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BEGIN:VEVENT
DTSTART;TZID=UTC:20260605T193000
DTEND;TZID=UTC:20260605T230000
DTSTAMP:20260916T230357
CREATED:20260114T092627Z
LAST-MODIFIED:20260527T080553Z
UID:10000167-1780687800-1780700400@foggynotions.ie
SUMMARY:ALDOUS HARDING
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n						\n	Decrease ticket quantity for PELICAN\n	-\n				\n\n	\n		Quantity	\n	\n\n					\n	Increase ticket quantity for PELICAN\n	+\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/aldous-harding-vicar-street-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/01/Aldous-websiteA.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260605T200000
DTEND;TZID=UTC:20260605T230000
DTSTAMP:20260916T230357
CREATED:20260225T190639Z
LAST-MODIFIED:20260604T180437Z
UID:10000192-1780689600-1780700400@foggynotions.ie
SUMMARY:C.W STONEKING
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/c-w-stoneking-button-factory-dublin-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/02/C.W.-Stoneking-Website-1-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260606T200000
DTEND;TZID=UTC:20260606T230000
DTSTAMP:20260916T230357
CREATED:20260319T095805Z
LAST-MODIFIED:20260604T172917Z
UID:10000200-1780776000-1780786800@foggynotions.ie
SUMMARY:NADIA REID
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/nadia-reid-bello-bar-dublin-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/05/Nadia-Reid-Instagram-Post-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260606T200000
DTEND;TZID=UTC:20260606T230000
DTSTAMP:20260916T230357
CREATED:20260401T143939Z
LAST-MODIFIED:20260526T093116Z
UID:10000210-1780776000-1780786800@foggynotions.ie
SUMMARY:NERVES
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/nerves-workmans-club-june-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/04/Nerves-Website-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260607T200000
DTEND;TZID=UTC:20260607T230000
DTSTAMP:20260916T230357
CREATED:20260218T085933Z
LAST-MODIFIED:20260507T130534Z
UID:10000187-1780862400-1780873200@foggynotions.ie
SUMMARY:KITTY CRAFT
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/kitty-craft-dublin-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/02/Kitty-Craft-Website-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260617T193000
DTEND;TZID=UTC:20260617T230000
DTSTAMP:20260916T230357
CREATED:20260325T191713Z
LAST-MODIFIED:20260615T214722Z
UID:10000206-1781724600-1781737200@foggynotions.ie
SUMMARY:MOUNT EERIE
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/mount-eerie-button-factory-dublin-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/03/Mount-Eerie-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260703T200000
DTEND;TZID=UTC:20260703T200000
DTSTAMP:20260916T230357
CREATED:20260423T175350Z
LAST-MODIFIED:20260603T111620Z
UID:10000219-1783108800-1783108800@foggynotions.ie
SUMMARY:GOLDBUG
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/goldbug-bello-bar-july-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/04/Goldbug-S-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260704T200000
DTEND;TZID=UTC:20260704T223000
DTSTAMP:20260916T230357
CREATED:20260407T144804Z
LAST-MODIFIED:20260410T140614Z
UID:10000212-1783195200-1783204200@foggynotions.ie
SUMMARY:THAIBOY DIGITAL
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/thaiboy-digital-dublin-july-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/04/THAIBOY-DIGITAL-Website-OPIUM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260709T200000
DTEND;TZID=UTC:20260709T230000
DTSTAMP:20260916T230357
CREATED:20260218T145434Z
LAST-MODIFIED:20260310T164119Z
UID:10000188-1783627200-1783638000@foggynotions.ie
SUMMARY:DEAD PIONEERS
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/dead-pioneers-dublin-july-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/02/Dead-Pioneers-Website-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260710T200000
DTEND;TZID=UTC:20260710T230000
DTSTAMP:20260916T230357
CREATED:20260413T084632Z
LAST-MODIFIED:20260708T150926Z
UID:10000216-1783713600-1783724400@foggynotions.ie
SUMMARY:PANSY DIVISION
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/pansy-division-dublin-july-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/04/Pansy-Division-Instagram-Post-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260711T200000
