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BEGIN:VEVENT
DTSTART;TZID=UTC:20261004T150000
DTEND;TZID=UTC:20261004T173000
DTSTAMP:20261025T200929
CREATED:20260212T094535Z
LAST-MODIFIED:20260918T094027Z
UID:10000183-1791126000-1791135000@foggynotions.ie
SUMMARY:ÓLAFUR ARNALDS
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/olafur-arnalds-falling-apart-together-sunday-matinee/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/01/OLAFUR-Website-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261009T200000
DTEND;TZID=UTC:20261009T230000
DTSTAMP:20261025T200929
CREATED:20260708T184928Z
LAST-MODIFIED:20260709T082234Z
UID:10000274-1791576000-1791586800@foggynotions.ie
SUMMARY:CINDER WELL
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/cinder-well-bello-bar-2026/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/07/Cinder-Well-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261012T200000
DTEND;TZID=UTC:20261012T230000
DTSTAMP:20261025T200929
CREATED:20260519T202801Z
LAST-MODIFIED:20260804T172024Z
UID:10000230-1791835200-1791846000@foggynotions.ie
SUMMARY:ARAB STRAP
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/arab-strap-dublin-2026/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/05/ARAB-STRAP-Website-SO.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261014T193000
DTEND;TZID=UTC:20261014T230000
DTSTAMP:20261025T200929
CREATED:20251126T083951Z
LAST-MODIFIED:20260913T171738Z
UID:10000134-1792006200-1792018800@foggynotions.ie
SUMMARY:MERCURY REV
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/mercury-rev-vicar-street-dublin-2026/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2025/11/Mercury-Rev-Website-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261018T193000
DTEND;TZID=UTC:20261018T230000
DTSTAMP:20261025T200929
CREATED:20251117T100004Z
LAST-MODIFIED:20260521T171131Z
UID:10000128-1792351800-1792364400@foggynotions.ie
SUMMARY:THE MOUNTAIN GOATS
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/the-mountain-goats-vicar-street-october-2026/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2025/11/TMG-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261020T193000
DTEND;TZID=UTC:20261020T230000
DTSTAMP:20261025T200929
CREATED:20251202T100021Z
LAST-MODIFIED:20251204T110718Z
UID:10000138-1792524600-1792537200@foggynotions.ie
SUMMARY:AUTECHRE
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/autechre-vicar-street-dublin-2026/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2025/12/autechre-Instagram-Post-1-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261024T143000
DTEND;TZID=UTC:20261024T230000
DTSTAMP:20261025T200929
CREATED:20260701T083859Z
LAST-MODIFIED:20260701T113330Z
UID:10000270-1792852200-1792882800@foggynotions.ie
SUMMARY:HAUNTED DANCEHALL SATURDAY
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/haunted-dancehall-2026-saturday/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/07/HDH_SAT_1080x1350-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261025T143000
DTEND;TZID=UTC:20261025T230000
DTSTAMP:20261025T200929
CREATED:20260701T085057Z
LAST-MODIFIED:20261005T161841Z
UID:10000271-1792938600-1792969200@foggynotions.ie
SUMMARY:HAUNTED DANCEHALL SUNDAY
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/haunted-dancehall-2026-sunday/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/07/HDH-Sun-Web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261026T193000
DTEND;TZID=UTC:20261026T230000
DTSTAMP:20261025T200929
CREATED:20260902T083924Z
LAST-MODIFIED:20260906T144910Z
UID:10000292-1793043000-1793055600@foggynotions.ie
SUMMARY:EAR
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/ear-button-factory-dublin-october-2026/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/09/ear-Website-SO.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261030T200000
DTEND;TZID=UTC:20261030T230000
DTSTAMP:20261025T200929
CREATED:20260609T193227Z
LAST-MODIFIED:20260610T152058Z
UID:10000249-1793390400-1793401200@foggynotions.ie
SUMMARY:NICK HAKIM
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/nick-hakim-dublin-october-2026/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/06/Nick-Hakim-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261101T200000
DTEND;TZID=UTC:20261101T230000
DTSTAMP:20261025T200929
CREATED:20260929T090042Z
LAST-MODIFIED:20260929T090639Z
UID:10000312-1793563200-1793574000@foggynotions.ie
SUMMARY:NIROSTA STEEL
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/nirosta-steel-bello-bar-dublin-november-2026/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/09/Nirosta-Website-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261102T193000
DTEND;TZID=UTC:20261102T230000
DTSTAMP:20261025T200929
CREATED:20261005T084550Z
LAST-MODIFIED:20261005T085149Z
UID:10000316-1793647800-1793660400@foggynotions.ie
SUMMARY:TORTOISE
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/tortoise-button-factory-dublin-2026-extra-date/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/10/Tortoise-Web-B.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261103T193000
DTEND;TZID=UTC:20261103T230000
DTSTAMP:20261025T200929
CREATED:20260407T203725Z
LAST-MODIFIED:20260801T205140Z
