BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Foggy Notions - ECPv6.15.15//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:http://foggynotions.ie X-WR-CALDESC:Events for Foggy Notions REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:UTC BEGIN:STANDARD TZOFFSETFROM:+0000 TZOFFSETTO:+0000 TZNAME:UTC DTSTART:20250101T000000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=UTC:20260606T200000 DTEND;TZID=UTC:20260606T230000 DTSTAMP:20260916T103020 CREATED:20260401T143939Z LAST-MODIFIED:20260526T093116Z UID:10000210-1780776000-1780786800@foggynotions.ie SUMMARY:NERVES DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/nerves-workmans-club-june-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/04/Nerves-Website-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260607T200000 DTEND;TZID=UTC:20260607T230000 DTSTAMP:20260916T103020 CREATED:20260218T085933Z LAST-MODIFIED:20260507T130534Z UID:10000187-1780862400-1780873200@foggynotions.ie SUMMARY:KITTY CRAFT DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/kitty-craft-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/02/Kitty-Craft-Website-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260617T193000 DTEND;TZID=UTC:20260617T230000 DTSTAMP:20260916T103020 CREATED:20260325T191713Z LAST-MODIFIED:20260615T214722Z UID:10000206-1781724600-1781737200@foggynotions.ie SUMMARY:MOUNT EERIE DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/mount-eerie-button-factory-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/03/Mount-Eerie-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260703T200000 DTEND;TZID=UTC:20260703T200000 DTSTAMP:20260916T103020 CREATED:20260423T175350Z LAST-MODIFIED:20260603T111620Z UID:10000219-1783108800-1783108800@foggynotions.ie SUMMARY:GOLDBUG DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/goldbug-bello-bar-july-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/04/Goldbug-S-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260704T200000 DTEND;TZID=UTC:20260704T223000 DTSTAMP:20260916T103020 CREATED:20260407T144804Z LAST-MODIFIED:20260410T140614Z UID:10000212-1783195200-1783204200@foggynotions.ie SUMMARY:THAIBOY DIGITAL DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/thaiboy-digital-dublin-july-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/04/THAIBOY-DIGITAL-Website-OPIUM.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260709T200000 DTEND;TZID=UTC:20260709T230000 DTSTAMP:20260916T103020 CREATED:20260218T145434Z LAST-MODIFIED:20260310T164119Z UID:10000188-1783627200-1783638000@foggynotions.ie SUMMARY:DEAD PIONEERS DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/dead-pioneers-dublin-july-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/02/Dead-Pioneers-Website-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260710T200000 DTEND;TZID=UTC:20260710T230000 DTSTAMP:20260916T103020 CREATED:20260413T084632Z LAST-MODIFIED:20260708T150926Z UID:10000216-1783713600-1783724400@foggynotions.ie SUMMARY:PANSY DIVISION DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/pansy-division-dublin-july-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/04/Pansy-Division-Instagram-Post-copy.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260711T200000 DTEND;TZID=UTC:20260711T230000 DTSTAMP:20260916T103020 CREATED:20260512T145143Z LAST-MODIFIED:20260513T085555Z UID:10000224-1783800000-1783810800@foggynotions.ie SUMMARY:GOODTIME JOHN DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/goodtime-john-bello-bar-july-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/05/GTJ_BELLOBAR.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260714T190000 DTEND;TZID=UTC:20260714T223000 DTSTAMP:20260916T103020 CREATED:20251215T170540Z LAST-MODIFIED:20251215T171559Z UID:10000150-1784055600-1784068200@foggynotions.ie SUMMARY:PATTI SMITH DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/patti-smith-limerick-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/12/PattiSmith_insta_1080x1350-copy.