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X-WR-CALDESC:Events for Foggy Notions
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DTSTART:20250101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20261129T200000
DTEND;TZID=UTC:20261129T230000
DTSTAMP:20261031T012258
CREATED:20260627T192331Z
LAST-MODIFIED:20260629T085333Z
UID:10000266-1795982400-1795993200@foggynotions.ie
SUMMARY:MILO KORBENSKI
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTORTOISE\nBUTTON FACTORY\n2ND NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				TORTOISE	\n\n\n\n\n	BUTTON FACTORY\n2ND NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€35.35			\n\n\n	\n\n\n	\n	 145  available\n\n\n	\n\n\n	\n						\n	Decrease ticket quantity for TORTOISE\n	-\n				\n\n	\n		Quantity	\n	\n\n					\n	Increase ticket quantity for TORTOISE\n	+\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Extra date on sale Wednesday 7th October at 10:00. Tortoise is widely considered one of the most influential music groups of the last 40 years\, with a wide-reaching impact on the contemporary music scene. Pitchfork says: “Imagine a graphic showing all the bands the five members of Tortoise were in before they came together and then all the bands they went on to play with after. At the top of the funnel you have groups ranging from dreamy psych-rock to earthy post-punk crunch\, including Eleventh Dream Day\, Bastro\, Slint\, and the Poster Children; on the ‘post-Tortoise’ end are groups focusing on electro-jazz and twangy instrumental rock like Isotope 217\, Chicago Underground\, and Brokeback. In this graphic\, Tortoise is the choke point\, the one project that has elements of all these sounds but is never defined by nor committed to any of them. Instead\, Tortoise floats free\, a planchette moving over a Ouija board guided by 10 sets of fingers\, where everyone watches the arrow float in one direction but no one is quite sure how it gets there or who is doing the pushing.” The band\, which originally formed in Chicago in 1990\, comprises Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker. Initially hailed as pace-setters of an emergent\, cinematic instrumental evolution of alternative rock\, the Chicago Tribune called Tortoise’s sound “mood music that refuses to be shoved into the background\, as inviting as it is challenging.” Releasing just seven albums since 1990 — including classics like 1996’s Millions Now Living Will Never Die\, 1998’s TNT\, and 2001’s Standards —Tortoise has steadily and intuitively evolved across its life\, creating genreless music that is as timeless as it is ahead of the curve. The band’s legacy goes beyond its recorded output\, as well. Per the New York Times: “While Tortoise’s albums have experimented with the editing and overdubbing possibilities of the studio\, the band thrives performing in real time.” Rolling Stone deems Tortoise “a live marvel\,” while Pitchfork further says the band’s performances reveal that “at heart\, they’re a supremely fun band\, wide open to all sorts of sonic possibilities.” In October 2025\, Tortoise released Touch\, the first new album from the groundbreaking group since 2016 via International Anthem and Nonesuch Records. Lead single “Layered Presence” featured a video filmed by Mikel Patrick Avery Watch the video\, listen to “Layered Presence\,” and preorder Touch here. With Touch\, the Tortoise bandmembers — Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker — harness their collectivist songwriting approach\, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky\, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT\, Touch is perhaps most remarkable for Tortoise’s unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock\, hand-cranked techno rave-ups\, and pointillist spaghetti western fanfares are all imbued with Tortoise’s now-signature internal logic — equally alluring and confounding\, a puzzle to be savored rather than solved. The stylistic diversity is also a reflection of the band’s current operating circumstances: With two members now in Los Angeles\, another in Portland\, and just two remaining in the band’s Chicago hometown\, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s\, honing their sound over endless hours of collective experimentation.  Recorded between the three cities — Los Angeles\, Portland\, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect\, recenter\, and reinvigorate their sound for what is perhaps the group’s most diverse release to date. Touch is the culmination of a long-gestating reunion\, the results of which Tortoise first shared this past March\, when they released “Oganesson” — “an off-kilter\, 7/4 funk tune with a spy-movie ambience” (New York Times) that is included on the new album — ahead of a career-spanning opening night performance at the boundary-crossing music festival Big Ears. They followed that with the Oganesson Remixes EP\, which featured reworks of the track from poet and activist Saul Williams\, prolific mastering engineer Heba Kadry\, Black Keys drummer Patrick Carney\, indie music icons Broken Social Scene\, and International Anthem labelmate Makaya McCraven. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/milo-korbenski-bello-bar-dublin-november-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/Milo-Korbenski-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261206T200000
DTEND;TZID=UTC:20261206T230000
DTSTAMP:20261031T012300
CREATED:20260915T181253Z
LAST-MODIFIED:20260916T090551Z
UID:10000298-1796587200-1796598000@foggynotions.ie
SUMMARY:how r u
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTORTOISE\nBUTTON FACTORY\n2ND NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				TORTOISE	\n\n\n\n\n	BUTTON FACTORY\n2ND NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€35.35			\n\n\n	\n\n\n	\n	 145  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Extra date on sale Wednesday 7th October at 10:00. Tortoise is widely considered one of the most influential music groups of the last 40 years\, with a wide-reaching impact on the contemporary music scene. Pitchfork says: “Imagine a graphic showing all the bands the five members of Tortoise were in before they came together and then all the bands they went on to play with after. At the top of the funnel you have groups ranging from dreamy psych-rock to earthy post-punk crunch\, including Eleventh Dream Day\, Bastro\, Slint\, and the Poster Children; on the ‘post-Tortoise’ end are groups focusing on electro-jazz and twangy instrumental rock like Isotope 217\, Chicago Underground\, and Brokeback. In this graphic\, Tortoise is the choke point\, the one project that has elements of all these sounds but is never defined by nor committed to any of them. Instead\, Tortoise floats free\, a planchette moving over a Ouija board guided by 10 sets of fingers\, where everyone watches the arrow float in one direction but no one is quite sure how it gets there or who is doing the pushing.” The band\, which originally formed in Chicago in 1990\, comprises Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker. Initially hailed as pace-setters of an emergent\, cinematic instrumental evolution of alternative rock\, the Chicago Tribune called Tortoise’s sound “mood music that refuses to be shoved into the background\, as inviting as it is challenging.” Releasing just seven albums since 1990 — including classics like 1996’s Millions Now Living Will Never Die\, 1998’s TNT\, and 2001’s Standards —Tortoise has steadily and intuitively evolved across its life\, creating genreless music that is as timeless as it is ahead of the curve. The band’s legacy goes beyond its recorded output\, as well. Per the New York Times: “While Tortoise’s albums have experimented with the editing and overdubbing possibilities of the studio\, the band thrives performing in real time.” Rolling Stone deems Tortoise “a live marvel\,” while Pitchfork further says the band’s performances reveal that “at heart\, they’re a supremely fun band\, wide open to all sorts of sonic possibilities.” In October 2025\, Tortoise released Touch\, the first new album from the groundbreaking group since 2016 via International Anthem and Nonesuch Records. Lead single “Layered Presence” featured a video filmed by Mikel Patrick Avery Watch the video\, listen to “Layered Presence\,” and preorder Touch here. With Touch\, the Tortoise bandmembers — Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker — harness their collectivist songwriting approach\, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky\, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT\, Touch is perhaps most remarkable for Tortoise’s unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock\, hand-cranked techno rave-ups\, and pointillist spaghetti western fanfares are all imbued with Tortoise’s now-signature internal logic — equally alluring and confounding\, a puzzle to be savored rather than solved. The stylistic diversity is also a reflection of the band’s current operating circumstances: With two members now in Los Angeles\, another in Portland\, and just two remaining in the band’s Chicago hometown\, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s\, honing their sound over endless hours of collective experimentation.  Recorded between the three cities — Los Angeles\, Portland\, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect\, recenter\, and reinvigorate their sound for what is perhaps the group’s most diverse release to date. Touch is the culmination of a long-gestating reunion\, the results of which Tortoise first shared this past March\, when they released “Oganesson” — “an off-kilter\, 7/4 funk tune with a spy-movie ambience” (New York Times) that is included on the new album — ahead of a career-spanning opening night performance at the boundary-crossing music festival Big Ears. They followed that with the Oganesson Remixes EP\, which featured reworks of the track from poet and activist Saul Williams\, prolific mastering engineer Heba Kadry\, Black Keys drummer Patrick Carney\, indie music icons Broken Social Scene\, and International Anthem labelmate Makaya McCraven. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/how-r-u-dublin-december-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/09/how-are-u-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261212T193000
DTEND;TZID=UTC:20261212T223000
DTSTAMP:20261031T012300
CREATED:20261019T160821Z
LAST-MODIFIED:20261020T084147Z
UID:10000331-1797103800-1797114600@foggynotions.ie
SUMMARY:SLOUCHO
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTORTOISE\nBUTTON FACTORY\n2ND NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				TORTOISE	\n\n\n\n\n	BUTTON FACTORY\n2ND NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€35.35			\n\n\n	\n\n\n	\n	 145  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Extra date on sale Wednesday 7th October at 10:00. Tortoise is widely considered one of the most influential music groups of the last 40 years\, with a wide-reaching impact on the contemporary music scene. Pitchfork says: “Imagine a graphic showing all the bands the five members of Tortoise were in before they came together and then all the bands they went on to play with after. At the top of the funnel you have groups ranging from dreamy psych-rock to earthy post-punk crunch\, including Eleventh Dream Day\, Bastro\, Slint\, and the Poster Children; on the ‘post-Tortoise’ end are groups focusing on electro-jazz and twangy instrumental rock like Isotope 217\, Chicago Underground\, and Brokeback. In this graphic\, Tortoise is the choke point\, the one project that has elements of all these sounds but is never defined by nor committed to any of them. Instead\, Tortoise floats free\, a planchette moving over a Ouija board guided by 10 sets of fingers\, where everyone watches the arrow float in one direction but no one is quite sure how it gets there or who is doing the pushing.” The band\, which originally formed in Chicago in 1990\, comprises Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker. Initially hailed as pace-setters of an emergent\, cinematic instrumental evolution of alternative rock\, the Chicago Tribune called Tortoise’s sound “mood music that refuses to be shoved into the background\, as inviting as it is challenging.” Releasing just seven albums since 1990 — including classics like 1996’s Millions Now Living Will Never Die\, 1998’s TNT\, and 2001’s Standards —Tortoise has steadily and intuitively evolved across its life\, creating genreless music that is as timeless as it is ahead of the curve. The band’s legacy goes beyond its recorded output\, as well. Per the New York Times: “While Tortoise’s albums have experimented with the editing and overdubbing possibilities of the studio\, the band thrives performing in real time.” Rolling Stone deems Tortoise “a live marvel\,” while Pitchfork further says the band’s performances reveal that “at heart\, they’re a supremely fun band\, wide open to all sorts of sonic possibilities.” In October 2025\, Tortoise released Touch\, the first new album from the groundbreaking group since 2016 via International Anthem and Nonesuch Records. Lead single “Layered Presence” featured a video filmed by Mikel Patrick Avery Watch the video\, listen to “Layered Presence\,” and preorder Touch here. With Touch\, the Tortoise bandmembers — Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker — harness their collectivist songwriting approach\, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky\, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT\, Touch is perhaps most remarkable for Tortoise’s unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock\, hand-cranked techno rave-ups\, and pointillist spaghetti western fanfares are all imbued with Tortoise’s now-signature internal logic — equally alluring and confounding\, a puzzle to be savored rather than solved. The stylistic diversity is also a reflection of the band’s current operating circumstances: With two members now in Los Angeles\, another in Portland\, and just two remaining in the band’s Chicago hometown\, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s\, honing their sound over endless hours of collective experimentation.  Recorded between the three cities — Los Angeles\, Portland\, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect\, recenter\, and reinvigorate their sound for what is perhaps the group’s most diverse release to date. Touch is the culmination of a long-gestating reunion\, the results of which Tortoise first shared this past March\, when they released “Oganesson” — “an off-kilter\, 7/4 funk tune with a spy-movie ambience” (New York Times) that is included on the new album — ahead of a career-spanning opening night performance at the boundary-crossing music festival Big Ears. They followed that with the Oganesson Remixes EP\, which featured reworks of the track from poet and activist Saul Williams\, prolific mastering engineer Heba Kadry\, Black Keys drummer Patrick Carney\, indie music icons Broken Social Scene\, and International Anthem labelmate Makaya McCraven. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/sloucho-sound-house-december-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/10/Sloucho-Post-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261221T193000
