BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Foggy Notions - ECPv6.15.15//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:http://foggynotions.ie X-WR-CALDESC:Events for Foggy Notions REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:UTC BEGIN:STANDARD TZOFFSETFROM:+0000 TZOFFSETTO:+0000 TZNAME:UTC DTSTART:20250101T000000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=UTC:20260916T200000 DTEND;TZID=UTC:20260916T230000 DTSTAMP:20260916T192050 CREATED:20260714T162139Z LAST-MODIFIED:20260831T172241Z UID:10000276-1789588800-1789599600@foggynotions.ie SUMMARY:FROG DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n Decrease ticket quantity for PELICAN\n -\n \n\n \n Quantity \n \n\n \n Increase ticket quantity for PELICAN\n +\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/frog-grand-social-dublin-september-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/07/Frog-Website-SO.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260919T193000 DTEND;TZID=UTC:20260919T223000 DTSTAMP:20260916T192050 CREATED:20260115T085509Z LAST-MODIFIED:20260807T192355Z UID:10000169-1789846200-1789857000@foggynotions.ie SUMMARY:HOLY FUCK DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/holy-fuck-button-factory-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/01/Holy-Fuck-Website-1-scaled.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260919T200000 DTEND;TZID=UTC:20260919T230000 DTSTAMP:20260916T192050 CREATED:20260501T095454Z LAST-MODIFIED:20260829T145502Z UID:10000222-1789848000-1789858800@foggynotions.ie SUMMARY:DEAD BOB DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/dead-bob-workmans-club-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/05/DEAD-BOB-Instagram-Post-copy.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20260930T200000 DTEND;TZID=UTC:20260930T230000 DTSTAMP:20260916T192050 CREATED:20251015T212428Z LAST-MODIFIED:20260630T162044Z UID:10000087-1790798400-1790809200@foggynotions.ie SUMMARY:LUTE DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/lute-grand-social-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/10/Lute-Instagram-Post-copy.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261003T200000 DTEND;TZID=UTC:20261003T223000 DTSTAMP:20260916T192050 CREATED:20260112T125243Z LAST-MODIFIED:20260112T180859Z UID:10000166-1791057600-1791066600@foggynotions.ie SUMMARY:ÓLAFUR ARNALDS - FALLING APART TOGETHER DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/olafur-arnalds-falling-apart-together/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/01/OLAFUR-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261004T150000 DTEND;TZID=UTC:20261004T173000 DTSTAMP:20260916T192050 CREATED:20260212T094535Z LAST-MODIFIED:20260212T095007Z UID:10000183-1791126000-1791135000@foggynotions.ie SUMMARY:ÓLAFUR ARNALDS DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/olafur-arnalds-falling-apart-together-sunday-matinee/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/02/OLAFUR-Instagram-Post-MATINEE-copy.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261009T200000 DTEND;TZID=UTC:20261009T230000 DTSTAMP:20260916T192050 CREATED:20260708T184928Z LAST-MODIFIED:20260709T082234Z UID:10000274-1791576000-1791586800@foggynotions.ie SUMMARY:CINDER WELL DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/cinder-well-bello-bar-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/07/Cinder-Well-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261012T200000 DTEND;TZID=UTC:20261012T230000 DTSTAMP:20260916T192050 CREATED:20260519T202801Z LAST-MODIFIED:20260804T172024Z UID:10000230-1791835200-1791846000@foggynotions.ie SUMMARY:ARAB STRAP DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/arab-strap-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/05/ARAB-STRAP-Website-SO.