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260722T193000 DTEND;TZID=UTC:20260722T230000 DTSTAMP:20260916T103020 CREATED:20260202T084252Z LAST-MODIFIED:20260303T103628Z UID:10000177-1784748600-1784761200@foggynotions.ie SUMMARY:THE BETA BAND DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/the-beta-band-vicar-street-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/02/THE-BETA-BAND-website-SO-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260725T200000 DTEND;TZID=UTC:20260725T230000 DTSTAMP:20260916T103020 CREATED:20260127T085106Z LAST-MODIFIED:20260623T121143Z UID:10000174-1785009600-1785020400@foggynotions.ie SUMMARY:AGNES OBEL DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/agnes-obel-dublin-july-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/01/AGNES-OBEL-Instagram-Post-S-SO-copy.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260819T193000 DTEND;TZID=UTC:20260819T230000 DTSTAMP:20260916T103020 CREATED:20260210T091922Z LAST-MODIFIED:20260806T141551Z UID:10000181-1787167800-1787180400@foggynotions.ie SUMMARY:CHAT PILE DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/chat-pile-button-factory-dublin-19-aug-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/02/CHAT-PILE-2ND-Night-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260820T193000 DTEND;TZID=UTC:20260820T230000 DTSTAMP:20260916T103020 CREATED:20260213T091957Z LAST-MODIFIED:20260806T233111Z UID:10000186-1787254200-1787266800@foggynotions.ie SUMMARY:CHAT PILE DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/chat-pile-button-factory-dublin-20-aug-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/02/CHAT-PILE-2ND-Night-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260824T200000 DTEND;TZID=UTC:20260824T230000 DTSTAMP:20260916T103020 CREATED:20260212T165007Z LAST-MODIFIED:20260731T151506Z UID:10000185-1787601600-1787612400@foggynotions.ie SUMMARY:PROSTITUTE DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/prostitute-dublin-august-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/02/Prostitute-WC-Website-SO.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260826T200000 DTEND;TZID=UTC:20260826T223000 DTSTAMP:20260916T103020 CREATED:20260408T085239Z LAST-MODIFIED:20260811T143834Z UID:10000214-1787774400-1787783400@foggynotions.ie SUMMARY:THE TALLEST MAN ON EARTH DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/the-tallest-man-on-earth-national-concert-hall-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/04/TMOE-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260826T200000 DTEND;TZID=UTC:20260826T230000 DTSTAMP:20260916T103020 CREATED:20260310T165717Z LAST-MODIFIED:20260310T174835Z UID:10000198-1787774400-1787785200@foggynotions.ie SUMMARY:EARL SWEATSHIRT & MIKE DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/earl-sweatshirt-mike-vicar-street-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/03/EARL-MIKE-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260830T200000 DTEND;TZID=UTC:20260830T230000 DTSTAMP:20260916T103020 CREATED:20260525T180320Z LAST-MODIFIED:20260811T121707Z UID:10000233-1788120000-1788130800@foggynotions.ie SUMMARY:WAY DYNAMIC DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/way-dynamic-dublin-august-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/05/Way-Dynamic-Website-SO.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260831T193000 DTEND;TZID=UTC:20260831T223000 DTSTAMP:20260916T103020 CREATED:20251028T100000Z LAST-MODIFIED:20251113T090733Z UID:10000109-1788204600-1788215400@foggynotions.ie SUMMARY:MAC DEMARCO DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/mac-demarco-ulster-hall-belfast-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/MAC-DEMARCO-Website-Belfast.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260902T193000 DTEND;TZID=UTC:20260902T223000 DTSTAMP:20260916T103020 CREATED:20260720T135007Z LAST-MODIFIED:20260720T180920Z UID:10000278-1788377400-1788388200@foggynotions.ie SUMMARY:ONE LEG ONE EYE DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/one-leg-one-eye-gate-theatre-dublin/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/07/OLOE-web-size.