DTEND;TZID=UTC:20261221T230000
DTSTAMP:20261031T012300
CREATED:20260907T211909Z
LAST-MODIFIED:20260908T090205Z
UID:10000293-1797881400-1797894000@foggynotions.ie
SUMMARY:LISA O'NEILL
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTORTOISE\nBUTTON FACTORY\n2ND NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				TORTOISE	\n\n\n\n\n	BUTTON FACTORY\n2ND NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€35.35			\n\n\n	\n\n\n	\n	 145  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Extra date on sale Wednesday 7th October at 10:00. Tortoise is widely considered one of the most influential music groups of the last 40 years\, with a wide-reaching impact on the contemporary music scene. Pitchfork says: “Imagine a graphic showing all the bands the five members of Tortoise were in before they came together and then all the bands they went on to play with after. At the top of the funnel you have groups ranging from dreamy psych-rock to earthy post-punk crunch\, including Eleventh Dream Day\, Bastro\, Slint\, and the Poster Children; on the ‘post-Tortoise’ end are groups focusing on electro-jazz and twangy instrumental rock like Isotope 217\, Chicago Underground\, and Brokeback. In this graphic\, Tortoise is the choke point\, the one project that has elements of all these sounds but is never defined by nor committed to any of them. Instead\, Tortoise floats free\, a planchette moving over a Ouija board guided by 10 sets of fingers\, where everyone watches the arrow float in one direction but no one is quite sure how it gets there or who is doing the pushing.” The band\, which originally formed in Chicago in 1990\, comprises Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker. Initially hailed as pace-setters of an emergent\, cinematic instrumental evolution of alternative rock\, the Chicago Tribune called Tortoise’s sound “mood music that refuses to be shoved into the background\, as inviting as it is challenging.” Releasing just seven albums since 1990 — including classics like 1996’s Millions Now Living Will Never Die\, 1998’s TNT\, and 2001’s Standards —Tortoise has steadily and intuitively evolved across its life\, creating genreless music that is as timeless as it is ahead of the curve. The band’s legacy goes beyond its recorded output\, as well. Per the New York Times: “While Tortoise’s albums have experimented with the editing and overdubbing possibilities of the studio\, the band thrives performing in real time.” Rolling Stone deems Tortoise “a live marvel\,” while Pitchfork further says the band’s performances reveal that “at heart\, they’re a supremely fun band\, wide open to all sorts of sonic possibilities.” In October 2025\, Tortoise released Touch\, the first new album from the groundbreaking group since 2016 via International Anthem and Nonesuch Records. Lead single “Layered Presence” featured a video filmed by Mikel Patrick Avery Watch the video\, listen to “Layered Presence\,” and preorder Touch here. With Touch\, the Tortoise bandmembers — Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker — harness their collectivist songwriting approach\, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky\, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT\, Touch is perhaps most remarkable for Tortoise’s unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock\, hand-cranked techno rave-ups\, and pointillist spaghetti western fanfares are all imbued with Tortoise’s now-signature internal logic — equally alluring and confounding\, a puzzle to be savored rather than solved. The stylistic diversity is also a reflection of the band’s current operating circumstances: With two members now in Los Angeles\, another in Portland\, and just two remaining in the band’s Chicago hometown\, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s\, honing their sound over endless hours of collective experimentation.  Recorded between the three cities — Los Angeles\, Portland\, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect\, recenter\, and reinvigorate their sound for what is perhaps the group’s most diverse release to date. Touch is the culmination of a long-gestating reunion\, the results of which Tortoise first shared this past March\, when they released “Oganesson” — “an off-kilter\, 7/4 funk tune with a spy-movie ambience” (New York Times) that is included on the new album — ahead of a career-spanning opening night performance at the boundary-crossing music festival Big Ears. They followed that with the Oganesson Remixes EP\, which featured reworks of the track from poet and activist Saul Williams\, prolific mastering engineer Heba Kadry\, Black Keys drummer Patrick Carney\, indie music icons Broken Social Scene\, and International Anthem labelmate Makaya McCraven. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/lisa-oneill-vicar-street-december-2026/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/09/LISA-DECEMBER-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270123T200000
DTEND;TZID=UTC:20270123T230000
DTSTAMP:20261031T012300
CREATED:20261012T184258Z
LAST-MODIFIED:20261013T085754Z
UID:10000327-1800734400-1800745200@foggynotions.ie
SUMMARY:DUMMY
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTORTOISE\nBUTTON FACTORY\n2ND NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				TORTOISE	\n\n\n\n\n	BUTTON FACTORY\n2ND NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€35.35			\n\n\n	\n\n\n	\n	 145  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Extra date on sale Wednesday 7th October at 10:00. Tortoise is widely considered one of the most influential music groups of the last 40 years\, with a wide-reaching impact on the contemporary music scene. Pitchfork says: “Imagine a graphic showing all the bands the five members of Tortoise were in before they came together and then all the bands they went on to play with after. At the top of the funnel you have groups ranging from dreamy psych-rock to earthy post-punk crunch\, including Eleventh Dream Day\, Bastro\, Slint\, and the Poster Children; on the ‘post-Tortoise’ end are groups focusing on electro-jazz and twangy instrumental rock like Isotope 217\, Chicago Underground\, and Brokeback. In this graphic\, Tortoise is the choke point\, the one project that has elements of all these sounds but is never defined by nor committed to any of them. Instead\, Tortoise floats free\, a planchette moving over a Ouija board guided by 10 sets of fingers\, where everyone watches the arrow float in one direction but no one is quite sure how it gets there or who is doing the pushing.” The band\, which originally formed in Chicago in 1990\, comprises Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker. Initially hailed as pace-setters of an emergent\, cinematic instrumental evolution of alternative rock\, the Chicago Tribune called Tortoise’s sound “mood music that refuses to be shoved into the background\, as inviting as it is challenging.” Releasing just seven albums since 1990 — including classics like 1996’s Millions Now Living Will Never Die\, 1998’s TNT\, and 2001’s Standards —Tortoise has steadily and intuitively evolved across its life\, creating genreless music that is as timeless as it is ahead of the curve. The band’s legacy goes beyond its recorded output\, as well. Per the New York Times: “While Tortoise’s albums have experimented with the editing and overdubbing possibilities of the studio\, the band thrives performing in real time.” Rolling Stone deems Tortoise “a live marvel\,” while Pitchfork further says the band’s performances reveal that “at heart\, they’re a supremely fun band\, wide open to all sorts of sonic possibilities.” In October 2025\, Tortoise released Touch\, the first new album from the groundbreaking group since 2016 via International Anthem and Nonesuch Records. Lead single “Layered Presence” featured a video filmed by Mikel Patrick Avery Watch the video\, listen to “Layered Presence\,” and preorder Touch here. With Touch\, the Tortoise bandmembers — Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker — harness their collectivist songwriting approach\, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky\, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT\, Touch is perhaps most remarkable for Tortoise’s unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock\, hand-cranked techno rave-ups\, and pointillist spaghetti western fanfares are all imbued with Tortoise’s now-signature internal logic — equally alluring and confounding\, a puzzle to be savored rather than solved. The stylistic diversity is also a reflection of the band’s current operating circumstances: With two members now in Los Angeles\, another in Portland\, and just two remaining in the band’s Chicago hometown\, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s\, honing their sound over endless hours of collective experimentation.  Recorded between the three cities — Los Angeles\, Portland\, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect\, recenter\, and reinvigorate their sound for what is perhaps the group’s most diverse release to date. Touch is the culmination of a long-gestating reunion\, the results of which Tortoise first shared this past March\, when they released “Oganesson” — “an off-kilter\, 7/4 funk tune with a spy-movie ambience” (New York Times) that is included on the new album — ahead of a career-spanning opening night performance at the boundary-crossing music festival Big Ears. They followed that with the Oganesson Remixes EP\, which featured reworks of the track from poet and activist Saul Williams\, prolific mastering engineer Heba Kadry\, Black Keys drummer Patrick Carney\, indie music icons Broken Social Scene\, and International Anthem labelmate Makaya McCraven. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/dummy-bello-bar-dublin-january-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/10/Dummy-Website-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270129T200000
DTEND;TZID=UTC:20270129T230000
DTSTAMP:20261031T012300
CREATED:20260602T181432Z
LAST-MODIFIED:20260604T074522Z
UID:10000239-1801252800-1801263600@foggynotions.ie
SUMMARY:GOLD PANDA
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTORTOISE\nBUTTON FACTORY\n2ND NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				TORTOISE	\n\n\n\n\n	BUTTON FACTORY\n2ND NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€35.35			\n\n\n	\n\n\n	\n	 145  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Extra date on sale Wednesday 7th October at 10:00. Tortoise is widely considered one of the most influential music groups of the last 40 years\, with a wide-reaching impact on the contemporary music scene. Pitchfork says: “Imagine a graphic showing all the bands the five members of Tortoise were in before they came together and then all the bands they went on to play with after. At the top of the funnel you have groups ranging from dreamy psych-rock to earthy post-punk crunch\, including Eleventh Dream Day\, Bastro\, Slint\, and the Poster Children; on the ‘post-Tortoise’ end are groups focusing on electro-jazz and twangy instrumental rock like Isotope 217\, Chicago Underground\, and Brokeback. In this graphic\, Tortoise is the choke point\, the one project that has elements of all these sounds but is never defined by nor committed to any of them. Instead\, Tortoise floats free\, a planchette moving over a Ouija board guided by 10 sets of fingers\, where everyone watches the arrow float in one direction but no one is quite sure how it gets there or who is doing the pushing.” The band\, which originally formed in Chicago in 1990\, comprises Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker. Initially hailed as pace-setters of an emergent\, cinematic instrumental evolution of alternative rock\, the Chicago Tribune called Tortoise’s sound “mood music that refuses to be shoved into the background\, as inviting as it is challenging.” Releasing just seven albums since 1990 — including classics like 1996’s Millions Now Living Will Never Die\, 1998’s TNT\, and 2001’s Standards —Tortoise has steadily and intuitively evolved across its life\, creating genreless music that is as timeless as it is ahead of the curve. The band’s legacy goes beyond its recorded output\, as well. Per the New York Times: “While Tortoise’s albums have experimented with the editing and overdubbing possibilities of the studio\, the band thrives performing in real time.” Rolling Stone deems Tortoise “a live marvel\,” while Pitchfork further says the band’s performances reveal that “at heart\, they’re a supremely fun band\, wide open to all sorts of sonic possibilities.” In October 2025\, Tortoise released Touch\, the first new album from the groundbreaking group since 2016 via International Anthem and Nonesuch Records. Lead single “Layered Presence” featured a video filmed by Mikel Patrick Avery Watch the video\, listen to “Layered Presence\,” and preorder Touch here. With Touch\, the Tortoise bandmembers — Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker — harness their collectivist songwriting approach\, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky\, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT\, Touch is perhaps most remarkable for Tortoise’s unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock\, hand-cranked techno rave-ups\, and pointillist spaghetti western fanfares are all imbued with Tortoise’s now-signature internal logic — equally alluring and confounding\, a puzzle to be savored rather than solved. The stylistic diversity is also a reflection of the band’s current operating circumstances: With two members now in Los Angeles\, another in Portland\, and just two remaining in the band’s Chicago hometown\, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s\, honing their sound over endless hours of collective experimentation.  Recorded between the three cities — Los Angeles\, Portland\, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect\, recenter\, and reinvigorate their sound for what is perhaps the group’s most diverse release to date. Touch is the culmination of a long-gestating reunion\, the results of which Tortoise first shared this past March\, when they released “Oganesson” — “an off-kilter\, 7/4 funk tune with a spy-movie ambience” (New York Times) that is included on the new album — ahead of a career-spanning opening night performance at the boundary-crossing music festival Big Ears. They followed that with the Oganesson Remixes EP\, which featured reworks of the track from poet and activist Saul Williams\, prolific mastering engineer Heba Kadry\, Black Keys drummer Patrick Carney\, indie music icons Broken Social Scene\, and International Anthem labelmate Makaya McCraven. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/gold-panda-dublin-january-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/Gold-Panda-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270201T193000
