BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Foggy Notions - ECPv6.15.15//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:http://foggynotions.ie X-WR-CALDESC:Events for Foggy Notions REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:UTC BEGIN:STANDARD TZOFFSETFROM:+0000 TZOFFSETTO:+0000 TZNAME:UTC DTSTART:20240101T000000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=UTC:20251205T193000 DTEND;TZID=UTC:20251205T220000 DTSTAMP:20260917T034817 CREATED:20251111T103652Z LAST-MODIFIED:20251111T104631Z UID:10000114-1764963000-1764972000@foggynotions.ie SUMMARY:RORY SWEENEY LIVE DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n Decrease ticket quantity for PELICAN\n -\n \n\n \n Quantity \n \n\n \n Increase ticket quantity for PELICAN\n +\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/rory-sweeney-live-tengu-dublin-2025/ ATTACH;FMTTYPE=image/png:http://foggynotions.ie/wp-content/uploads/2025/11/Foggy-Rory-Sweeney-WEB.png END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251203T193000 DTEND;TZID=UTC:20251203T230000 DTSTAMP:20260917T034822 CREATED:20251014T143125Z LAST-MODIFIED:20251014T143605Z UID:10000047-1764790200-1764802800@foggynotions.ie SUMMARY:DEAFHEAVEN DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/deafheaven-dublin-december-2025/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/DFHVN-Website-SO.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251130T200000 DTEND;TZID=UTC:20251130T233000 DTSTAMP:20260917T034822 CREATED:20251016T194754Z LAST-MODIFIED:20251102T153831Z UID:10000102-1764532800-1764545400@foggynotions.ie SUMMARY:AN EVENING WITH LOU BARLOW DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/lou-barlow-bello-bar-dublin-2025-sunday/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Lou-Barlow-Instagram-Post-New-copy-2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251129T200000 DTEND;TZID=UTC:20251129T233000 DTSTAMP:20260917T034822 CREATED:20251016T193909Z LAST-MODIFIED:20251016T194459Z UID:10000101-1764446400-1764459000@foggynotions.ie SUMMARY:AN EVENING WITH LOU BARLOW DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/lou-barlow-bello-bar-dublin-2025-saturday/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Lou-Barlow-Instagram-Post-New-copy-2.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251129T200000 DTEND;TZID=UTC:20251129T230000 DTSTAMP:20260917T034822 CREATED:20251014T142356Z LAST-MODIFIED:20251014T142943Z UID:10000046-1764446400-1764457200@foggynotions.ie SUMMARY:TUNE-YARDS DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/tune-yards-whelans-dublin-2025/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Tune-Yards-Website-SO.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251124T200000 DTEND;TZID=UTC:20251124T230000 DTSTAMP:20260917T034822 CREATED:20251014T141728Z LAST-MODIFIED:20251014T142203Z UID:10000045-1764014400-1764025200@foggynotions.ie SUMMARY:NOURISHED BY TIME DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/nourished-by-time-dublin-november-2025/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Nourished-By-Time-Website-SO.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251122T183000 DTEND;TZID=UTC:20251122T230000 DTSTAMP:20260917T034822 CREATED:20251014T185033Z LAST-MODIFIED:20251014T185536Z UID:10000061-1763836200-1763852400@foggynotions.ie SUMMARY:MY BLOODY VALENTINE DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/my-bloody-valentine-3arena-dublin-2025/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/MBV-Instagram-Post-SOLD-OUT.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251120T200000 DTEND;TZID=UTC:20251120T230000 DTSTAMP:20260917T034822 CREATED:20251015T202642Z LAST-MODIFIED:20251024T220308Z UID:10000082-1763668800-1763679600@foggynotions.ie SUMMARY:KATHRYN MOHR DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/kathyrn-mohr-bello-bar-dublin-2025/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Kathryn-Mohr-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251119T193000 DTEND;TZID=UTC:20251119T230000 DTSTAMP:20260917T034822 CREATED:20251014T184328Z LAST-MODIFIED:20251014T184740Z UID:10000060-1763580600-1763593200@foggynotions.ie SUMMARY:ALEX G DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/alex-g-vicar-street-november-2025-night-two/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Alex-G-SO-Website-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251118T193000 