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260903T193000 DTEND;TZID=UTC:20260903T223000 DTSTAMP:20260916T103020 CREATED:20260720T135951Z LAST-MODIFIED:20260801T190256Z UID:10000279-1788463800-1788474600@foggynotions.ie SUMMARY:OPERATING THEATRE DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/operating-theatre-gate-theatre-dublin/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/07/operating-theatre-web-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260904T193000 DTEND;TZID=UTC:20260904T223000 DTSTAMP:20260916T103020 CREATED:20260720T140916Z LAST-MODIFIED:20260825T104229Z UID:10000280-1788550200-1788561000@foggynotions.ie SUMMARY:LISA O'NEILL DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/lisa-oneill-gate-theatre-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/07/Lisa-Web-size.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260905T193000 DTEND;TZID=UTC:20260905T230000 DTSTAMP:20260916T103020 CREATED:20260825T103546Z LAST-MODIFIED:20260825T104042Z UID:10000287-1788636600-1788649200@foggynotions.ie SUMMARY:LISA O'NEILL DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/lisa-oneill-gate-theatre-dublin-2026-extra-date/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/08/LISA-Extra-Date-2-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260905T200000 DTEND;TZID=UTC:20260905T223000 DTSTAMP:20260916T103020 CREATED:20260618T083242Z LAST-MODIFIED:20260618T083824Z UID:10000251-1788638400-1788647400@foggynotions.ie SUMMARY:HANA STRETTON DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/hana-stretton-unitarian-church-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/Hana-Stretton-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260909T200000 DTEND;TZID=UTC:20260909T223000 DTSTAMP:20260916T103020 CREATED:20260422T085236Z LAST-MODIFIED:20260509T142252Z UID:10000218-1788984000-1788993000@foggynotions.ie SUMMARY:DÚN LAOGHAIRE FOLK FESTIVAL DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/dun-laoghaire-folk-festival-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/05/format-1080x1080-2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260914T190000 DTEND;TZID=UTC:20260914T230000 DTSTAMP:20260916T103020 CREATED:20260407T134956Z LAST-MODIFIED:20260407T144058Z UID:10000211-1789412400-1789426800@foggynotions.ie SUMMARY:KURT VILE & THE VIOLATORS DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/kurt-vile-the-violators-vicar-street-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/04/Kurt-Vile-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260915T200000 DTEND;TZID=UTC:20260915T230000 DTSTAMP:20260916T103020 CREATED:20260526T200225Z LAST-MODIFIED:20260913T153916Z UID:10000237-1789502400-1789513200@foggynotions.ie SUMMARY:RYAN DAVIS & THE ROADHOUSE BAND DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/ryan-davis-the-roadhouse-band-dublin-september-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/05/Ryan-Davis-website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260916T200000 DTEND;TZID=UTC:20260916T230000 DTSTAMP:20260916T103020 CREATED:20260714T162139Z LAST-MODIFIED:20260831T172241Z UID:10000276-1789588800-1789599600@foggynotions.ie SUMMARY:FROG DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/frog-grand-social-dublin-september-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/07/Frog-Website-SO.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260919T193000 DTEND;TZID=UTC:20260919T223000 DTSTAMP:20260916T103020 CREATED:20260115T085509Z LAST-MODIFIED:20260807T192355Z UID:10000169-1789846200-1789857000@foggynotions.ie SUMMARY:HOLY FUCK DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/holy-fuck-button-factory-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/01/Holy-Fuck-Website-1-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260919T200000 DTEND;TZID=UTC:20260919T230000 DTSTAMP:20260916T103020 CREATED:20260501T095454Z LAST-MODIFIED:20260829T145502Z UID:10000222-1789848000-1789858800@foggynotions.ie SUMMARY:DEAD BOB DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/dead-bob-workmans-club-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/05/DEAD-BOB-Instagram-Post-copy.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260930T200000 DTEND;TZID=UTC:20260930T230000 DTSTAMP:20260916T103020 CREATED:20251015T212428Z LAST-MODIFIED:20260630T162044Z UID:10000087-1790798400-1790809200@foggynotions.ie SUMMARY:LUTE DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/lute-grand-social-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Lute-Instagram-Post-copy.jpg END:VEVENT END:VCALENDAR