DTEND;TZID=UTC:20260711T230000
DTSTAMP:20260916T230357
CREATED:20260512T145143Z
LAST-MODIFIED:20260513T085555Z
UID:10000224-1783800000-1783810800@foggynotions.ie
SUMMARY:GOODTIME JOHN
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/goodtime-john-bello-bar-july-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/05/GTJ_BELLOBAR.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260714T190000
DTEND;TZID=UTC:20260714T223000
DTSTAMP:20260916T230357
CREATED:20251215T170540Z
LAST-MODIFIED:20251215T171559Z
UID:10000150-1784055600-1784068200@foggynotions.ie
SUMMARY:PATTI SMITH
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/patti-smith-limerick-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/12/PattiSmith_insta_1080x1350-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260722T193000
DTEND;TZID=UTC:20260722T230000
DTSTAMP:20260916T230357
CREATED:20260202T084252Z
LAST-MODIFIED:20260303T103628Z
UID:10000177-1784748600-1784761200@foggynotions.ie
SUMMARY:THE BETA BAND
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/the-beta-band-vicar-street-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/02/THE-BETA-BAND-website-SO-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260725T200000
DTEND;TZID=UTC:20260725T230000
DTSTAMP:20260916T230357
CREATED:20260127T085106Z
LAST-MODIFIED:20260623T121143Z
UID:10000174-1785009600-1785020400@foggynotions.ie
SUMMARY:AGNES OBEL
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/agnes-obel-dublin-july-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/01/AGNES-OBEL-Instagram-Post-S-SO-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260819T193000
DTEND;TZID=UTC:20260819T230000
DTSTAMP:20260916T230357
CREATED:20260210T091922Z
LAST-MODIFIED:20260806T141551Z
UID:10000181-1787167800-1787180400@foggynotions.ie
SUMMARY:CHAT PILE
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/chat-pile-button-factory-dublin-19-aug-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/02/CHAT-PILE-2ND-Night-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260820T193000
DTEND;TZID=UTC:20260820T230000
DTSTAMP:20260916T230357
CREATED:20260213T091957Z
LAST-MODIFIED:20260806T233111Z
UID:10000186-1787254200-1787266800@foggynotions.ie
SUMMARY:CHAT PILE
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/chat-pile-button-factory-dublin-20-aug-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/02/CHAT-PILE-2ND-Night-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260824T200000
DTEND;TZID=UTC:20260824T230000
DTSTAMP:20260916T230357
CREATED:20260212T165007Z
LAST-MODIFIED:20260731T151506Z
UID:10000185-1787601600-1787612400@foggynotions.ie
SUMMARY:PROSTITUTE
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/prostitute-dublin-august-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/02/Prostitute-WC-Website-SO.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260826T200000
DTEND;TZID=UTC:20260826T223000
DTSTAMP:20260916T230357
CREATED:20260408T085239Z
LAST-MODIFIED:20260811T143834Z
UID:10000214-1787774400-1787783400@foggynotions.ie
SUMMARY:THE TALLEST MAN ON EARTH
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/the-tallest-man-on-earth-national-concert-hall-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/04/TMOE-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260826T200000
DTEND;TZID=UTC:20260826T230000
DTSTAMP:20260916T230358
CREATED:20260310T165717Z
LAST-MODIFIED:20260310T174835Z
UID:10000198-1787774400-1787785200@foggynotions.ie
SUMMARY:EARL SWEATSHIRT & MIKE
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/earl-sweatshirt-mike-vicar-street-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/03/EARL-MIKE-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260830T200000
DTEND;TZID=UTC:20260830T230000
DTSTAMP:20260916T230358
CREATED:20260525T180320Z
LAST-MODIFIED:20260811T121707Z
UID:10000233-1788120000-1788130800@foggynotions.ie
SUMMARY:WAY DYNAMIC
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/way-dynamic-dublin-august-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/05/Way-Dynamic-Website-SO.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260831T193000
DTEND;TZID=UTC:20260831T223000
DTSTAMP:20260916T230358