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261014T193000 DTEND;TZID=UTC:20261014T230000 DTSTAMP:20260916T192050 CREATED:20251126T083951Z LAST-MODIFIED:20260913T171738Z UID:10000134-1792006200-1792018800@foggynotions.ie SUMMARY:MERCURY REV DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/mercury-rev-vicar-street-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/11/Mercury-Rev-Website-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261018T193000 DTEND;TZID=UTC:20261018T230000 DTSTAMP:20260916T192050 CREATED:20251117T100004Z LAST-MODIFIED:20260521T171131Z UID:10000128-1792351800-1792364400@foggynotions.ie SUMMARY:THE MOUNTAIN GOATS DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/the-mountain-goats-vicar-street-october-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/11/TMG-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261020T193000 DTEND;TZID=UTC:20261020T230000 DTSTAMP:20260916T192050 CREATED:20251202T100021Z LAST-MODIFIED:20251204T110718Z UID:10000138-1792524600-1792537200@foggynotions.ie SUMMARY:AUTECHRE DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/autechre-vicar-street-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2025/12/autechre-Instagram-Post-1-copy.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261024T143000 DTEND;TZID=UTC:20261024T230000 DTSTAMP:20260916T192050 CREATED:20260701T083859Z LAST-MODIFIED:20260701T113330Z UID:10000270-1792852200-1792882800@foggynotions.ie SUMMARY:HAUNTED DANCEHALL SATURDAY DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/haunted-dancehall-2026-saturday/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/07/HDH_SAT_1080x1350-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261025T143000 DTEND;TZID=UTC:20261025T230000 DTSTAMP:20260916T192050 CREATED:20260701T085057Z LAST-MODIFIED:20260701T113154Z UID:10000271-1792938600-1792969200@foggynotions.ie SUMMARY:HAUNTED DANCEHALL SUNDAY DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/haunted-dancehall-2026-sunday/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/07/HDH_SUN_1080x1350-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261026T193000 DTEND;TZID=UTC:20261026T230000 DTSTAMP:20260916T192050 CREATED:20260902T083924Z LAST-MODIFIED:20260906T144910Z UID:10000292-1793043000-1793055600@foggynotions.ie SUMMARY:EAR DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/ear-button-factory-dublin-october-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/09/ear-Website-SO.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261030T200000 DTEND;TZID=UTC:20261030T230000 DTSTAMP:20260916T192050 CREATED:20260609T193227Z LAST-MODIFIED:20260610T152058Z UID:10000249-1793390400-1793401200@foggynotions.ie SUMMARY:NICK HAKIM DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/nick-hakim-dublin-october-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/Nick-Hakim-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261103T193000 DTEND;TZID=UTC:20261103T230000 DTSTAMP:20260916T192051 CREATED:20260407T203725Z LAST-MODIFIED:20260801T205140Z UID:10000213-1793734200-1793746800@foggynotions.ie SUMMARY:TORTOISE DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/tortoise-button-factory-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/04/TORTOISE-Website-SO.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261103T193000 DTEND;TZID=UTC:20261103T230000 DTSTAMP:20260916T192051 CREATED:20260630T114342Z LAST-MODIFIED:20260630T135427Z UID:10000267-1793734200-1793746800@foggynotions.ie SUMMARY:CHANEL BEADS DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/chanel-beads-opium-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/Chanel-Beads-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261106T200000 DTEND;TZID=UTC:20261106T230000 DTSTAMP:20260916T192051 CREATED:20260430T104446Z LAST-MODIFIED:20260430T105234Z UID:10000221-1793995200-1794006000@foggynotions.ie SUMMARY:PELICAN DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/pelican-dublin-november-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/04/PELICAN-Instagram-Post-copy.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261106T230000 DTEND;TZID=UTC:20261106T233000 DTSTAMP:20260916T192051 CREATED:20260825T202757Z LAST-MODIFIED:20260826T092509Z UID:10000288-1794006000-1794007800@foggynotions.ie SUMMARY:MODESELEKTOR DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/modeselektor-dj-set-button-factory-dublin-november-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/08/Modeselektor-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261107T200000 DTEND;TZID=UTC:20261107T230000 DTSTAMP:20260916T192051 CREATED:20260607T175345Z LAST-MODIFIED:20260707T164055Z UID:10000242-1794081600-1794092400@foggynotions.ie SUMMARY:QUIET LIGHT DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/quiet-light-dublin-november-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/Quiet-Light-WebsiteN.