DTEND;TZID=UTC:20270201T230000
DTSTAMP:20261031T012300
CREATED:20261013T195324Z
LAST-MODIFIED:20261014T090019Z
UID:10000329-1801510200-1801522800@foggynotions.ie
SUMMARY:LISA O'NEILL
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTORTOISE\nBUTTON FACTORY\n2ND NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				TORTOISE	\n\n\n\n\n	BUTTON FACTORY\n2ND NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€35.35			\n\n\n	\n\n\n	\n	 145  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Extra date on sale Wednesday 7th October at 10:00. Tortoise is widely considered one of the most influential music groups of the last 40 years\, with a wide-reaching impact on the contemporary music scene. Pitchfork says: “Imagine a graphic showing all the bands the five members of Tortoise were in before they came together and then all the bands they went on to play with after. At the top of the funnel you have groups ranging from dreamy psych-rock to earthy post-punk crunch\, including Eleventh Dream Day\, Bastro\, Slint\, and the Poster Children; on the ‘post-Tortoise’ end are groups focusing on electro-jazz and twangy instrumental rock like Isotope 217\, Chicago Underground\, and Brokeback. In this graphic\, Tortoise is the choke point\, the one project that has elements of all these sounds but is never defined by nor committed to any of them. Instead\, Tortoise floats free\, a planchette moving over a Ouija board guided by 10 sets of fingers\, where everyone watches the arrow float in one direction but no one is quite sure how it gets there or who is doing the pushing.” The band\, which originally formed in Chicago in 1990\, comprises Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker. Initially hailed as pace-setters of an emergent\, cinematic instrumental evolution of alternative rock\, the Chicago Tribune called Tortoise’s sound “mood music that refuses to be shoved into the background\, as inviting as it is challenging.” Releasing just seven albums since 1990 — including classics like 1996’s Millions Now Living Will Never Die\, 1998’s TNT\, and 2001’s Standards —Tortoise has steadily and intuitively evolved across its life\, creating genreless music that is as timeless as it is ahead of the curve. The band’s legacy goes beyond its recorded output\, as well. Per the New York Times: “While Tortoise’s albums have experimented with the editing and overdubbing possibilities of the studio\, the band thrives performing in real time.” Rolling Stone deems Tortoise “a live marvel\,” while Pitchfork further says the band’s performances reveal that “at heart\, they’re a supremely fun band\, wide open to all sorts of sonic possibilities.” In October 2025\, Tortoise released Touch\, the first new album from the groundbreaking group since 2016 via International Anthem and Nonesuch Records. Lead single “Layered Presence” featured a video filmed by Mikel Patrick Avery Watch the video\, listen to “Layered Presence\,” and preorder Touch here. With Touch\, the Tortoise bandmembers — Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker — harness their collectivist songwriting approach\, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky\, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT\, Touch is perhaps most remarkable for Tortoise’s unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock\, hand-cranked techno rave-ups\, and pointillist spaghetti western fanfares are all imbued with Tortoise’s now-signature internal logic — equally alluring and confounding\, a puzzle to be savored rather than solved. The stylistic diversity is also a reflection of the band’s current operating circumstances: With two members now in Los Angeles\, another in Portland\, and just two remaining in the band’s Chicago hometown\, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s\, honing their sound over endless hours of collective experimentation.  Recorded between the three cities — Los Angeles\, Portland\, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect\, recenter\, and reinvigorate their sound for what is perhaps the group’s most diverse release to date. Touch is the culmination of a long-gestating reunion\, the results of which Tortoise first shared this past March\, when they released “Oganesson” — “an off-kilter\, 7/4 funk tune with a spy-movie ambience” (New York Times) that is included on the new album — ahead of a career-spanning opening night performance at the boundary-crossing music festival Big Ears. They followed that with the Oganesson Remixes EP\, which featured reworks of the track from poet and activist Saul Williams\, prolific mastering engineer Heba Kadry\, Black Keys drummer Patrick Carney\, indie music icons Broken Social Scene\, and International Anthem labelmate Makaya McCraven. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/lisa-oneill-imbolc-vicar-street-february-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/10/Lisa-Imbolc-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270202T200000
DTEND;TZID=UTC:20270202T230000
DTSTAMP:20261031T012300
CREATED:20260708T183112Z
LAST-MODIFIED:20260709T181447Z
UID:10000272-1801598400-1801609200@foggynotions.ie
SUMMARY:HAYDEN THORPE - WILD BEASTS
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTORTOISE\nBUTTON FACTORY\n2ND NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				TORTOISE	\n\n\n\n\n	BUTTON FACTORY\n2ND NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€35.35			\n\n\n	\n\n\n	\n	 145  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Extra date on sale Wednesday 7th October at 10:00. Tortoise is widely considered one of the most influential music groups of the last 40 years\, with a wide-reaching impact on the contemporary music scene. Pitchfork says: “Imagine a graphic showing all the bands the five members of Tortoise were in before they came together and then all the bands they went on to play with after. At the top of the funnel you have groups ranging from dreamy psych-rock to earthy post-punk crunch\, including Eleventh Dream Day\, Bastro\, Slint\, and the Poster Children; on the ‘post-Tortoise’ end are groups focusing on electro-jazz and twangy instrumental rock like Isotope 217\, Chicago Underground\, and Brokeback. In this graphic\, Tortoise is the choke point\, the one project that has elements of all these sounds but is never defined by nor committed to any of them. Instead\, Tortoise floats free\, a planchette moving over a Ouija board guided by 10 sets of fingers\, where everyone watches the arrow float in one direction but no one is quite sure how it gets there or who is doing the pushing.” The band\, which originally formed in Chicago in 1990\, comprises Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker. Initially hailed as pace-setters of an emergent\, cinematic instrumental evolution of alternative rock\, the Chicago Tribune called Tortoise’s sound “mood music that refuses to be shoved into the background\, as inviting as it is challenging.” Releasing just seven albums since 1990 — including classics like 1996’s Millions Now Living Will Never Die\, 1998’s TNT\, and 2001’s Standards —Tortoise has steadily and intuitively evolved across its life\, creating genreless music that is as timeless as it is ahead of the curve. The band’s legacy goes beyond its recorded output\, as well. Per the New York Times: “While Tortoise’s albums have experimented with the editing and overdubbing possibilities of the studio\, the band thrives performing in real time.” Rolling Stone deems Tortoise “a live marvel\,” while Pitchfork further says the band’s performances reveal that “at heart\, they’re a supremely fun band\, wide open to all sorts of sonic possibilities.” In October 2025\, Tortoise released Touch\, the first new album from the groundbreaking group since 2016 via International Anthem and Nonesuch Records. Lead single “Layered Presence” featured a video filmed by Mikel Patrick Avery Watch the video\, listen to “Layered Presence\,” and preorder Touch here. With Touch\, the Tortoise bandmembers — Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker — harness their collectivist songwriting approach\, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky\, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT\, Touch is perhaps most remarkable for Tortoise’s unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock\, hand-cranked techno rave-ups\, and pointillist spaghetti western fanfares are all imbued with Tortoise’s now-signature internal logic — equally alluring and confounding\, a puzzle to be savored rather than solved. The stylistic diversity is also a reflection of the band’s current operating circumstances: With two members now in Los Angeles\, another in Portland\, and just two remaining in the band’s Chicago hometown\, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s\, honing their sound over endless hours of collective experimentation.  Recorded between the three cities — Los Angeles\, Portland\, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect\, recenter\, and reinvigorate their sound for what is perhaps the group’s most diverse release to date. Touch is the culmination of a long-gestating reunion\, the results of which Tortoise first shared this past March\, when they released “Oganesson” — “an off-kilter\, 7/4 funk tune with a spy-movie ambience” (New York Times) that is included on the new album — ahead of a career-spanning opening night performance at the boundary-crossing music festival Big Ears. They followed that with the Oganesson Remixes EP\, which featured reworks of the track from poet and activist Saul Williams\, prolific mastering engineer Heba Kadry\, Black Keys drummer Patrick Carney\, indie music icons Broken Social Scene\, and International Anthem labelmate Makaya McCraven. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/hayden-thorpe-songs-of-wild-beasts-sugar-club-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/07/Hayden-Thorpe-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270205T193000
DTEND;TZID=UTC:20270205T230000
DTSTAMP:20261031T012300
CREATED:20260920T193929Z
LAST-MODIFIED:20260921T083123Z
UID:10000303-1801855800-1801868400@foggynotions.ie
SUMMARY:JOSH RITTER
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTORTOISE\nBUTTON FACTORY\n2ND NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				TORTOISE	\n\n\n\n\n	BUTTON FACTORY\n2ND NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€35.35			\n\n\n	\n\n\n	\n	 145  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Extra date on sale Wednesday 7th October at 10:00. Tortoise is widely considered one of the most influential music groups of the last 40 years\, with a wide-reaching impact on the contemporary music scene. Pitchfork says: “Imagine a graphic showing all the bands the five members of Tortoise were in before they came together and then all the bands they went on to play with after. At the top of the funnel you have groups ranging from dreamy psych-rock to earthy post-punk crunch\, including Eleventh Dream Day\, Bastro\, Slint\, and the Poster Children; on the ‘post-Tortoise’ end are groups focusing on electro-jazz and twangy instrumental rock like Isotope 217\, Chicago Underground\, and Brokeback. In this graphic\, Tortoise is the choke point\, the one project that has elements of all these sounds but is never defined by nor committed to any of them. Instead\, Tortoise floats free\, a planchette moving over a Ouija board guided by 10 sets of fingers\, where everyone watches the arrow float in one direction but no one is quite sure how it gets there or who is doing the pushing.” The band\, which originally formed in Chicago in 1990\, comprises Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker. Initially hailed as pace-setters of an emergent\, cinematic instrumental evolution of alternative rock\, the Chicago Tribune called Tortoise’s sound “mood music that refuses to be shoved into the background\, as inviting as it is challenging.” Releasing just seven albums since 1990 — including classics like 1996’s Millions Now Living Will Never Die\, 1998’s TNT\, and 2001’s Standards —Tortoise has steadily and intuitively evolved across its life\, creating genreless music that is as timeless as it is ahead of the curve. The band’s legacy goes beyond its recorded output\, as well. Per the New York Times: “While Tortoise’s albums have experimented with the editing and overdubbing possibilities of the studio\, the band thrives performing in real time.” Rolling Stone deems Tortoise “a live marvel\,” while Pitchfork further says the band’s performances reveal that “at heart\, they’re a supremely fun band\, wide open to all sorts of sonic possibilities.” In October 2025\, Tortoise released Touch\, the first new album from the groundbreaking group since 2016 via International Anthem and Nonesuch Records. Lead single “Layered Presence” featured a video filmed by Mikel Patrick Avery Watch the video\, listen to “Layered Presence\,” and preorder Touch here. With Touch\, the Tortoise bandmembers — Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker — harness their collectivist songwriting approach\, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky\, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT\, Touch is perhaps most remarkable for Tortoise’s unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock\, hand-cranked techno rave-ups\, and pointillist spaghetti western fanfares are all imbued with Tortoise’s now-signature internal logic — equally alluring and confounding\, a puzzle to be savored rather than solved. The stylistic diversity is also a reflection of the band’s current operating circumstances: With two members now in Los Angeles\, another in Portland\, and just two remaining in the band’s Chicago hometown\, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s\, honing their sound over endless hours of collective experimentation.  Recorded between the three cities — Los Angeles\, Portland\, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect\, recenter\, and reinvigorate their sound for what is perhaps the group’s most diverse release to date. Touch is the culmination of a long-gestating reunion\, the results of which Tortoise first shared this past March\, when they released “Oganesson” — “an off-kilter\, 7/4 funk tune with a spy-movie ambience” (New York Times) that is included on the new album — ahead of a career-spanning opening night performance at the boundary-crossing music festival Big Ears. They followed that with the Oganesson Remixes EP\, which featured reworks of the track from poet and activist Saul Williams\, prolific mastering engineer Heba Kadry\, Black Keys drummer Patrick Carney\, indie music icons Broken Social Scene\, and International Anthem labelmate Makaya McCraven. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/josh-ritter-vicar-street-dublin-february-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/09/Josh-Vicar-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270208T190000
