BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Foggy Notions - ECPv6.15.15//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:http://foggynotions.ie X-WR-CALDESC:Events for Foggy Notions REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:UTC BEGIN:STANDARD TZOFFSETFROM:+0000 TZOFFSETTO:+0000 TZNAME:UTC DTSTART:20250101T000000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=UTC:20261012T200000 DTEND;TZID=UTC:20261012T230000 DTSTAMP:20260916T044314 CREATED:20260519T202801Z LAST-MODIFIED:20260804T172024Z UID:10000230-1791835200-1791846000@foggynotions.ie SUMMARY:ARAB STRAP DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/arab-strap-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/05/ARAB-STRAP-Website-SO.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261014T193000 DTEND;TZID=UTC:20261014T230000 DTSTAMP:20260916T044314 CREATED:20251126T083951Z LAST-MODIFIED:20260913T171738Z UID:10000134-1792006200-1792018800@foggynotions.ie SUMMARY:MERCURY REV DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/mercury-rev-vicar-street-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/11/Mercury-Rev-Website-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261018T193000 DTEND;TZID=UTC:20261018T230000 DTSTAMP:20260916T044314 CREATED:20251117T100004Z LAST-MODIFIED:20260521T171131Z UID:10000128-1792351800-1792364400@foggynotions.ie SUMMARY:THE MOUNTAIN GOATS DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/the-mountain-goats-vicar-street-october-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/11/TMG-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261020T193000 DTEND;TZID=UTC:20261020T230000 DTSTAMP:20260916T044314 CREATED:20251202T100021Z LAST-MODIFIED:20251204T110718Z UID:10000138-1792524600-1792537200@foggynotions.ie SUMMARY:AUTECHRE DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/autechre-vicar-street-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/12/autechre-Instagram-Post-1-copy.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261024T143000 DTEND;TZID=UTC:20261024T230000 DTSTAMP:20260916T044314 CREATED:20260701T083859Z LAST-MODIFIED:20260701T113330Z UID:10000270-1792852200-1792882800@foggynotions.ie SUMMARY:HAUNTED DANCEHALL SATURDAY DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/haunted-dancehall-2026-saturday/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/07/HDH_SAT_1080x1350-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261025T143000 DTEND;TZID=UTC:20261025T230000 DTSTAMP:20260916T044314 CREATED:20260701T085057Z LAST-MODIFIED:20260701T113154Z UID:10000271-1792938600-1792969200@foggynotions.ie SUMMARY:HAUNTED DANCEHALL SUNDAY DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/haunted-dancehall-2026-sunday/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/07/HDH_SUN_1080x1350-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261026T193000 DTEND;TZID=UTC:20261026T230000 DTSTAMP:20260916T044314 CREATED:20260902T083924Z LAST-MODIFIED:20260906T144910Z UID:10000292-1793043000-1793055600@foggynotions.ie SUMMARY:EAR DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/ear-button-factory-dublin-october-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/09/ear-Website-SO.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261030T200000 DTEND;TZID=UTC:20261030T230000 DTSTAMP:20260916T044314 CREATED:20260609T193227Z LAST-MODIFIED:20260610T152058Z UID:10000249-1793390400-1793401200@foggynotions.ie SUMMARY:NICK HAKIM DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/nick-hakim-dublin-october-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/Nick-Hakim-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261103T193000 DTEND;TZID=UTC:20261103T230000 DTSTAMP:20260916T044314 CREATED:20260407T203725Z LAST-MODIFIED:20260801T205140Z UID:10000213-1793734200-1793746800@foggynotions.ie SUMMARY:TORTOISE DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/tortoise-button-factory-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/04/TORTOISE-Website-SO.