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261108T200000 DTEND;TZID=UTC:20261108T230000 DTSTAMP:20260916T192051 CREATED:20260623T180535Z LAST-MODIFIED:20260624T214119Z UID:10000254-1794168000-1794178800@foggynotions.ie SUMMARY:MGNA CRRRTA & IDEASFORCONVERSATIONS DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/modern-lovers-mgna-crrrta-ideasforconversations-grand-social-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/MGNA-CRRRTA-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261109T200000 DTEND;TZID=UTC:20261109T230000 DTSTAMP:20260916T192051 CREATED:20260728T083108Z LAST-MODIFIED:20260729T185120Z UID:10000282-1794254400-1794265200@foggynotions.ie SUMMARY:DEER PARK DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/modern-lovers-deer-park-curbside-lambsear-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/07/DEER-PARK-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261110T200000 DTEND;TZID=UTC:20261110T230000 DTSTAMP:20260916T192051 CREATED:20260623T184644Z LAST-MODIFIED:20260624T144805Z UID:10000256-1794340800-1794351600@foggynotions.ie SUMMARY:MX LONELY DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/modern-lovers-mx-lonely-bello-bar-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/MX-Lonely-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261110T200000 DTEND;TZID=UTC:20261110T230000 DTSTAMP:20260916T192051 CREATED:20260623T185727Z LAST-MODIFIED:20260624T214221Z UID:10000257-1794340800-1794351600@foggynotions.ie SUMMARY:WENDY EISENBERG & DAN ENGLISH & SUPERFAN DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/modern-lovers-wendy-eisenberg-dan-english-superfan-grand-social-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/Wendy-Eisenberg-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261111T200000 DTEND;TZID=UTC:20261111T230000 DTSTAMP:20260916T192051 CREATED:20260623T183300Z LAST-MODIFIED:20260626T154915Z UID:10000255-1794427200-1794438000@foggynotions.ie SUMMARY:ANNA VON HAUSSWOLFF DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/modern-lovers-anna-von-hausswolff-national-concert-hall-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/Anna-Von-Hausswolff-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261112T200000 DTEND;TZID=UTC:20261112T230000 DTSTAMP:20260916T192051 CREATED:20260623T190821Z LAST-MODIFIED:20260626T155009Z UID:10000258-1794513600-1794524400@foggynotions.ie SUMMARY:GB DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/modern-lovers-gb-david-de-barra-bello-bar-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/GB-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261113T200000 DTEND;TZID=UTC:20261113T230000 DTSTAMP:20260916T192051 CREATED:20260812T124823Z LAST-MODIFIED:20260812T125810Z UID:10000286-1794600000-1794610800@foggynotions.ie SUMMARY:POISON RUIN DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/poison-ruin-special-branch-lost-lane-dublin-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/08/Poison-Ruin-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261115T193000 DTEND;TZID=UTC:20261115T230000 DTSTAMP:20260916T192051 CREATED:20260623T175436Z LAST-MODIFIED:20260814T144033Z UID:10000253-1794771000-1794783600@foggynotions.ie SUMMARY:BASSVICTIM DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/modern-lovers-bassvictim-opium-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/SO-Bassvictim-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261115T200000 DTEND;TZID=UTC:20261115T230000 DTSTAMP:20260916T192051 CREATED:20260728T084344Z LAST-MODIFIED:20260730T102147Z UID:10000283-1794772800-1794783600@foggynotions.ie SUMMARY:CLARA MANN DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/modern-lovers-clara-mann-and-guests-sugar-club-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/07/Clara-Mann-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=UTC:20261116T200000 DTEND;TZID=UTC:20261116T230000 DTSTAMP:20260916T192051 CREATED:20260623T192503Z LAST-MODIFIED:20260914T122424Z UID:10000259-1794859200-1794870000@foggynotions.ie SUMMARY:@ & Ellie O'Neill DESCRIPTION:FOGGY NOTIONS & U:MACK PRESENT\nPELICAN\nSPECIAL GUESTS\nNO SPILL BLOOD\nWHELAN'S\n6TH NOVEMBER \n \n \n \n \n \n \n \n \n \n\n \n \n \n\n \n\n \n\n\n\n Tickets\n\n \n \n \n The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities. \n\n\n \n\n \n \n PELICAN \n\n\n\n\n