DTEND;TZID=UTC:20270208T230000
DTSTAMP:20261031T012300
CREATED:20260920T194759Z
LAST-MODIFIED:20260922T161832Z
UID:10000304-1802113200-1802127600@foggynotions.ie
SUMMARY:JOSH RITTER
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTORTOISE\nBUTTON FACTORY\n2ND NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				TORTOISE	\n\n\n\n\n	BUTTON FACTORY\n2ND NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€35.35			\n\n\n	\n\n\n	\n	 145  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Extra date on sale Wednesday 7th October at 10:00. Tortoise is widely considered one of the most influential music groups of the last 40 years\, with a wide-reaching impact on the contemporary music scene. Pitchfork says: “Imagine a graphic showing all the bands the five members of Tortoise were in before they came together and then all the bands they went on to play with after. At the top of the funnel you have groups ranging from dreamy psych-rock to earthy post-punk crunch\, including Eleventh Dream Day\, Bastro\, Slint\, and the Poster Children; on the ‘post-Tortoise’ end are groups focusing on electro-jazz and twangy instrumental rock like Isotope 217\, Chicago Underground\, and Brokeback. In this graphic\, Tortoise is the choke point\, the one project that has elements of all these sounds but is never defined by nor committed to any of them. Instead\, Tortoise floats free\, a planchette moving over a Ouija board guided by 10 sets of fingers\, where everyone watches the arrow float in one direction but no one is quite sure how it gets there or who is doing the pushing.” The band\, which originally formed in Chicago in 1990\, comprises Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker. Initially hailed as pace-setters of an emergent\, cinematic instrumental evolution of alternative rock\, the Chicago Tribune called Tortoise’s sound “mood music that refuses to be shoved into the background\, as inviting as it is challenging.” Releasing just seven albums since 1990 — including classics like 1996’s Millions Now Living Will Never Die\, 1998’s TNT\, and 2001’s Standards —Tortoise has steadily and intuitively evolved across its life\, creating genreless music that is as timeless as it is ahead of the curve. The band’s legacy goes beyond its recorded output\, as well. Per the New York Times: “While Tortoise’s albums have experimented with the editing and overdubbing possibilities of the studio\, the band thrives performing in real time.” Rolling Stone deems Tortoise “a live marvel\,” while Pitchfork further says the band’s performances reveal that “at heart\, they’re a supremely fun band\, wide open to all sorts of sonic possibilities.” In October 2025\, Tortoise released Touch\, the first new album from the groundbreaking group since 2016 via International Anthem and Nonesuch Records. Lead single “Layered Presence” featured a video filmed by Mikel Patrick Avery Watch the video\, listen to “Layered Presence\,” and preorder Touch here. With Touch\, the Tortoise bandmembers — Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker — harness their collectivist songwriting approach\, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky\, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT\, Touch is perhaps most remarkable for Tortoise’s unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock\, hand-cranked techno rave-ups\, and pointillist spaghetti western fanfares are all imbued with Tortoise’s now-signature internal logic — equally alluring and confounding\, a puzzle to be savored rather than solved. The stylistic diversity is also a reflection of the band’s current operating circumstances: With two members now in Los Angeles\, another in Portland\, and just two remaining in the band’s Chicago hometown\, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s\, honing their sound over endless hours of collective experimentation.  Recorded between the three cities — Los Angeles\, Portland\, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect\, recenter\, and reinvigorate their sound for what is perhaps the group’s most diverse release to date. Touch is the culmination of a long-gestating reunion\, the results of which Tortoise first shared this past March\, when they released “Oganesson” — “an off-kilter\, 7/4 funk tune with a spy-movie ambience” (New York Times) that is included on the new album — ahead of a career-spanning opening night performance at the boundary-crossing music festival Big Ears. They followed that with the Oganesson Remixes EP\, which featured reworks of the track from poet and activist Saul Williams\, prolific mastering engineer Heba Kadry\, Black Keys drummer Patrick Carney\, indie music icons Broken Social Scene\, and International Anthem labelmate Makaya McCraven. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/josh-ritter-cork-opera-house-february-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/09/Josh-Cork-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270212T200000
DTEND;TZID=UTC:20270212T230000
DTSTAMP:20261031T012300
CREATED:20260914T184541Z
LAST-MODIFIED:20260915T190151Z
UID:10000296-1802462400-1802473200@foggynotions.ie
SUMMARY:GILES COREY
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTORTOISE\nBUTTON FACTORY\n2ND NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				TORTOISE	\n\n\n\n\n	BUTTON FACTORY\n2ND NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€35.35			\n\n\n	\n\n\n	\n	 145  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Extra date on sale Wednesday 7th October at 10:00. Tortoise is widely considered one of the most influential music groups of the last 40 years\, with a wide-reaching impact on the contemporary music scene. Pitchfork says: “Imagine a graphic showing all the bands the five members of Tortoise were in before they came together and then all the bands they went on to play with after. At the top of the funnel you have groups ranging from dreamy psych-rock to earthy post-punk crunch\, including Eleventh Dream Day\, Bastro\, Slint\, and the Poster Children; on the ‘post-Tortoise’ end are groups focusing on electro-jazz and twangy instrumental rock like Isotope 217\, Chicago Underground\, and Brokeback. In this graphic\, Tortoise is the choke point\, the one project that has elements of all these sounds but is never defined by nor committed to any of them. Instead\, Tortoise floats free\, a planchette moving over a Ouija board guided by 10 sets of fingers\, where everyone watches the arrow float in one direction but no one is quite sure how it gets there or who is doing the pushing.” The band\, which originally formed in Chicago in 1990\, comprises Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker. Initially hailed as pace-setters of an emergent\, cinematic instrumental evolution of alternative rock\, the Chicago Tribune called Tortoise’s sound “mood music that refuses to be shoved into the background\, as inviting as it is challenging.” Releasing just seven albums since 1990 — including classics like 1996’s Millions Now Living Will Never Die\, 1998’s TNT\, and 2001’s Standards —Tortoise has steadily and intuitively evolved across its life\, creating genreless music that is as timeless as it is ahead of the curve. The band’s legacy goes beyond its recorded output\, as well. Per the New York Times: “While Tortoise’s albums have experimented with the editing and overdubbing possibilities of the studio\, the band thrives performing in real time.” Rolling Stone deems Tortoise “a live marvel\,” while Pitchfork further says the band’s performances reveal that “at heart\, they’re a supremely fun band\, wide open to all sorts of sonic possibilities.” In October 2025\, Tortoise released Touch\, the first new album from the groundbreaking group since 2016 via International Anthem and Nonesuch Records. Lead single “Layered Presence” featured a video filmed by Mikel Patrick Avery Watch the video\, listen to “Layered Presence\,” and preorder Touch here. With Touch\, the Tortoise bandmembers — Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker — harness their collectivist songwriting approach\, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky\, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT\, Touch is perhaps most remarkable for Tortoise’s unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock\, hand-cranked techno rave-ups\, and pointillist spaghetti western fanfares are all imbued with Tortoise’s now-signature internal logic — equally alluring and confounding\, a puzzle to be savored rather than solved. The stylistic diversity is also a reflection of the band’s current operating circumstances: With two members now in Los Angeles\, another in Portland\, and just two remaining in the band’s Chicago hometown\, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s\, honing their sound over endless hours of collective experimentation.  Recorded between the three cities — Los Angeles\, Portland\, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect\, recenter\, and reinvigorate their sound for what is perhaps the group’s most diverse release to date. Touch is the culmination of a long-gestating reunion\, the results of which Tortoise first shared this past March\, when they released “Oganesson” — “an off-kilter\, 7/4 funk tune with a spy-movie ambience” (New York Times) that is included on the new album — ahead of a career-spanning opening night performance at the boundary-crossing music festival Big Ears. They followed that with the Oganesson Remixes EP\, which featured reworks of the track from poet and activist Saul Williams\, prolific mastering engineer Heba Kadry\, Black Keys drummer Patrick Carney\, indie music icons Broken Social Scene\, and International Anthem labelmate Makaya McCraven. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/giles-corey-dublin-february-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/09/Giles-Corey-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270219T200000
DTEND;TZID=UTC:20270219T230000
DTSTAMP:20261031T012300
CREATED:20260607T165933Z
LAST-MODIFIED:20260611T170640Z
UID:10000241-1803067200-1803078000@foggynotions.ie
SUMMARY:ICEAGE
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTORTOISE\nBUTTON FACTORY\n2ND NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				TORTOISE	\n\n\n\n\n	BUTTON FACTORY\n2ND NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€35.35			\n\n\n	\n\n\n	\n	 145  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Extra date on sale Wednesday 7th October at 10:00. Tortoise is widely considered one of the most influential music groups of the last 40 years\, with a wide-reaching impact on the contemporary music scene. Pitchfork says: “Imagine a graphic showing all the bands the five members of Tortoise were in before they came together and then all the bands they went on to play with after. At the top of the funnel you have groups ranging from dreamy psych-rock to earthy post-punk crunch\, including Eleventh Dream Day\, Bastro\, Slint\, and the Poster Children; on the ‘post-Tortoise’ end are groups focusing on electro-jazz and twangy instrumental rock like Isotope 217\, Chicago Underground\, and Brokeback. In this graphic\, Tortoise is the choke point\, the one project that has elements of all these sounds but is never defined by nor committed to any of them. Instead\, Tortoise floats free\, a planchette moving over a Ouija board guided by 10 sets of fingers\, where everyone watches the arrow float in one direction but no one is quite sure how it gets there or who is doing the pushing.” The band\, which originally formed in Chicago in 1990\, comprises Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker. Initially hailed as pace-setters of an emergent\, cinematic instrumental evolution of alternative rock\, the Chicago Tribune called Tortoise’s sound “mood music that refuses to be shoved into the background\, as inviting as it is challenging.” Releasing just seven albums since 1990 — including classics like 1996’s Millions Now Living Will Never Die\, 1998’s TNT\, and 2001’s Standards —Tortoise has steadily and intuitively evolved across its life\, creating genreless music that is as timeless as it is ahead of the curve. The band’s legacy goes beyond its recorded output\, as well. Per the New York Times: “While Tortoise’s albums have experimented with the editing and overdubbing possibilities of the studio\, the band thrives performing in real time.” Rolling Stone deems Tortoise “a live marvel\,” while Pitchfork further says the band’s performances reveal that “at heart\, they’re a supremely fun band\, wide open to all sorts of sonic possibilities.” In October 2025\, Tortoise released Touch\, the first new album from the groundbreaking group since 2016 via International Anthem and Nonesuch Records. Lead single “Layered Presence” featured a video filmed by Mikel Patrick Avery Watch the video\, listen to “Layered Presence\,” and preorder Touch here. With Touch\, the Tortoise bandmembers — Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker — harness their collectivist songwriting approach\, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky\, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT\, Touch is perhaps most remarkable for Tortoise’s unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock\, hand-cranked techno rave-ups\, and pointillist spaghetti western fanfares are all imbued with Tortoise’s now-signature internal logic — equally alluring and confounding\, a puzzle to be savored rather than solved. The stylistic diversity is also a reflection of the band’s current operating circumstances: With two members now in Los Angeles\, another in Portland\, and just two remaining in the band’s Chicago hometown\, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s\, honing their sound over endless hours of collective experimentation.  