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DTSTART;TZID=UTC:20261119T200000
DTEND;TZID=UTC:20261119T230000
DTSTAMP:20260915T234647
CREATED:20260319T093918Z
LAST-MODIFIED:20260319T114526Z
UID:10000199-1795118400-1795129200@foggynotions.ie
SUMMARY:SEAMUS FOGARTY
DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETS\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/seamus-fogarty-bello-bar-november-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/03/Seamus-Fogarty-Corner.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261121T190000
DTEND;TZID=UTC:20261121T230000
DTSTAMP:20260915T234647
CREATED:20260512T132439Z
LAST-MODIFIED:20260624T111439Z
UID:10000223-1795287600-1795302000@foggynotions.ie
SUMMARY:THIS IS LORELEI
DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETS\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/this-is-lorelei-dublin-november-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/05/TIL-Instagram-Post-SO-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261123T200000
DTEND;TZID=UTC:20261123T223000
DTSTAMP:20260915T234647
CREATED:20260429T084616Z
LAST-MODIFIED:20260831T202533Z
UID:10000220-1795464000-1795473000@foggynotions.ie
SUMMARY:JON HOPKINS
DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETS\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/jon-hopkins-national-concert-hall-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/04/Jon-Hopkins-Website-SO.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261124T200000
DTEND;TZID=UTC:20261124T230000
DTSTAMP:20260915T234647
CREATED:20260420T212314Z
LAST-MODIFIED:20260421T134214Z
UID:10000217-1795550400-1795561200@foggynotions.ie
SUMMARY:LEENALCHI
DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETS\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/leenalchi-dublin-november-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/04/Leenalchi-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261129T200000
DTEND;TZID=UTC:20261129T230000
DTSTAMP:20260915T234647
CREATED:20260627T192331Z
LAST-MODIFIED:20260629T085333Z
UID:10000266-1795982400-1795993200@foggynotions.ie
SUMMARY:MILO KORBENSKI
DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETS\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/milo-korbenski-bello-bar-dublin-november-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/Milo-Korbenski-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261221T193000
DTEND;TZID=UTC:20261221T230000
DTSTAMP:20260915T234647
CREATED:20260907T211909Z
LAST-MODIFIED:20260908T090205Z
UID:10000293-1797881400-1797894000@foggynotions.ie
SUMMARY:LISA O'NEILL
DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETS\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/lisa-oneill-vicar-street-december-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/09/LISA-DECEMBER-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270129T200000
DTEND;TZID=UTC:20270129T230000
DTSTAMP:20260915T234647
CREATED:20260602T181432Z
LAST-MODIFIED:20260604T074522Z
UID:10000239-1801252800-1801263600@foggynotions.ie
SUMMARY:GOLD PANDA
DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETS\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/gold-panda-dublin-january-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/Gold-Panda-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270202T200000
DTEND;TZID=UTC:20270202T230000
DTSTAMP:20260915T234648
CREATED:20260708T183112Z
LAST-MODIFIED:20260709T181447Z
UID:10000272-1801598400-1801609200@foggynotions.ie
SUMMARY:HAYDEN THORPE - WILD BEASTS
DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETS\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/hayden-thorpe-songs-of-wild-beasts-sugar-club-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/07/Hayden-Thorpe-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270212T200000
DTEND;TZID=UTC:20270212T230000
DTSTAMP:20260915T234648
CREATED:20260914T184541Z
LAST-MODIFIED:20260915T190151Z
UID:10000296-1802462400-1802473200@foggynotions.ie
SUMMARY:GILES COREY
DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETS\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/giles-corey-dublin-february-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/09/Giles-Corey-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270219T200000
DTEND;TZID=UTC:20270219T230000
DTSTAMP:20260915T234648
CREATED:20260607T165933Z
LAST-MODIFIED:20260611T170640Z
UID:10000241-1803067200-1803078000@foggynotions.ie
SUMMARY:ICEAGE
DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETS\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/iceage-dublin-february-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/ICEAGE-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270303T200000
DTEND;TZID=UTC:20270303T230000
DTSTAMP:20260915T234648
CREATED:20260915T091702Z
LAST-MODIFIED:20260915T202406Z
UID:10000297-1804104000-1804114800@foggynotions.ie
SUMMARY:LAEL NEALE
DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETS\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/lael-neale-bello-bar-dublin-march-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/09/Lael-Neale-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270313T193000
DTEND;TZID=UTC:20270313T230000
DTSTAMP:20260915T234648
CREATED:20260908T094353Z
LAST-MODIFIED:20260908T163205Z
UID:10000294-1804966200-1804978800@foggynotions.ie
SUMMARY:MY NEW BAND BELIEVE
DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETS\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/my-new-band-believe-button-factory-dublin-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/09/MNBB-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270422T200000
DTEND;TZID=UTC:20270422T230000
DTSTAMP:20260915T234648
CREATED:20260826T150743Z
LAST-MODIFIED:20260826T162703Z
UID:10000289-1808424000-1808434800@foggynotions.ie
SUMMARY:SADNESS
DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETS\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/sadness-bello-bar-dublin-april-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/08/Sadness-Website-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270519T193000
DTEND;TZID=UTC:20270519T230000
DTSTAMP:20260915T234648
CREATED:20260521T122523Z
LAST-MODIFIED:20260521T125153Z
UID:10000232-1810755000-1810767600@foggynotions.ie
SUMMARY:KINGS OF CONVENIENCE