WHELAN'S\n6TH NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n \n \n €29.50 \n\n\n \n\n\n \n 132 available\n\n\n \n\n\n \n \n\n \n Quantity \n \n\n \n\n \n \n \n\n\n Tickets are limited to 9 per order \n\n \n \n \n Quantity: \n 0\n\n\n \n \n Total: \n \n €0.00 \n\n\n Get Tickets\n\n \n \n\n\n \n \n \n \n\n \n \n\n \n \n\n\n\n \n\n \n\n\n \n \n \n \n \n \n \n \n \n \n \n WAV TICKETS\n \n \n \n \n \n \n \n \n \n \n TICKETMASTER\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n \n Add to calendar \n \n \n\n \n \n \n Google Calendar\n\n \n iCalendar\n\n \n Outlook 365\n\n \n Outlook Live\n\n \n \n\n \n \n\n \n \n \n \n \n \n \n \n \n \n \n \n Tickets on sale Friday 1st may at 10:00. Pelican has always been a band that’s not just from Chicago\, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively\, Pelican’s foundation was built upon the rule-free\, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity\,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ departure in 2022\, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance.  While longtime Pelican fans will recognize the album as an update to the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore\, space-rock\, and emo as they do traditional metal\, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters\, so too did Quicksand\, Christie Front Drive\, and Hum. “A lot of people didn’t hear it at first\,” says Schroeder-Lebec. “I was like\, well\, I guess the metal world is where we fit. But now\, we’re more willing to acknowledge all the suits we’re wearing.” On Flickering Resonance\, Pelican doesn’t attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican’s thick sonic backbone remains intact\, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like “Evergreen” and “Indelible” tease Pelican’s doom-metal roots\, but these songs feel equally\, ebullient and truthful\, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker\, who recorded their first EP\, Pelican begins this new chapter of their career with an album that’s neither full reinvention nor back-to-roots revivalism. After so much time apart\, and with so much life having been lived between the original Pelican lineup’s last recording sessions together\, the band approached it with renewed vigor and a more communal spirit. “There was more room for openness and critique with the understanding that we’re all trying to craft the best song possible and that every suggestion is valid until it’s proven invalid\,” says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. “We didn’t move forward unless we all wanted to move forward\, and that felt like real community building\,” says Schroeder-Lebec of this unified approach. “I went from seeing it as my art and my craft to our craft that we were shaping together.” In doing so\, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like “Cascading Crescent” and “Indelible” don’t languish in what’s been lost\, these tracks see the band embracing what remains in their hands instead of lamenting what’s slipped through their fingers. It’s a concept that’s mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It’s a piece built off the concept of flame meditation\, and how the smallest flames can often bring about the biggest transformations. A song like “Flickering Stillness” exemplifies this feeling through its sonic expanse\, putting the band’s sonic density and hyper-focused clarity on display\, but with an emphasis on the profound human connections that have kept Pelican going all these years.  “When Laurent left and we were able to carry it through\, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it” That feeling of deep\, grounded appreciation isn’t just one that’s within the band members\, it’s expressed in every track on Flickering Resonance. Because at the very core of Pelican\, are four individuals who have grown both separately and together\, and always will. Like a distant light faintly glowing in the darkest night\, Flickering Resonance is a reminder of all that has passed us by\, but also all that is still to come. \n \n \n \n \n \n \n \n LISTEN NOW \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n ALL SHOWS URL:http://foggynotions.ie/concerts/modern-lovers-at-band-workmans-2026/ ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/@-Website-1.jpg END:VEVENT END:VCALENDAR