Recorded between the three cities — Los Angeles\, Portland\, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect\, recenter\, and reinvigorate their sound for what is perhaps the group’s most diverse release to date. Touch is the culmination of a long-gestating reunion\, the results of which Tortoise first shared this past March\, when they released “Oganesson” — “an off-kilter\, 7/4 funk tune with a spy-movie ambience” (New York Times) that is included on the new album — ahead of a career-spanning opening night performance at the boundary-crossing music festival Big Ears. They followed that with the Oganesson Remixes EP\, which featured reworks of the track from poet and activist Saul Williams\, prolific mastering engineer Heba Kadry\, Black Keys drummer Patrick Carney\, indie music icons Broken Social Scene\, and International Anthem labelmate Makaya McCraven. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/iceage-dublin-february-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/06/ICEAGE-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270227T200000
DTEND;TZID=UTC:20270227T230000
DTSTAMP:20261031T012300
CREATED:20260921T192504Z
LAST-MODIFIED:20260922T085125Z
UID:10000305-1803758400-1803769200@foggynotions.ie
SUMMARY:NIGHT TEMPO
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTORTOISE\nBUTTON FACTORY\n2ND NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				TORTOISE	\n\n\n\n\n	BUTTON FACTORY\n2ND NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€35.35			\n\n\n	\n\n\n	\n	 145  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Extra date on sale Wednesday 7th October at 10:00. Tortoise is widely considered one of the most influential music groups of the last 40 years\, with a wide-reaching impact on the contemporary music scene. Pitchfork says: “Imagine a graphic showing all the bands the five members of Tortoise were in before they came together and then all the bands they went on to play with after. At the top of the funnel you have groups ranging from dreamy psych-rock to earthy post-punk crunch\, including Eleventh Dream Day\, Bastro\, Slint\, and the Poster Children; on the ‘post-Tortoise’ end are groups focusing on electro-jazz and twangy instrumental rock like Isotope 217\, Chicago Underground\, and Brokeback. In this graphic\, Tortoise is the choke point\, the one project that has elements of all these sounds but is never defined by nor committed to any of them. Instead\, Tortoise floats free\, a planchette moving over a Ouija board guided by 10 sets of fingers\, where everyone watches the arrow float in one direction but no one is quite sure how it gets there or who is doing the pushing.” The band\, which originally formed in Chicago in 1990\, comprises Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker. Initially hailed as pace-setters of an emergent\, cinematic instrumental evolution of alternative rock\, the Chicago Tribune called Tortoise’s sound “mood music that refuses to be shoved into the background\, as inviting as it is challenging.” Releasing just seven albums since 1990 — including classics like 1996’s Millions Now Living Will Never Die\, 1998’s TNT\, and 2001’s Standards —Tortoise has steadily and intuitively evolved across its life\, creating genreless music that is as timeless as it is ahead of the curve. The band’s legacy goes beyond its recorded output\, as well. Per the New York Times: “While Tortoise’s albums have experimented with the editing and overdubbing possibilities of the studio\, the band thrives performing in real time.” Rolling Stone deems Tortoise “a live marvel\,” while Pitchfork further says the band’s performances reveal that “at heart\, they’re a supremely fun band\, wide open to all sorts of sonic possibilities.” In October 2025\, Tortoise released Touch\, the first new album from the groundbreaking group since 2016 via International Anthem and Nonesuch Records. Lead single “Layered Presence” featured a video filmed by Mikel Patrick Avery Watch the video\, listen to “Layered Presence\,” and preorder Touch here. With Touch\, the Tortoise bandmembers — Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker — harness their collectivist songwriting approach\, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky\, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT\, Touch is perhaps most remarkable for Tortoise’s unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock\, hand-cranked techno rave-ups\, and pointillist spaghetti western fanfares are all imbued with Tortoise’s now-signature internal logic — equally alluring and confounding\, a puzzle to be savored rather than solved. The stylistic diversity is also a reflection of the band’s current operating circumstances: With two members now in Los Angeles\, another in Portland\, and just two remaining in the band’s Chicago hometown\, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s\, honing their sound over endless hours of collective experimentation.  Recorded between the three cities — Los Angeles\, Portland\, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect\, recenter\, and reinvigorate their sound for what is perhaps the group’s most diverse release to date. Touch is the culmination of a long-gestating reunion\, the results of which Tortoise first shared this past March\, when they released “Oganesson” — “an off-kilter\, 7/4 funk tune with a spy-movie ambience” (New York Times) that is included on the new album — ahead of a career-spanning opening night performance at the boundary-crossing music festival Big Ears. They followed that with the Oganesson Remixes EP\, which featured reworks of the track from poet and activist Saul Williams\, prolific mastering engineer Heba Kadry\, Black Keys drummer Patrick Carney\, indie music icons Broken Social Scene\, and International Anthem labelmate Makaya McCraven. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/night-tempo-bello-bar-dublin-february-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/09/NIGHT-TEMPO-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270303T200000
DTEND;TZID=UTC:20270303T230000
DTSTAMP:20261031T012300
CREATED:20260915T091702Z
LAST-MODIFIED:20260915T202406Z
UID:10000297-1804104000-1804114800@foggynotions.ie
SUMMARY:LAEL NEALE
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTORTOISE\nBUTTON FACTORY\n2ND NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				TORTOISE	\n\n\n\n\n	BUTTON FACTORY\n2ND NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€35.35			\n\n\n	\n\n\n	\n	 145  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Extra date on sale Wednesday 7th October at 10:00. Tortoise is widely considered one of the most influential music groups of the last 40 years\, with a wide-reaching impact on the contemporary music scene. Pitchfork says: “Imagine a graphic showing all the bands the five members of Tortoise were in before they came together and then all the bands they went on to play with after. At the top of the funnel you have groups ranging from dreamy psych-rock to earthy post-punk crunch\, including Eleventh Dream Day\, Bastro\, Slint\, and the Poster Children; on the ‘post-Tortoise’ end are groups focusing on electro-jazz and twangy instrumental rock like Isotope 217\, Chicago Underground\, and Brokeback. In this graphic\, Tortoise is the choke point\, the one project that has elements of all these sounds but is never defined by nor committed to any of them. Instead\, Tortoise floats free\, a planchette moving over a Ouija board guided by 10 sets of fingers\, where everyone watches the arrow float in one direction but no one is quite sure how it gets there or who is doing the pushing.” The band\, which originally formed in Chicago in 1990\, comprises Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker. Initially hailed as pace-setters of an emergent\, cinematic instrumental evolution of alternative rock\, the Chicago Tribune called Tortoise’s sound “mood music that refuses to be shoved into the background\, as inviting as it is challenging.” Releasing just seven albums since 1990 — including classics like 1996’s Millions Now Living Will Never Die\, 1998’s TNT\, and 2001’s Standards —Tortoise has steadily and intuitively evolved across its life\, creating genreless music that is as timeless as it is ahead of the curve. The band’s legacy goes beyond its recorded output\, as well. Per the New York Times: “While Tortoise’s albums have experimented with the editing and overdubbing possibilities of the studio\, the band thrives performing in real time.” Rolling Stone deems Tortoise “a live marvel\,” while Pitchfork further says the band’s performances reveal that “at heart\, they’re a supremely fun band\, wide open to all sorts of sonic possibilities.” In October 2025\, Tortoise released Touch\, the first new album from the groundbreaking group since 2016 via International Anthem and Nonesuch Records. Lead single “Layered Presence” featured a video filmed by Mikel Patrick Avery Watch the video\, listen to “Layered Presence\,” and preorder Touch here. With Touch\, the Tortoise bandmembers — Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker — harness their collectivist songwriting approach\, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky\, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT\, Touch is perhaps most remarkable for Tortoise’s unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock\, hand-cranked techno rave-ups\, and pointillist spaghetti western fanfares are all imbued with Tortoise’s now-signature internal logic — equally alluring and confounding\, a puzzle to be savored rather than solved. The stylistic diversity is also a reflection of the band’s current operating circumstances: With two members now in Los Angeles\, another in Portland\, and just two remaining in the band’s Chicago hometown\, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s\, honing their sound over endless hours of collective experimentation.  Recorded between the three cities — Los Angeles\, Portland\, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect\, recenter\, and reinvigorate their sound for what is perhaps the group’s most diverse release to date. Touch is the culmination of a long-gestating reunion\, the results of which Tortoise first shared this past March\, when they released “Oganesson” — “an off-kilter\, 7/4 funk tune with a spy-movie ambience” (New York Times) that is included on the new album — ahead of a career-spanning opening night performance at the boundary-crossing music festival Big Ears. They followed that with the Oganesson Remixes EP\, which featured reworks of the track from poet and activist Saul Williams\, prolific mastering engineer Heba Kadry\, Black Keys drummer Patrick Carney\, indie music icons Broken Social Scene\, and International Anthem labelmate Makaya McCraven. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/lael-neale-bello-bar-dublin-march-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/09/Lael-Neale-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270313T193000
DTEND;TZID=UTC:20270313T230000
DTSTAMP:20261031T012300
CREATED:20260908T094353Z
LAST-MODIFIED:20260908T163205Z
UID:10000294-1804966200-1804978800@foggynotions.ie
SUMMARY:MY NEW BAND BELIEVE