DESCRIPTION:FOGGY NOTIONS & NCH PRESENT\nHAUNTED DANCEHALL\nNATIONAL CONCERT HALL\n25TH OCTOBER				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETS\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Foggy Notions and National Concert Hall are proud to announce the return of Haunted Dancehall to Dublin on Saturday 24 October and Sunday 25 October — a convergence of world-builders\, sonic visionaries\, and boundary-breakers. Tickets on sale Friday 3rd July at 10:00 via nch.ie. Circuit des Yeux feat. Alan Sparhawk presents Nosferatu (1922)Horror cinema’s foundational text\, this iconic classic of silent-era expressionism will be taken to a new\, otherworldly realm with a hypnotic and haunting original live score by acclaimed musician Circuit des Yeux\, accompanied by Alan Sparhawk of Duluth indie legends Low. F.W. Murnau’s infamously unauthorized adaptation of Bram Stoker’s Dracula stars an unforgettable Max Schreck as Count Orlok\, a ghoulish vampire who lures his victims to his shadowy Transylvanian castle. Authorized or not\, Murnau’s spooky masterpiece remains the definitive Dracula over a hundred years (and at least as many versions) later. Circuit des Yeux’s recent albums have landed on numerous best-of-year lists\, including The Wire and NPR. Her latest\, Halo on the Inside\, was released last year on Matador Records and received effusive praise from Pitchfork and The New York Times. “An artist who feels increasingly\, thrillingly peerless” (Bandcamp Daily).keiyaA makes music that excavates\, discovers\, and excavates again\, all in the service of exploring life’s most beautiful and daunting questions: What do we owe to ourselves and others? How do the things we desire hint at the shape of our souls? What does it take to achieve peace of mind\, especially when the world is intent on denying you of it? Why won’t you love me when I’m so damn easy to love? Her debut album\, Forever Ya Girl\, was genre-defying work of simultaneous self-discovery and self-determination. The production\, which pulled from R&B\, jazz\, electronic music\, and soul\, was as limitless as the lyrics. As keiyaA grappled with these questions\, she wove together genres and crafted a sound all her own: Her gossamer vocals cascaded and floated across slippery funk bass lines\, pools of synth and reverb\, and samples of Black cultural touchstones like Nina Simone interviews and snippets from Beyoncé tracks.As one half of the pioneering band Low\, Alan Sparhawk and his wife and lifelong creative partner Mimi Parker explored the force of powerful\, gentle places by weaving together layering sounds\, production\, and emotion. Following Parker’s passing in 2022\, fellow Duluth\, Minnesota musicians Trampled by Turtles invited Sparhawk to join them on tour\, and thus gave him a space to be surrounded by friends. Occasionally\, he would join them onstage. In 2024\, he released his first solo album\, a haunting batch of mostly electronic anthems and éloges called “White Roses\, My God.” Pitchfork wondered out loud how something so “blown out\, staticky\, inhuman” could simultaneously elicit “freedom” and “spiritual necessity” a combination that the last Low releases had been developing already. With his follow-up album\, titled “With Trampled by Turtles” Sparhawk’s guitar work is once again at the forefront\, the songs still beamed from a unique inner sanctum of one\, then reshaped in full collaboration with the band.thredd bring their emotionally charged “cold pop” sound to Sunday evening\, blending atmospheric electronics\, sharp songwriting and textured production into something both immediate and deeply immersive. Formed by Will Lister\, Max Winter\, and Imogen and The Knife during a now-legendary Laylow residency in West London\, the trio quickly built a reputation for instinct-driven live performances and boundary-pushing songwriting. Following the release of their debut album It’s Lovely\, Come On In (Scenic Route)\, thredd continue to carve out a distinctive space between experimental pop\, club music and moody electronic abstraction.feeo brings an intimate and experimental live performance\, blending ambient electronics\, drone\, minimalist dance music and poetic songwriting into deeply immersive soundscapes. Centered around themes of connection\, isolation and contemporary city life\, the London-based artist’s acclaimed debut album Goodness (AD93) moves fluidly between improvisation and song\, illuminated by haunting vocals and emotionally rich storytelling.Colm O Ciosoig \, a founding member of my bloody valentine and also founder of the warm inventions with Hope Sandoval is showcasing his new solo project\, Scrata\, blending organs\, synths and drums. A highlight of 2026’s Festival for many.Madeline Johnston is a self-taught multi-instrumentalist and recording engineer\, currently based in Southern Colorado by way of Denver\, where she spent the last decade+ developing her sound and focusing on her artistic community. Midwife began while Madeline was a resident of the beloved DIY space Rhinoceropolis in 2014. On stage\, Johnston is known for her sparse\, emotionally charged experimental pop music that can silence a room. On record\, she produces intricate and lush sonic environments in her own little corner of the heavy music scene. She describes her sound as “Heaven Metal\,” AKA emotional music about devastation: catharsis. Johnston writes primarily about grief\, and the many faces it can inhabit.Nigerian-born\, Dublin-based artist E The Artist brings his explosive fusion of club music\, rap and noise experimentation to Haunted Dancehall Festival. Renowned for intense and uncompromising live performances\, E has built a cult reputation through visceral sets that collide jungle\, grime and AfroPunk energy with elements of power electronics and extreme metal. Emerging from a period of personal reflection that shaped his latest body of work Six\, his music channels themes of identity\, mortality and diaspora through raw\, high-impact sound. With support from underground innovators including Machine Girl and Kode9\, E stands at the forefront of Ireland’s evolving experimental music scene.Caitlin Orla Eve is an independent 24-year-old artist & producer from West Cork\, Ireland. Composing\, writing\, producing\, and mixing her own work\, Caitlin brings her creative vision to life from concept to completion\, fusing rich sonic textures and contrasting elements\, making Caitlin’s works feel like their own self-contained\, atmospheric worlds. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/kings-of-convenience-vicar-street-may-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/05/KOC-Website.jpg
END:VEVENT
END:VCALENDAR