPPY MONDAYS DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/happy-mondays-vicar-street-dublin-2026-thursday/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/11/Happy-Mondays-N2-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260422T193000 DTEND;TZID=UTC:20260422T230000 DTSTAMP:20260916T225904 CREATED:20251014T190852Z LAST-MODIFIED:20251111T100626Z UID:10000063-1776886200-1776898800@foggynotions.ie SUMMARY:HAPPY MONDAYS DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/happy-mondays-vicar-street-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/11/Happy-Mondays-N2-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260419T200000 DTEND;TZID=UTC:20260419T230000 DTSTAMP:20260916T225904 CREATED:20251211T082953Z LAST-MODIFIED:20260419T183618Z UID:10000144-1776628800-1776639600@foggynotions.ie SUMMARY:JAMES K DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/james-k-workmans-club-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/12/james-K-Website-Support.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260412T200000 DTEND;TZID=UTC:20260412T230000 DTSTAMP:20260916T225904 CREATED:20251016T073459Z LAST-MODIFIED:20260304T191124Z UID:10000090-1776024000-1776034800@foggynotions.ie SUMMARY:Eliza Carthy & Special Guests - The Songs of Martin Carthy DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/eliza-carthy-the-songs-of-martin-carthy-april-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Martin-Eliza-Website-2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260410T200000 DTEND;TZID=UTC:20260410T230000 DTSTAMP:20260916T225904 CREATED:20260119T151848Z LAST-MODIFIED:20260401T150144Z UID:10000171-1775851200-1775862000@foggynotions.ie SUMMARY:ELLIE O'NEILL DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/ellie-oneill-bello-bar-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/01/EllieONeill-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260404T200000 DTEND;TZID=UTC:20260404T230000 DTSTAMP:20260916T225904 CREATED:20251112T091129Z LAST-MODIFIED:20251112T091617Z UID:10000116-1775332800-1775343600@foggynotions.ie SUMMARY:BEN DE LA COUR DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/ben-de-la-cour-cobblestone-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/11/Ben-De-La-Cour-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260403T193000 DTEND;TZID=UTC:20260403T220000 DTSTAMP:20260916T225904 CREATED:20260302T175731Z LAST-MODIFIED:20260304T100817Z UID:10000194-1775244600-1775253600@foggynotions.ie SUMMARY:OFFICER JOHN DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/officer-john-tengu-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/03/Officer-John-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260402T200000 DTEND;TZID=UTC:20260402T230000 DTSTAMP:20260916T225904 CREATED:20251217T205226Z LAST-MODIFIED:20260323T161201Z UID:10000152-1775160000-1775170800@foggynotions.ie SUMMARY:STEVE GUNN DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/steve-gunn-bello-bar-april-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/12/Steve-Gunn-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260328T193000 DTEND;TZID=UTC:20260328T220000 DTSTAMP:20260916T225904 CREATED:20260224T202526Z LAST-MODIFIED:20260313T165353Z UID:10000190-1774726200-1774735200@foggynotions.ie SUMMARY:E THE ARTIST DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/e-the-artist-tengu-march-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/02/E-The-Artist-Instagram-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260321T200000 DTEND;TZID=UTC:20260321T230000 DTSTAMP:20260916T225904 CREATED:20251205T133635Z LAST-MODIFIED:20260321T165335Z UID:10000143-1774123200-1774134000@foggynotions.ie SUMMARY:CYPRESS\, MINE! DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/cypress-mine-bello-bar-march-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/12/CM-website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260319T200000 DTEND;TZID=UTC:20260319T230000 DTSTAMP:20260916T225904 CREATED:20251016T081930Z LAST-MODIFIED:20251016T083038Z UID:10000095-1773950400-1773961200@foggynotions.ie SUMMARY:BAR ITALIA DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/bar-italia-ireland-march-2026-belfast/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/bar-italia-Website-Belfast.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260318T200000 DTEND;TZID=UTC:20260318T230000 DTSTAMP:20260916T225904 CREATED:20251016T081138Z LAST-MODIFIED:20251102T203938Z UID:10000094-1773864000-1773874800@foggynotions.ie SUMMARY:BAR ITALIA DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/bar-italia-ireland-march-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/bar-italia-Website-Dublin.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260312T193000 DTEND;TZID=UTC:20260312T230000 DTSTAMP:20260916T225904 CREATED:20251014T192322Z LAST-MODIFIED:20251014T192835Z UID:10000064-1773343800-1773356400@foggynotions.ie SUMMARY:GAVIN FRIDAY DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/gavin-friday-ireland-spring-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Gavin-Friday-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260308T200000 DTEND;TZID=UTC:20260308T223000 DTSTAMP:20260916T225904 CREATED:20260205T085054Z LAST-MODIFIED:20260205T091823Z UID:10000179-1773000000-1773009000@foggynotions.ie SUMMARY:LISA O'NEILL DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/lisa-oneill-pavilion-dun-laoghaire-march-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/02/LISA-ONEILL-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260305T200000 DTEND;TZID=UTC:20260305T230000 DTSTAMP:20260916T225904 CREATED:20251105T100234Z LAST-MODIFIED:20260225T150120Z UID:10000111-1772740800-1772751600@foggynotions.ie SUMMARY:REMEMBER SPORTS DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/remember-sports-workmans-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/11/Remember-Sports-Web-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260227T200000 DTEND;TZID=UTC:20260227T230000 DTSTAMP:20260916T225904 CREATED:20251218T111649Z LAST-MODIFIED:20251218T112150Z UID:10000154-1772222400-1772233200@foggynotions.ie SUMMARY:JANA HORN DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/jana-horn-bello-bar-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/12/Jana-Horn-Website-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260224T200000 DTEND;TZID=UTC:20260224T230000 DTSTAMP:20260916T225904 CREATED:20251113T115355Z LAST-MODIFIED:20251113T115850Z UID:10000125-1771963200-1771974000@foggynotions.ie SUMMARY:MARK WILLIAM LEWIS DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/mark-william-lewis-workmans-club-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/11/MWL-Web-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260223T200000 DTEND;TZID=UTC:20260223T230000 DTSTAMP:20260916T225904 CREATED:20260108T145131Z LAST-MODIFIED:20260109T095658Z UID:10000162-1771876800-1771887600@foggynotions.ie SUMMARY:STEREOLAB DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/stereolab-whelans-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/01/Stereolab-Whelans-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260222T193000 DTEND;TZID=UTC:20260222T230000 DTSTAMP:20260916T225904 CREATED:20251014T203210Z LAST-MODIFIED:20251014T203726Z UID:10000069-1771788600-1771801200@foggynotions.ie SUMMARY:STEREOLAB DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/stereolab-ireland-february-2026-belfast/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Stereolab-ALL-Website-Updated.jpg END:VEVENT END:VCALENDAR