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTORTOISE\nBUTTON FACTORY\n2ND NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				TORTOISE	\n\n\n\n\n	BUTTON FACTORY\n2ND NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€35.35			\n\n\n	\n\n\n	\n	 145  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Extra date on sale Wednesday 7th October at 10:00. Tortoise is widely considered one of the most influential music groups of the last 40 years\, with a wide-reaching impact on the contemporary music scene. Pitchfork says: “Imagine a graphic showing all the bands the five members of Tortoise were in before they came together and then all the bands they went on to play with after. At the top of the funnel you have groups ranging from dreamy psych-rock to earthy post-punk crunch\, including Eleventh Dream Day\, Bastro\, Slint\, and the Poster Children; on the ‘post-Tortoise’ end are groups focusing on electro-jazz and twangy instrumental rock like Isotope 217\, Chicago Underground\, and Brokeback. In this graphic\, Tortoise is the choke point\, the one project that has elements of all these sounds but is never defined by nor committed to any of them. Instead\, Tortoise floats free\, a planchette moving over a Ouija board guided by 10 sets of fingers\, where everyone watches the arrow float in one direction but no one is quite sure how it gets there or who is doing the pushing.” The band\, which originally formed in Chicago in 1990\, comprises Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker. Initially hailed as pace-setters of an emergent\, cinematic instrumental evolution of alternative rock\, the Chicago Tribune called Tortoise’s sound “mood music that refuses to be shoved into the background\, as inviting as it is challenging.” Releasing just seven albums since 1990 — including classics like 1996’s Millions Now Living Will Never Die\, 1998’s TNT\, and 2001’s Standards —Tortoise has steadily and intuitively evolved across its life\, creating genreless music that is as timeless as it is ahead of the curve. The band’s legacy goes beyond its recorded output\, as well. Per the New York Times: “While Tortoise’s albums have experimented with the editing and overdubbing possibilities of the studio\, the band thrives performing in real time.” Rolling Stone deems Tortoise “a live marvel\,” while Pitchfork further says the band’s performances reveal that “at heart\, they’re a supremely fun band\, wide open to all sorts of sonic possibilities.” In October 2025\, Tortoise released Touch\, the first new album from the groundbreaking group since 2016 via International Anthem and Nonesuch Records. Lead single “Layered Presence” featured a video filmed by Mikel Patrick Avery Watch the video\, listen to “Layered Presence\,” and preorder Touch here. With Touch\, the Tortoise bandmembers — Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker — harness their collectivist songwriting approach\, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky\, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT\, Touch is perhaps most remarkable for Tortoise’s unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock\, hand-cranked techno rave-ups\, and pointillist spaghetti western fanfares are all imbued with Tortoise’s now-signature internal logic — equally alluring and confounding\, a puzzle to be savored rather than solved. The stylistic diversity is also a reflection of the band’s current operating circumstances: With two members now in Los Angeles\, another in Portland\, and just two remaining in the band’s Chicago hometown\, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s\, honing their sound over endless hours of collective experimentation.  Recorded between the three cities — Los Angeles\, Portland\, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect\, recenter\, and reinvigorate their sound for what is perhaps the group’s most diverse release to date. Touch is the culmination of a long-gestating reunion\, the results of which Tortoise first shared this past March\, when they released “Oganesson” — “an off-kilter\, 7/4 funk tune with a spy-movie ambience” (New York Times) that is included on the new album — ahead of a career-spanning opening night performance at the boundary-crossing music festival Big Ears. They followed that with the Oganesson Remixes EP\, which featured reworks of the track from poet and activist Saul Williams\, prolific mastering engineer Heba Kadry\, Black Keys drummer Patrick Carney\, indie music icons Broken Social Scene\, and International Anthem labelmate Makaya McCraven. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/my-new-band-believe-button-factory-dublin-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/09/MNBB-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270313T200000
DTEND;TZID=UTC:20270313T230000
DTSTAMP:20261031T012300
CREATED:20260921T194130Z
LAST-MODIFIED:20260922T085031Z
UID:10000306-1804968000-1804978800@foggynotions.ie
SUMMARY:MERCY GIRL
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTORTOISE\nBUTTON FACTORY\n2ND NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				TORTOISE	\n\n\n\n\n	BUTTON FACTORY\n2ND NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€35.35			\n\n\n	\n\n\n	\n	 145  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Extra date on sale Wednesday 7th October at 10:00. Tortoise is widely considered one of the most influential music groups of the last 40 years\, with a wide-reaching impact on the contemporary music scene. Pitchfork says: “Imagine a graphic showing all the bands the five members of Tortoise were in before they came together and then all the bands they went on to play with after. At the top of the funnel you have groups ranging from dreamy psych-rock to earthy post-punk crunch\, including Eleventh Dream Day\, Bastro\, Slint\, and the Poster Children; on the ‘post-Tortoise’ end are groups focusing on electro-jazz and twangy instrumental rock like Isotope 217\, Chicago Underground\, and Brokeback. In this graphic\, Tortoise is the choke point\, the one project that has elements of all these sounds but is never defined by nor committed to any of them. Instead\, Tortoise floats free\, a planchette moving over a Ouija board guided by 10 sets of fingers\, where everyone watches the arrow float in one direction but no one is quite sure how it gets there or who is doing the pushing.” The band\, which originally formed in Chicago in 1990\, comprises Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker. Initially hailed as pace-setters of an emergent\, cinematic instrumental evolution of alternative rock\, the Chicago Tribune called Tortoise’s sound “mood music that refuses to be shoved into the background\, as inviting as it is challenging.” Releasing just seven albums since 1990 — including classics like 1996’s Millions Now Living Will Never Die\, 1998’s TNT\, and 2001’s Standards —Tortoise has steadily and intuitively evolved across its life\, creating genreless music that is as timeless as it is ahead of the curve. The band’s legacy goes beyond its recorded output\, as well. Per the New York Times: “While Tortoise’s albums have experimented with the editing and overdubbing possibilities of the studio\, the band thrives performing in real time.” Rolling Stone deems Tortoise “a live marvel\,” while Pitchfork further says the band’s performances reveal that “at heart\, they’re a supremely fun band\, wide open to all sorts of sonic possibilities.” In October 2025\, Tortoise released Touch\, the first new album from the groundbreaking group since 2016 via International Anthem and Nonesuch Records. Lead single “Layered Presence” featured a video filmed by Mikel Patrick Avery Watch the video\, listen to “Layered Presence\,” and preorder Touch here. With Touch\, the Tortoise bandmembers — Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker — harness their collectivist songwriting approach\, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky\, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT\, Touch is perhaps most remarkable for Tortoise’s unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock\, hand-cranked techno rave-ups\, and pointillist spaghetti western fanfares are all imbued with Tortoise’s now-signature internal logic — equally alluring and confounding\, a puzzle to be savored rather than solved. The stylistic diversity is also a reflection of the band’s current operating circumstances: With two members now in Los Angeles\, another in Portland\, and just two remaining in the band’s Chicago hometown\, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s\, honing their sound over endless hours of collective experimentation.  Recorded between the three cities — Los Angeles\, Portland\, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect\, recenter\, and reinvigorate their sound for what is perhaps the group’s most diverse release to date. Touch is the culmination of a long-gestating reunion\, the results of which Tortoise first shared this past March\, when they released “Oganesson” — “an off-kilter\, 7/4 funk tune with a spy-movie ambience” (New York Times) that is included on the new album — ahead of a career-spanning opening night performance at the boundary-crossing music festival Big Ears. They followed that with the Oganesson Remixes EP\, which featured reworks of the track from poet and activist Saul Williams\, prolific mastering engineer Heba Kadry\, Black Keys drummer Patrick Carney\, indie music icons Broken Social Scene\, and International Anthem labelmate Makaya McCraven. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/mercy-girl-bello-bar-dublin-march-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/09/Mercy-Girl-WebsiteB.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270325T200000
DTEND;TZID=UTC:20270325T230000
DTSTAMP:20261031T012300
CREATED:20260929T155532Z
LAST-MODIFIED:20260930T085429Z
UID:10000313-1806004800-1806015600@foggynotions.ie
SUMMARY:JEFFREY SILVERSTEIN
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTORTOISE\nBUTTON FACTORY\n2ND NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				TORTOISE	\n\n\n\n\n	BUTTON FACTORY\n2ND NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€35.35			\n\n\n	\n\n\n	\n	 145  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Extra date on sale Wednesday 7th October at 10:00. Tortoise is widely considered one of the most influential music groups of the last 40 years\, with a wide-reaching impact on the contemporary music scene. Pitchfork says: “Imagine a graphic showing all the bands the five members of Tortoise were in before they came together and then all the bands they went on to play with after. At the top of the funnel you have groups ranging from dreamy psych-rock to earthy post-punk crunch\, including Eleventh Dream Day\, Bastro\, Slint\, and the Poster Children; on the ‘post-Tortoise’ end are groups focusing on electro-jazz and twangy instrumental rock like Isotope 217\, Chicago Underground\, and Brokeback. In this graphic\, Tortoise is the choke point\, the one project that has elements of all these sounds but is never defined by nor committed to any of them. Instead\, Tortoise floats free\, a planchette moving over a Ouija board guided by 10 sets of fingers\, where everyone watches the arrow float in one direction but no one is quite sure how it gets there or who is doing the pushing.” The band\, which originally formed in Chicago in 1990\, comprises Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker. Initially hailed as pace-setters of an emergent\, cinematic instrumental evolution of alternative rock\, the Chicago Tribune called Tortoise’s sound “mood music that refuses to be shoved into the background\, as inviting as it is challenging.” Releasing just seven albums since 1990 — including classics like 1996’s Millions Now Living Will Never Die\, 1998’s TNT\, and 2001’s Standards —Tortoise has steadily and intuitively evolved across its life\, creating genreless music that is as timeless as it is ahead of the curve. The band’s legacy goes beyond its recorded output\, as well. Per the New York Times: “While Tortoise’s albums have experimented with the editing and overdubbing possibilities of the studio\, the band thrives performing in real time.” Rolling Stone deems Tortoise “a live marvel\,” while Pitchfork further says the band’s performances reveal that “at heart\, they’re a supremely fun band\, wide open to all sorts of sonic possibilities.” In October 2025\, Tortoise released Touch\, the first new album from the groundbreaking group since 2016 via International Anthem and Nonesuch Records. Lead single “Layered Presence” featured a video filmed by Mikel Patrick Avery Watch the video\, listen to “Layered Presence\,” and preorder Touch here. With Touch\, the Tortoise bandmembers — Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker — harness their collectivist songwriting approach\, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky\, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT\, Touch is perhaps most remarkable for Tortoise’s unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock\, hand-cranked techno rave-ups\, and pointillist spaghetti western fanfares are all imbued with Tortoise’s now-signature internal logic — equally alluring and confounding\, a puzzle to be savored rather than solved. The stylistic diversity is also a reflection of the band’s current operating circumstances: With two members now in Los Angeles\, another in Portland\, and just two remaining in the band’s Chicago hometown\, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s\, honing their sound over endless hours of collective experimentation.  Recorded between the three cities — Los Angeles\, Portland\, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect\, recenter\, and reinvigorate their sound for what is perhaps the group’s most diverse release to date. Touch is the culmination of a long-gestating reunion\, the results of which Tortoise first shared this past March\, when they released “Oganesson” — “an off-kilter\, 7/4 funk tune with a spy-movie ambience” (New York Times) that is included on the new album — ahead of a career-spanning opening night performance at the boundary-crossing music festival Big Ears. They followed that with the Oganesson Remixes EP\, which featured reworks of the track from poet and activist Saul Williams\, prolific mastering engineer Heba Kadry\, Black Keys drummer Patrick Carney\, indie music icons Broken Social Scene\, and International Anthem labelmate Makaya McCraven. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/jeffrey-silverstein-dublin-march-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/09/Jeffrey-Silverstein-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270327T200000
DTEND;TZID=UTC:20270327T233000
DTSTAMP:20261031T012300
CREATED:20261028T134727Z
LAST-MODIFIED:20261028T135142Z
UID:10000334-1806177600-1806190200@foggynotions.ie
SUMMARY:THE TUBS