DTEND;TZID=UTC:20251118T230000 DTSTAMP:20260917T034822 CREATED:20251014T183540Z LAST-MODIFIED:20251014T184030Z UID:10000059-1763494200-1763506800@foggynotions.ie SUMMARY:ALEX G DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/alex-g-vicar-street-november-2025/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Alex-G-SO-Website-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251118T193000 DTEND;TZID=UTC:20251118T230000 DTSTAMP:20260917T034822 CREATED:20251014T182359Z LAST-MODIFIED:20251014T182839Z UID:10000058-1763494200-1763506800@foggynotions.ie SUMMARY:Mac DeMarco DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/mac-demarco-dublin-2025-night-two/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/MAC-DEMARCO-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251117T193000 DTEND;TZID=UTC:20251117T230000 DTSTAMP:20260917T034822 CREATED:20251015T195953Z LAST-MODIFIED:20251024T220118Z UID:10000079-1763407800-1763420400@foggynotions.ie SUMMARY:HAMILTON LEITHAUSER DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/hamilton-leithauser-button-factory-dublin-2025/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/HAMILTON-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251117T193000 DTEND;TZID=UTC:20251117T230000 DTSTAMP:20260917T034823 CREATED:20251014T181550Z LAST-MODIFIED:20251014T182229Z UID:10000057-1763407800-1763420400@foggynotions.ie SUMMARY:Mac DeMarco DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/mac-demarco-dublin-2025/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/MAC-DEMARCO-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251116T200000 DTEND;TZID=UTC:20251116T230000 DTSTAMP:20260917T034823 CREATED:20251015T195142Z LAST-MODIFIED:20251110T214705Z UID:10000078-1763323200-1763334000@foggynotions.ie SUMMARY:WATER FROM YOUR EYES DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/water-from-your-eyes-workmans-club-dublin-2025/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/WaterFromYourEyes-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251115T200000 DTEND;TZID=UTC:20251115T230000 DTSTAMP:20260917T034823 CREATED:20251016T190633Z LAST-MODIFIED:20251016T191126Z UID:10000097-1763236800-1763247600@foggynotions.ie SUMMARY:PROTOMARTYR DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/protomartyr-dublin-november-2025-saturday/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/PROTOMARTYR-Website-Support.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251114T200000 DTEND;TZID=UTC:20251114T230000 DTSTAMP:20260917T034823 CREATED:20251016T131729Z LAST-MODIFIED:20251016T190352Z UID:10000096-1763150400-1763161200@foggynotions.ie SUMMARY:PROTOMARTYR DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/protomartyr-dublin-november-2025-friday/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/PROTOMARTYR-Website-Support.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251114T193000 DTEND;TZID=UTC:20251114T223000 DTSTAMP:20260917T034823 CREATED:20251014T140519Z LAST-MODIFIED:20251014T141006Z UID:10000044-1763148600-1763159400@foggynotions.ie SUMMARY:RÓIS DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/rois-button-factory-november-2025/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/RÓIS-Website-SO.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251113T213000 DTEND;TZID=UTC:20251113T233000 DTSTAMP:20260917T034823 CREATED:20251014T132529Z LAST-MODIFIED:20251014T141441Z UID:10000043-1763069400-1763076600@foggynotions.ie SUMMARY:JANE REMOVER DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/jane-remover-grand-social-dublin-2025/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/JANE-REMOVER-SO-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251112T200000 DTEND;TZID=UTC:20251112T230000 DTSTAMP:20260917T034823 CREATED:20251015T194312Z LAST-MODIFIED:20251107T174121Z UID:10000077-1762977600-1762988400@foggynotions.ie SUMMARY:MOMMA DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/momma-workmans-club-dublin-2025/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/MOMMA-website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251111T200000 DTEND;TZID=UTC:20251111T230000 DTSTAMP:20260917T034823 CREATED:20251015T214124Z LAST-MODIFIED:20251024T214139Z UID:10000088-1762891200-1762902000@foggynotions.ie SUMMARY:HOTLINE TNT DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/hotline-tnt-dublin-2025/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/HOTLINE-TNT-Website-copy.