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261103T193000 DTEND;TZID=UTC:20261103T230000 DTSTAMP:20260916T044314 CREATED:20260630T114342Z LAST-MODIFIED:20260630T135427Z UID:10000267-1793734200-1793746800@foggynotions.ie SUMMARY:CHANEL BEADS DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/chanel-beads-opium-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/Chanel-Beads-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261106T200000 DTEND;TZID=UTC:20261106T230000 DTSTAMP:20260916T044314 CREATED:20260430T104446Z LAST-MODIFIED:20260430T105234Z UID:10000221-1793995200-1794006000@foggynotions.ie SUMMARY:PELICAN DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/pelican-dublin-november-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/04/PELICAN-Instagram-Post-copy.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261106T230000 DTEND;TZID=UTC:20261106T233000 DTSTAMP:20260916T044314 CREATED:20260825T202757Z LAST-MODIFIED:20260826T092509Z UID:10000288-1794006000-1794007800@foggynotions.ie SUMMARY:MODESELEKTOR DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/modeselektor-dj-set-button-factory-dublin-november-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/08/Modeselektor-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261107T200000 DTEND;TZID=UTC:20261107T230000 DTSTAMP:20260916T044314 CREATED:20260607T175345Z LAST-MODIFIED:20260707T164055Z UID:10000242-1794081600-1794092400@foggynotions.ie SUMMARY:QUIET LIGHT DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/quiet-light-dublin-november-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/Quiet-Light-WebsiteN.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261108T200000 DTEND;TZID=UTC:20261108T230000 DTSTAMP:20260916T044314 CREATED:20260623T180535Z LAST-MODIFIED:20260624T214119Z UID:10000254-1794168000-1794178800@foggynotions.ie SUMMARY:MGNA CRRRTA & IDEASFORCONVERSATIONS DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/modern-lovers-mgna-crrrta-ideasforconversations-grand-social-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/MGNA-CRRRTA-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261109T200000 DTEND;TZID=UTC:20261109T230000 DTSTAMP:20260916T044314 CREATED:20260728T083108Z LAST-MODIFIED:20260729T185120Z UID:10000282-1794254400-1794265200@foggynotions.ie SUMMARY:DEER PARK DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/modern-lovers-deer-park-curbside-lambsear-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/07/DEER-PARK-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261110T200000 DTEND;TZID=UTC:20261110T230000 DTSTAMP:20260916T044314 CREATED:20260623T184644Z LAST-MODIFIED:20260624T144805Z UID:10000256-1794340800-1794351600@foggynotions.ie SUMMARY:MX LONELY DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/modern-lovers-mx-lonely-bello-bar-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/MX-Lonely-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261110T200000 DTEND;TZID=UTC:20261110T230000 DTSTAMP:20260916T044314 CREATED:20260623T185727Z LAST-MODIFIED:20260624T214221Z UID:10000257-1794340800-1794351600@foggynotions.ie SUMMARY:WENDY EISENBERG & DAN ENGLISH & SUPERFAN DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/modern-lovers-wendy-eisenberg-dan-english-superfan-grand-social-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/Wendy-Eisenberg-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261111T200000 DTEND;TZID=UTC:20261111T230000 DTSTAMP:20260916T044314 CREATED:20260623T183300Z LAST-MODIFIED:20260626T154915Z UID:10000255-1794427200-1794438000@foggynotions.ie SUMMARY:ANNA VON HAUSSWOLFF DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/modern-lovers-anna-von-hausswolff-national-concert-hall-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/Anna-Von-Hausswolff-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261112T200000 DTEND;TZID=UTC:20261112T230000 DTSTAMP:20260916T044314 CREATED:20260623T190821Z LAST-MODIFIED:20260626T155009Z UID:10000258-1794513600-1794524400@foggynotions.ie SUMMARY:GB DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/modern-lovers-gb-david-de-barra-bello-bar-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/GB-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261113T200000 DTEND;TZID=UTC:20261113T230000 DTSTAMP:20260916T044314 CREATED:20260812T124823Z LAST-MODIFIED:20260812T125810Z UID:10000286-1794600000-1794610800@foggynotions.ie SUMMARY:POISON RUIN DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/poison-ruin-special-branch-lost-lane-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/08/Poison-Ruin-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261115T193000 DTEND;TZID=UTC:20261115T230000 DTSTAMP:20260916T044314 CREATED:20260623T175436Z LAST-MODIFIED:20260814T144033Z UID:10000253-1794771000-1794783600@foggynotions.ie SUMMARY:BASSVICTIM DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/modern-lovers-bassvictim-opium-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/SO-Bassvictim-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261115T200000 DTEND;TZID=UTC:20261115T230000 DTSTAMP:20260916T044314 CREATED:20260728T084344Z LAST-MODIFIED:20260730T102147Z UID:10000283-1794772800-1794783600@foggynotions.ie SUMMARY:CLARA MANN DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/modern-lovers-clara-mann-and-guests-sugar-club-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/07/Clara-Mann-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261116T200000 DTEND;TZID=UTC:20261116T230000 DTSTAMP:20260916T044314 CREATED:20260623T192503Z LAST-MODIFIED:20260914T122424Z UID:10000259-1794859200-1794870000@foggynotions.ie SUMMARY:@ & Ellie O'Neill DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/modern-lovers-at-band-workmans-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/@-Website-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261119T193000 DTEND;TZID=UTC:20261119T230000 DTSTAMP:20260916T044314 CREATED:20260225T095236Z LAST-MODIFIED:20260225T095836Z UID:10000191-1795116600-1795129200@foggynotions.ie SUMMARY:THE PROCLAIMERS DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/the-proclaimers-national-stadium-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/02/The-Proclaimers-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261119T200000 DTEND;TZID=UTC:20261119T230000 DTSTAMP:20260916T044314 CREATED:20260319T093918Z LAST-MODIFIED:20260319T114526Z UID:10000199-1795118400-1795129200@foggynotions.ie SUMMARY:SEAMUS FOGARTY DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/seamus-fogarty-bello-bar-november-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/03/Seamus-Fogarty-Corner.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261121T190000 DTEND;TZID=UTC:20261121T230000 DTSTAMP:20260916T044314 CREATED:20260512T132439Z LAST-MODIFIED:20260624T111439Z UID:10000223-1795287600-1795302000@foggynotions.ie SUMMARY:THIS IS LORELEI DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/this-is-lorelei-dublin-november-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/05/TIL-Instagram-Post-SO-copy.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261123T200000 DTEND;TZID=UTC:20261123T223000 DTSTAMP:20260916T044314 CREATED:20260429T084616Z LAST-MODIFIED:20260831T202533Z UID:10000220-1795464000-1795473000@foggynotions.ie SUMMARY:JON HOPKINS DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/jon-hopkins-national-concert-hall-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/04/Jon-Hopkins-Website-SO.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261124T200000 DTEND;TZID=UTC:20261124T230000 DTSTAMP:20260916T044314 CREATED:20260420T212314Z LAST-MODIFIED:20260421T134214Z UID:10000217-1795550400-1795561200@foggynotions.ie SUMMARY:LEENALCHI DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/leenalchi-dublin-november-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/04/Leenalchi-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261129T200000 DTEND;TZID=UTC:20261129T230000 DTSTAMP:20260916T044314 CREATED:20260627T192331Z LAST-MODIFIED:20260629T085333Z UID:10000266-1795982400-1795993200@foggynotions.ie SUMMARY:MILO KORBENSKI DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/milo-korbenski-bello-bar-dublin-november-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/Milo-Korbenski-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261206T200000 DTEND;TZID=UTC:20261206T230000 DTSTAMP:20260916T044314 CREATED:20260915T181253Z LAST-MODIFIED:20260916T022710Z UID:10000298-1796587200-1796598000@foggynotions.ie SUMMARY:how r u DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER \n \n \n \n \n \n \n \n \n \n \n TICKETS\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/how-r-u-dublin-december-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/09/how-are-u-Website.jpg END:VEVENT END:VCALENDAR