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTORTOISE\nBUTTON FACTORY\n2ND NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				TORTOISE	\n\n\n\n\n	BUTTON FACTORY\n2ND NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€35.35			\n\n\n	\n\n\n	\n	 145  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Extra date on sale Wednesday 7th October at 10:00. Tortoise is widely considered one of the most influential music groups of the last 40 years\, with a wide-reaching impact on the contemporary music scene. Pitchfork says: “Imagine a graphic showing all the bands the five members of Tortoise were in before they came together and then all the bands they went on to play with after. At the top of the funnel you have groups ranging from dreamy psych-rock to earthy post-punk crunch\, including Eleventh Dream Day\, Bastro\, Slint\, and the Poster Children; on the ‘post-Tortoise’ end are groups focusing on electro-jazz and twangy instrumental rock like Isotope 217\, Chicago Underground\, and Brokeback. In this graphic\, Tortoise is the choke point\, the one project that has elements of all these sounds but is never defined by nor committed to any of them. Instead\, Tortoise floats free\, a planchette moving over a Ouija board guided by 10 sets of fingers\, where everyone watches the arrow float in one direction but no one is quite sure how it gets there or who is doing the pushing.” The band\, which originally formed in Chicago in 1990\, comprises Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker. Initially hailed as pace-setters of an emergent\, cinematic instrumental evolution of alternative rock\, the Chicago Tribune called Tortoise’s sound “mood music that refuses to be shoved into the background\, as inviting as it is challenging.” Releasing just seven albums since 1990 — including classics like 1996’s Millions Now Living Will Never Die\, 1998’s TNT\, and 2001’s Standards —Tortoise has steadily and intuitively evolved across its life\, creating genreless music that is as timeless as it is ahead of the curve. The band’s legacy goes beyond its recorded output\, as well. Per the New York Times: “While Tortoise’s albums have experimented with the editing and overdubbing possibilities of the studio\, the band thrives performing in real time.” Rolling Stone deems Tortoise “a live marvel\,” while Pitchfork further says the band’s performances reveal that “at heart\, they’re a supremely fun band\, wide open to all sorts of sonic possibilities.” In October 2025\, Tortoise released Touch\, the first new album from the groundbreaking group since 2016 via International Anthem and Nonesuch Records. Lead single “Layered Presence” featured a video filmed by Mikel Patrick Avery Watch the video\, listen to “Layered Presence\,” and preorder Touch here. With Touch\, the Tortoise bandmembers — Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker — harness their collectivist songwriting approach\, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky\, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT\, Touch is perhaps most remarkable for Tortoise’s unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock\, hand-cranked techno rave-ups\, and pointillist spaghetti western fanfares are all imbued with Tortoise’s now-signature internal logic — equally alluring and confounding\, a puzzle to be savored rather than solved. The stylistic diversity is also a reflection of the band’s current operating circumstances: With two members now in Los Angeles\, another in Portland\, and just two remaining in the band’s Chicago hometown\, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s\, honing their sound over endless hours of collective experimentation.  Recorded between the three cities — Los Angeles\, Portland\, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect\, recenter\, and reinvigorate their sound for what is perhaps the group’s most diverse release to date. Touch is the culmination of a long-gestating reunion\, the results of which Tortoise first shared this past March\, when they released “Oganesson” — “an off-kilter\, 7/4 funk tune with a spy-movie ambience” (New York Times) that is included on the new album — ahead of a career-spanning opening night performance at the boundary-crossing music festival Big Ears. They followed that with the Oganesson Remixes EP\, which featured reworks of the track from poet and activist Saul Williams\, prolific mastering engineer Heba Kadry\, Black Keys drummer Patrick Carney\, indie music icons Broken Social Scene\, and International Anthem labelmate Makaya McCraven. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/the-tubs-bello-bar-dublin-march-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/10/Tubs-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270331T193000
DTEND;TZID=UTC:20270331T230000
DTSTAMP:20261031T012300
CREATED:20261013T090855Z
LAST-MODIFIED:20261013T092404Z
UID:10000328-1806521400-1806534000@foggynotions.ie
SUMMARY:SPIRITUALIZED - ACOUSTIC MAINLINES
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTORTOISE\nBUTTON FACTORY\n2ND NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				TORTOISE	\n\n\n\n\n	BUTTON FACTORY\n2ND NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€35.35			\n\n\n	\n\n\n	\n	 145  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Extra date on sale Wednesday 7th October at 10:00. Tortoise is widely considered one of the most influential music groups of the last 40 years\, with a wide-reaching impact on the contemporary music scene. Pitchfork says: “Imagine a graphic showing all the bands the five members of Tortoise were in before they came together and then all the bands they went on to play with after. At the top of the funnel you have groups ranging from dreamy psych-rock to earthy post-punk crunch\, including Eleventh Dream Day\, Bastro\, Slint\, and the Poster Children; on the ‘post-Tortoise’ end are groups focusing on electro-jazz and twangy instrumental rock like Isotope 217\, Chicago Underground\, and Brokeback. In this graphic\, Tortoise is the choke point\, the one project that has elements of all these sounds but is never defined by nor committed to any of them. Instead\, Tortoise floats free\, a planchette moving over a Ouija board guided by 10 sets of fingers\, where everyone watches the arrow float in one direction but no one is quite sure how it gets there or who is doing the pushing.” The band\, which originally formed in Chicago in 1990\, comprises Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker. Initially hailed as pace-setters of an emergent\, cinematic instrumental evolution of alternative rock\, the Chicago Tribune called Tortoise’s sound “mood music that refuses to be shoved into the background\, as inviting as it is challenging.” Releasing just seven albums since 1990 — including classics like 1996’s Millions Now Living Will Never Die\, 1998’s TNT\, and 2001’s Standards —Tortoise has steadily and intuitively evolved across its life\, creating genreless music that is as timeless as it is ahead of the curve. The band’s legacy goes beyond its recorded output\, as well. Per the New York Times: “While Tortoise’s albums have experimented with the editing and overdubbing possibilities of the studio\, the band thrives performing in real time.” Rolling Stone deems Tortoise “a live marvel\,” while Pitchfork further says the band’s performances reveal that “at heart\, they’re a supremely fun band\, wide open to all sorts of sonic possibilities.” In October 2025\, Tortoise released Touch\, the first new album from the groundbreaking group since 2016 via International Anthem and Nonesuch Records. Lead single “Layered Presence” featured a video filmed by Mikel Patrick Avery Watch the video\, listen to “Layered Presence\,” and preorder Touch here. With Touch\, the Tortoise bandmembers — Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker — harness their collectivist songwriting approach\, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky\, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT\, Touch is perhaps most remarkable for Tortoise’s unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock\, hand-cranked techno rave-ups\, and pointillist spaghetti western fanfares are all imbued with Tortoise’s now-signature internal logic — equally alluring and confounding\, a puzzle to be savored rather than solved. The stylistic diversity is also a reflection of the band’s current operating circumstances: With two members now in Los Angeles\, another in Portland\, and just two remaining in the band’s Chicago hometown\, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s\, honing their sound over endless hours of collective experimentation.  Recorded between the three cities — Los Angeles\, Portland\, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect\, recenter\, and reinvigorate their sound for what is perhaps the group’s most diverse release to date. Touch is the culmination of a long-gestating reunion\, the results of which Tortoise first shared this past March\, when they released “Oganesson” — “an off-kilter\, 7/4 funk tune with a spy-movie ambience” (New York Times) that is included on the new album — ahead of a career-spanning opening night performance at the boundary-crossing music festival Big Ears. They followed that with the Oganesson Remixes EP\, which featured reworks of the track from poet and activist Saul Williams\, prolific mastering engineer Heba Kadry\, Black Keys drummer Patrick Carney\, indie music icons Broken Social Scene\, and International Anthem labelmate Makaya McCraven. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/spiritualized-acoustic-mainline-national-concert-hall-dublin-march-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/10/SPIRITUALIZED-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270422T200000
DTEND;TZID=UTC:20270422T230000
DTSTAMP:20261031T012300
CREATED:20260826T150743Z
LAST-MODIFIED:20260826T162703Z
UID:10000289-1808424000-1808434800@foggynotions.ie
SUMMARY:SADNESS
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTORTOISE\nBUTTON FACTORY\n2ND NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				TORTOISE	\n\n\n\n\n	BUTTON FACTORY\n2ND NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€35.35			\n\n\n	\n\n\n	\n	 145  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Extra date on sale Wednesday 7th October at 10:00. Tortoise is widely considered one of the most influential music groups of the last 40 years\, with a wide-reaching impact on the contemporary music scene. Pitchfork says: “Imagine a graphic showing all the bands the five members of Tortoise were in before they came together and then all the bands they went on to play with after. At the top of the funnel you have groups ranging from dreamy psych-rock to earthy post-punk crunch\, including Eleventh Dream Day\, Bastro\, Slint\, and the Poster Children; on the ‘post-Tortoise’ end are groups focusing on electro-jazz and twangy instrumental rock like Isotope 217\, Chicago Underground\, and Brokeback. In this graphic\, Tortoise is the choke point\, the one project that has elements of all these sounds but is never defined by nor committed to any of them. Instead\, Tortoise floats free\, a planchette moving over a Ouija board guided by 10 sets of fingers\, where everyone watches the arrow float in one direction but no one is quite sure how it gets there or who is doing the pushing.” The band\, which originally formed in Chicago in 1990\, comprises Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker. Initially hailed as pace-setters of an emergent\, cinematic instrumental evolution of alternative rock\, the Chicago Tribune called Tortoise’s sound “mood music that refuses to be shoved into the background\, as inviting as it is challenging.” Releasing just seven albums since 1990 — including classics like 1996’s Millions Now Living Will Never Die\, 1998’s TNT\, and 2001’s Standards —Tortoise has steadily and intuitively evolved across its life\, creating genreless music that is as timeless as it is ahead of the curve. The band’s legacy goes beyond its recorded output\, as well. Per the New York Times: “While Tortoise’s albums have experimented with the editing and overdubbing possibilities of the studio\, the band thrives performing in real time.” Rolling Stone deems Tortoise “a live marvel\,” while Pitchfork further says the band’s performances reveal that “at heart\, they’re a supremely fun band\, wide open to all sorts of sonic possibilities.” In October 2025\, Tortoise released Touch\, the first new album from the groundbreaking group since 2016 via International Anthem and Nonesuch Records. Lead single “Layered Presence” featured a video filmed by Mikel Patrick Avery Watch the video\, listen to “Layered Presence\,” and preorder Touch here. With Touch\, the Tortoise bandmembers — Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker — harness their collectivist songwriting approach\, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky\, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT\, Touch is perhaps most remarkable for Tortoise’s unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock\, hand-cranked techno rave-ups\, and pointillist spaghetti western fanfares are all imbued with Tortoise’s now-signature internal logic — equally alluring and confounding\, a puzzle to be savored rather than solved. The stylistic diversity is also a reflection of the band’s current operating circumstances: With two members now in Los Angeles\, another in Portland\, and just two remaining in the band’s Chicago hometown\, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s\, honing their sound over endless hours of collective experimentation.  Recorded between the three cities — Los Angeles\, Portland\, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect\, recenter\, and reinvigorate their sound for what is perhaps the group’s most diverse release to date. Touch is the culmination of a long-gestating reunion\, the results of which Tortoise first shared this past March\, when they released “Oganesson” — “an off-kilter\, 7/4 funk tune with a spy-movie ambience” (New York Times) that is included on the new album — ahead of a career-spanning opening night performance at the boundary-crossing music festival Big Ears. They followed that with the Oganesson Remixes EP\, which featured reworks of the track from poet and activist Saul Williams\, prolific mastering engineer Heba Kadry\, Black Keys drummer Patrick Carney\, indie music icons Broken Social Scene\, and International Anthem labelmate Makaya McCraven. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/sadness-bello-bar-dublin-april-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/08/Sadness-Website-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270503T200000
DTEND;TZID=UTC:20270503T230000
DTSTAMP:20261031T012300
CREATED:20261022T194422Z
LAST-MODIFIED:20261023T155503Z
UID:10000333-1809374400-1809385200@foggynotions.ie
SUMMARY:MATTIEL