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251110T200000 DTEND;TZID=UTC:20251110T230000 DTSTAMP:20260917T034823 CREATED:20251015T191404Z LAST-MODIFIED:20251024T212810Z UID:10000074-1762804800-1762815600@foggynotions.ie SUMMARY:THESE NEW PURITANS DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/these-new-puritans-workmans-club-dublin-2025/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/TNP-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251108T193000 DTEND;TZID=UTC:20251108T220000 DTSTAMP:20260917T034823 CREATED:20251016T080034Z LAST-MODIFIED:20251024T134429Z UID:10000093-1762630200-1762639200@foggynotions.ie SUMMARY:BOG BAND DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/bog-band-tengu-dublin-november-2025/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/bog-band-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251104T200000 DTEND;TZID=UTC:20251104T230000 DTSTAMP:20260917T034823 CREATED:20251016T075233Z LAST-MODIFIED:20251024T212617Z UID:10000092-1762286400-1762297200@foggynotions.ie SUMMARY:SLATER DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/slater-the-soundhouse-dublin-november-2025/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Slater-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251104T193000 DTEND;TZID=UTC:20251104T223000 DTSTAMP:20260917T034823 CREATED:20251014T131815Z LAST-MODIFIED:20251014T132345Z UID:10000042-1762284600-1762295400@foggynotions.ie SUMMARY:JULIAN LAGE DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/julian-lage-the-helix-dublin-2025/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Julian-Lage-H-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251101T193000 DTEND;TZID=UTC:20251101T223000 DTSTAMP:20260917T034823 CREATED:20251015T190603Z LAST-MODIFIED:20251101T141558Z UID:10000073-1762025400-1762036200@foggynotions.ie SUMMARY:MONO DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/mono-button-factory-dublin-2025/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/MONO-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251101T190000 DTEND;TZID=UTC:20251101T233000 DTSTAMP:20260917T034823 CREATED:20251016T193126Z LAST-MODIFIED:20251024T211717Z UID:10000100-1762023600-1762039800@foggynotions.ie SUMMARY:JAZZ SABBATH DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/jazz-sabbath-sugar-club-dublin-november-2025/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/JAZZ-SABBATH-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251030T200000 DTEND;TZID=UTC:20251030T230000 DTSTAMP:20260917T034823 CREATED:20251014T131030Z LAST-MODIFIED:20251029T154832Z UID:10000041-1761854400-1761865200@foggynotions.ie SUMMARY:MARK WILLIAM LEWIS DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/mark-william-lewis-dublin-2025/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/MWL-Website-SO.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251027T193000 DTEND;TZID=UTC:20251027T230000 DTSTAMP:20260917T034823 CREATED:20251014T125607Z LAST-MODIFIED:20251014T130754Z UID:10000040-1761593400-1761606000@foggynotions.ie SUMMARY:FRAZEY FORD DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/frazey-ford-button-factory-dublin-2025/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Frazey-Ford-Website-SO.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251026T200000 DTEND;TZID=UTC:20251026T230000 DTSTAMP:20260917T034823 CREATED:20251015T184550Z LAST-MODIFIED:20251024T211046Z UID:10000072-1761508800-1761519600@foggynotions.ie SUMMARY:GHOSTWOMAN DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/ghostwoman-grand-social-dublin-2025/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/GHOSTWOMAN-Website-Poster.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20251025T150000 DTEND;TZID=UTC:20251025T230000 DTSTAMP:20260917T034823 CREATED:20251014T123359Z LAST-MODIFIED:20251014T124931Z UID:10000039-1761404400-1761433200@foggynotions.ie SUMMARY:HAUNTED DANCEHALL DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/haunted-dancehall-dublin-october-2025/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Haunted-Dancehall_1080x1080.jpg END:VEVENT END:VCALENDAR