CREATED:20251028T100000Z
LAST-MODIFIED:20251113T090733Z
UID:10000109-1788204600-1788215400@foggynotions.ie
SUMMARY:MAC DEMARCO
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/mac-demarco-ulster-hall-belfast-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/MAC-DEMARCO-Website-Belfast.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260902T193000
DTEND;TZID=UTC:20260902T223000
DTSTAMP:20260916T230358
CREATED:20260720T135007Z
LAST-MODIFIED:20260720T180920Z
UID:10000278-1788377400-1788388200@foggynotions.ie
SUMMARY:ONE LEG ONE EYE
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/one-leg-one-eye-gate-theatre-dublin/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/07/OLOE-web-size.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260903T193000
DTEND;TZID=UTC:20260903T223000
DTSTAMP:20260916T230358
CREATED:20260720T135951Z
LAST-MODIFIED:20260801T190256Z
UID:10000279-1788463800-1788474600@foggynotions.ie
SUMMARY:OPERATING THEATRE
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/operating-theatre-gate-theatre-dublin/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/07/operating-theatre-web-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260904T193000
DTEND;TZID=UTC:20260904T223000
DTSTAMP:20260916T230358
CREATED:20260720T140916Z
LAST-MODIFIED:20260825T104229Z
UID:10000280-1788550200-1788561000@foggynotions.ie
SUMMARY:LISA O'NEILL
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/lisa-oneill-gate-theatre-dublin-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/07/Lisa-Web-size.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260905T193000
DTEND;TZID=UTC:20260905T230000
DTSTAMP:20260916T230358
CREATED:20260825T103546Z
LAST-MODIFIED:20260825T104042Z
UID:10000287-1788636600-1788649200@foggynotions.ie
SUMMARY:LISA O'NEILL
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/lisa-oneill-gate-theatre-dublin-2026-extra-date/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/08/LISA-Extra-Date-2-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260905T200000
DTEND;TZID=UTC:20260905T223000
DTSTAMP:20260916T230358
CREATED:20260618T083242Z
LAST-MODIFIED:20260618T083824Z
UID:10000251-1788638400-1788647400@foggynotions.ie
SUMMARY:HANA STRETTON
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/hana-stretton-unitarian-church-dublin-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/Hana-Stretton-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260909T200000
DTEND;TZID=UTC:20260909T223000
DTSTAMP:20260916T230358
CREATED:20260422T085236Z
LAST-MODIFIED:20260509T142252Z
UID:10000218-1788984000-1788993000@foggynotions.ie
SUMMARY:DÚN LAOGHAIRE FOLK FESTIVAL
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/dun-laoghaire-folk-festival-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/05/format-1080x1080-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260914T190000
DTEND;TZID=UTC:20260914T230000
DTSTAMP:20260916T230358
CREATED:20260407T134956Z
LAST-MODIFIED:20260407T144058Z
UID:10000211-1789412400-1789426800@foggynotions.ie
SUMMARY:KURT VILE & THE VIOLATORS
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/kurt-vile-the-violators-vicar-street-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/04/Kurt-Vile-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260915T200000
DTEND;TZID=UTC:20260915T230000
DTSTAMP:20260916T230358
CREATED:20260526T200225Z
LAST-MODIFIED:20260913T153916Z
UID:10000237-1789502400-1789513200@foggynotions.ie
SUMMARY:RYAN DAVIS & THE ROADHOUSE BAND
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/ryan-davis-the-roadhouse-band-dublin-september-2026/
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BEGIN:VEVENT
DTSTART;TZID=UTC:20260916T200000
DTEND;TZID=UTC:20260916T230000
DTSTAMP:20260916T230358
CREATED:20260714T162139Z
LAST-MODIFIED:20260831T172241Z
UID:10000276-1789588800-1789599600@foggynotions.ie
SUMMARY:FROG
DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				PELICAN	\n\n\n\n\n	WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€29.50			\n\n\n	\n\n\n	\n	 132  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									WAV TICKETS\n					\n					\n				\n								\n				\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/frog-grand-social-dublin-september-2026/
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