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTORTOISE\nBUTTON FACTORY\n2ND NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				TORTOISE	\n\n\n\n\n	BUTTON FACTORY\n2ND NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€35.35			\n\n\n	\n\n\n	\n	 145  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Extra date on sale Wednesday 7th October at 10:00. Tortoise is widely considered one of the most influential music groups of the last 40 years\, with a wide-reaching impact on the contemporary music scene. Pitchfork says: “Imagine a graphic showing all the bands the five members of Tortoise were in before they came together and then all the bands they went on to play with after. At the top of the funnel you have groups ranging from dreamy psych-rock to earthy post-punk crunch\, including Eleventh Dream Day\, Bastro\, Slint\, and the Poster Children; on the ‘post-Tortoise’ end are groups focusing on electro-jazz and twangy instrumental rock like Isotope 217\, Chicago Underground\, and Brokeback. In this graphic\, Tortoise is the choke point\, the one project that has elements of all these sounds but is never defined by nor committed to any of them. Instead\, Tortoise floats free\, a planchette moving over a Ouija board guided by 10 sets of fingers\, where everyone watches the arrow float in one direction but no one is quite sure how it gets there or who is doing the pushing.” The band\, which originally formed in Chicago in 1990\, comprises Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker. Initially hailed as pace-setters of an emergent\, cinematic instrumental evolution of alternative rock\, the Chicago Tribune called Tortoise’s sound “mood music that refuses to be shoved into the background\, as inviting as it is challenging.” Releasing just seven albums since 1990 — including classics like 1996’s Millions Now Living Will Never Die\, 1998’s TNT\, and 2001’s Standards —Tortoise has steadily and intuitively evolved across its life\, creating genreless music that is as timeless as it is ahead of the curve. The band’s legacy goes beyond its recorded output\, as well. Per the New York Times: “While Tortoise’s albums have experimented with the editing and overdubbing possibilities of the studio\, the band thrives performing in real time.” Rolling Stone deems Tortoise “a live marvel\,” while Pitchfork further says the band’s performances reveal that “at heart\, they’re a supremely fun band\, wide open to all sorts of sonic possibilities.” In October 2025\, Tortoise released Touch\, the first new album from the groundbreaking group since 2016 via International Anthem and Nonesuch Records. Lead single “Layered Presence” featured a video filmed by Mikel Patrick Avery Watch the video\, listen to “Layered Presence\,” and preorder Touch here. With Touch\, the Tortoise bandmembers — Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker — harness their collectivist songwriting approach\, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky\, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT\, Touch is perhaps most remarkable for Tortoise’s unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock\, hand-cranked techno rave-ups\, and pointillist spaghetti western fanfares are all imbued with Tortoise’s now-signature internal logic — equally alluring and confounding\, a puzzle to be savored rather than solved. The stylistic diversity is also a reflection of the band’s current operating circumstances: With two members now in Los Angeles\, another in Portland\, and just two remaining in the band’s Chicago hometown\, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s\, honing their sound over endless hours of collective experimentation.  Recorded between the three cities — Los Angeles\, Portland\, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect\, recenter\, and reinvigorate their sound for what is perhaps the group’s most diverse release to date. Touch is the culmination of a long-gestating reunion\, the results of which Tortoise first shared this past March\, when they released “Oganesson” — “an off-kilter\, 7/4 funk tune with a spy-movie ambience” (New York Times) that is included on the new album — ahead of a career-spanning opening night performance at the boundary-crossing music festival Big Ears. They followed that with the Oganesson Remixes EP\, which featured reworks of the track from poet and activist Saul Williams\, prolific mastering engineer Heba Kadry\, Black Keys drummer Patrick Carney\, indie music icons Broken Social Scene\, and International Anthem labelmate Makaya McCraven. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/mattiel-whelans-dublin-may-2027/
ATTACH;FMTTYPE=image/jpeg:http://foggynotions.ie/wp-content/uploads/2026/10/Mattiel-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270509T193000
DTEND;TZID=UTC:20270509T230000
DTSTAMP:20261031T012300
CREATED:20260922T164437Z
LAST-MODIFIED:20261028T150313Z
UID:10000311-1809891000-1809903600@foggynotions.ie
SUMMARY:TINDERSTICKS
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTORTOISE\nBUTTON FACTORY\n2ND NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				TORTOISE	\n\n\n\n\n	BUTTON FACTORY\n2ND NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€35.35			\n\n\n	\n\n\n	\n	 145  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Extra date on sale Wednesday 7th October at 10:00. Tortoise is widely considered one of the most influential music groups of the last 40 years\, with a wide-reaching impact on the contemporary music scene. Pitchfork says: “Imagine a graphic showing all the bands the five members of Tortoise were in before they came together and then all the bands they went on to play with after. At the top of the funnel you have groups ranging from dreamy psych-rock to earthy post-punk crunch\, including Eleventh Dream Day\, Bastro\, Slint\, and the Poster Children; on the ‘post-Tortoise’ end are groups focusing on electro-jazz and twangy instrumental rock like Isotope 217\, Chicago Underground\, and Brokeback. In this graphic\, Tortoise is the choke point\, the one project that has elements of all these sounds but is never defined by nor committed to any of them. Instead\, Tortoise floats free\, a planchette moving over a Ouija board guided by 10 sets of fingers\, where everyone watches the arrow float in one direction but no one is quite sure how it gets there or who is doing the pushing.” The band\, which originally formed in Chicago in 1990\, comprises Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker. Initially hailed as pace-setters of an emergent\, cinematic instrumental evolution of alternative rock\, the Chicago Tribune called Tortoise’s sound “mood music that refuses to be shoved into the background\, as inviting as it is challenging.” Releasing just seven albums since 1990 — including classics like 1996’s Millions Now Living Will Never Die\, 1998’s TNT\, and 2001’s Standards —Tortoise has steadily and intuitively evolved across its life\, creating genreless music that is as timeless as it is ahead of the curve. The band’s legacy goes beyond its recorded output\, as well. Per the New York Times: “While Tortoise’s albums have experimented with the editing and overdubbing possibilities of the studio\, the band thrives performing in real time.” Rolling Stone deems Tortoise “a live marvel\,” while Pitchfork further says the band’s performances reveal that “at heart\, they’re a supremely fun band\, wide open to all sorts of sonic possibilities.” In October 2025\, Tortoise released Touch\, the first new album from the groundbreaking group since 2016 via International Anthem and Nonesuch Records. Lead single “Layered Presence” featured a video filmed by Mikel Patrick Avery Watch the video\, listen to “Layered Presence\,” and preorder Touch here. With Touch\, the Tortoise bandmembers — Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker — harness their collectivist songwriting approach\, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky\, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT\, Touch is perhaps most remarkable for Tortoise’s unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock\, hand-cranked techno rave-ups\, and pointillist spaghetti western fanfares are all imbued with Tortoise’s now-signature internal logic — equally alluring and confounding\, a puzzle to be savored rather than solved. The stylistic diversity is also a reflection of the band’s current operating circumstances: With two members now in Los Angeles\, another in Portland\, and just two remaining in the band’s Chicago hometown\, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s\, honing their sound over endless hours of collective experimentation.  Recorded between the three cities — Los Angeles\, Portland\, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect\, recenter\, and reinvigorate their sound for what is perhaps the group’s most diverse release to date. Touch is the culmination of a long-gestating reunion\, the results of which Tortoise first shared this past March\, when they released “Oganesson” — “an off-kilter\, 7/4 funk tune with a spy-movie ambience” (New York Times) that is included on the new album — ahead of a career-spanning opening night performance at the boundary-crossing music festival Big Ears. They followed that with the Oganesson Remixes EP\, which featured reworks of the track from poet and activist Saul Williams\, prolific mastering engineer Heba Kadry\, Black Keys drummer Patrick Carney\, indie music icons Broken Social Scene\, and International Anthem labelmate Makaya McCraven. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/tindersticks-vicar-street-dublin-may-2027/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270519T193000
DTEND;TZID=UTC:20270519T230000
DTSTAMP:20261031T012300
CREATED:20260521T122523Z
LAST-MODIFIED:20260521T125153Z
UID:10000232-1810755000-1810767600@foggynotions.ie
SUMMARY:KINGS OF CONVENIENCE
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTORTOISE\nBUTTON FACTORY\n2ND NOVEMBER				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n\n	\n		\n				TORTOISE	\n\n\n\n\n	BUTTON FACTORY\n2ND NOVEMBER\nOVER 18'S I.D REQUIRED\n\n\n	\n		\n		€35.35			\n\n\n	\n\n\n	\n	 145  available\n\n\n	\n\n\n	\n					\n\n	\n		Quantity	\n	\n\n			\n\n	\n		\n	\n\n\n		Tickets are limited to 9 per order \n\n	\n	\n	\n		Quantity:	\n	0\n\n\n	\n	\n		Total:	\n	\n		€0.00	\n\n\n	Get Tickets\n\n		\n			\n\n\n		\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									Extra date on sale Wednesday 7th October at 10:00. Tortoise is widely considered one of the most influential music groups of the last 40 years\, with a wide-reaching impact on the contemporary music scene. Pitchfork says: “Imagine a graphic showing all the bands the five members of Tortoise were in before they came together and then all the bands they went on to play with after. At the top of the funnel you have groups ranging from dreamy psych-rock to earthy post-punk crunch\, including Eleventh Dream Day\, Bastro\, Slint\, and the Poster Children; on the ‘post-Tortoise’ end are groups focusing on electro-jazz and twangy instrumental rock like Isotope 217\, Chicago Underground\, and Brokeback. In this graphic\, Tortoise is the choke point\, the one project that has elements of all these sounds but is never defined by nor committed to any of them. Instead\, Tortoise floats free\, a planchette moving over a Ouija board guided by 10 sets of fingers\, where everyone watches the arrow float in one direction but no one is quite sure how it gets there or who is doing the pushing.” The band\, which originally formed in Chicago in 1990\, comprises Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker. Initially hailed as pace-setters of an emergent\, cinematic instrumental evolution of alternative rock\, the Chicago Tribune called Tortoise’s sound “mood music that refuses to be shoved into the background\, as inviting as it is challenging.” Releasing just seven albums since 1990 — including classics like 1996’s Millions Now Living Will Never Die\, 1998’s TNT\, and 2001’s Standards —Tortoise has steadily and intuitively evolved across its life\, creating genreless music that is as timeless as it is ahead of the curve. The band’s legacy goes beyond its recorded output\, as well. Per the New York Times: “While Tortoise’s albums have experimented with the editing and overdubbing possibilities of the studio\, the band thrives performing in real time.” Rolling Stone deems Tortoise “a live marvel\,” while Pitchfork further says the band’s performances reveal that “at heart\, they’re a supremely fun band\, wide open to all sorts of sonic possibilities.” In October 2025\, Tortoise released Touch\, the first new album from the groundbreaking group since 2016 via International Anthem and Nonesuch Records. Lead single “Layered Presence” featured a video filmed by Mikel Patrick Avery Watch the video\, listen to “Layered Presence\,” and preorder Touch here. With Touch\, the Tortoise bandmembers — Dan Bitney\, John Herndon\, Douglas McCombs\, John McEntire\, and Jeff Parker — harness their collectivist songwriting approach\, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky\, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT\, Touch is perhaps most remarkable for Tortoise’s unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock\, hand-cranked techno rave-ups\, and pointillist spaghetti western fanfares are all imbued with Tortoise’s now-signature internal logic — equally alluring and confounding\, a puzzle to be savored rather than solved. The stylistic diversity is also a reflection of the band’s current operating circumstances: With two members now in Los Angeles\, another in Portland\, and just two remaining in the band’s Chicago hometown\, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s\, honing their sound over endless hours of collective experimentation.  Recorded between the three cities — Los Angeles\, Portland\, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect\, recenter\, and reinvigorate their sound for what is perhaps the group’s most diverse release to date. Touch is the culmination of a long-gestating reunion\, the results of which Tortoise first shared this past March\, when they released “Oganesson” — “an off-kilter\, 7/4 funk tune with a spy-movie ambience” (New York Times) that is included on the new album — ahead of a career-spanning opening night performance at the boundary-crossing music festival Big Ears. They followed that with the Oganesson Remixes EP\, which featured reworks of the track from poet and activist Saul Williams\, prolific mastering engineer Heba Kadry\, Black Keys drummer Patrick Carney\, indie music icons Broken Social Scene\, and International Anthem labelmate Makaya McCraven. 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:http://foggynotions.ie/concerts/kings-of-convenience-vicar-street-may-2027/
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