UID:10000213-1793734200-1793746800@foggynotions.ie
SUMMARY:TORTOISE
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/tortoise-button-factory-dublin-2026/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/04/TORTOISE-Website-SO.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261103T193000
DTEND;TZID=UTC:20261103T230000
DTSTAMP:20261025T200929
CREATED:20260630T114342Z
LAST-MODIFIED:20260924T103441Z
UID:10000267-1793734200-1793746800@foggynotions.ie
SUMMARY:CHANEL BEADS
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/chanel-beads-opium-dublin-2026/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/06/Chanel-Beads-Website-SO.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261106T200000
DTEND;TZID=UTC:20261106T230000
DTSTAMP:20261025T200929
CREATED:20260430T104446Z
LAST-MODIFIED:20260430T105234Z
UID:10000221-1793995200-1794006000@foggynotions.ie
SUMMARY:PELICAN
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/pelican-dublin-november-2026/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/04/PELICAN-Instagram-Post-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261106T230000
DTEND;TZID=UTC:20261106T233000
DTSTAMP:20261025T200929
CREATED:20260825T202757Z
LAST-MODIFIED:20260826T092509Z
UID:10000288-1794006000-1794007800@foggynotions.ie
SUMMARY:MODESELEKTOR
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/modeselektor-dj-set-button-factory-dublin-november-2026/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/08/Modeselektor-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261107T200000
DTEND;TZID=UTC:20261107T230000
DTSTAMP:20261025T200929
CREATED:20260607T175345Z
LAST-MODIFIED:20261023T094141Z
UID:10000242-1794081600-1794092400@foggynotions.ie
SUMMARY:QUIET LIGHT
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/quiet-light-dublin-november-2026/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/10/Quiet-Light-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261108T200000
DTEND;TZID=UTC:20261108T230000
DTSTAMP:20261025T200929
CREATED:20260623T180535Z
LAST-MODIFIED:20260624T214119Z
UID:10000254-1794168000-1794178800@foggynotions.ie
SUMMARY:MGNA CRRRTA & IDEASFORCONVERSATIONS
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/modern-lovers-mgna-crrrta-ideasforconversations-grand-social-2026/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/06/MGNA-CRRRTA-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261108T200000
DTEND;TZID=UTC:20261108T230000
DTSTAMP:20261025T200929
CREATED:20260922T133914Z
LAST-MODIFIED:20260922T135404Z
UID:10000307-1794168000-1794178800@foggynotions.ie
SUMMARY:ROBERT LESTER FOLSOM
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/robert-lester-folsom-dublin-november-2026/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/09/Robert-Lester-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261109T200000
DTEND;TZID=UTC:20261109T230000
DTSTAMP:20261025T200929
CREATED:20260728T083108Z
LAST-MODIFIED:20260729T185120Z
UID:10000282-1794254400-1794265200@foggynotions.ie
SUMMARY:DEER PARK
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/modern-lovers-deer-park-curbside-lambsear-2026/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/07/DEER-PARK-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261110T200000
DTEND;TZID=UTC:20261110T230000
DTSTAMP:20261025T200929
CREATED:20260623T184644Z
LAST-MODIFIED:20260624T144805Z
UID:10000256-1794340800-1794351600@foggynotions.ie
SUMMARY:MX LONELY
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/modern-lovers-mx-lonely-bello-bar-2026/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/06/MX-Lonely-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261110T200000
DTEND;TZID=UTC:20261110T230000
DTSTAMP:20261025T200929
CREATED:20260623T185727Z
LAST-MODIFIED:20260624T214221Z
UID:10000257-1794340800-1794351600@foggynotions.ie
SUMMARY:WENDY EISENBERG & DAN ENGLISH & SUPERFAN
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/modern-lovers-wendy-eisenberg-dan-english-superfan-grand-social-2026/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/06/Wendy-Eisenberg-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261111T200000
DTEND;TZID=UTC:20261111T230000
DTSTAMP:20261025T200929
CREATED:20260623T183300Z
LAST-MODIFIED:20260626T154915Z
UID:10000255-1794427200-1794438000@foggynotions.ie
SUMMARY:ANNA VON HAUSSWOLFF
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/modern-lovers-anna-von-hausswolff-national-concert-hall-2026/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/06/Anna-Von-Hausswolff-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261112T200000
DTEND;TZID=UTC:20261112T230000
DTSTAMP:20261025T200929
CREATED:20260623T190821Z
LAST-MODIFIED:20260626T155009Z
UID:10000258-1794513600-1794524400@foggynotions.ie
SUMMARY:GB
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/modern-lovers-gb-david-de-barra-bello-bar-2026/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/06/GB-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261113T200000
DTEND;TZID=UTC:20261113T230000
DTSTAMP:20261025T200929
CREATED:20260812T124823Z
LAST-MODIFIED:20260812T125810Z
UID:10000286-1794600000-1794610800@foggynotions.ie
SUMMARY:POISON RUIN
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/poison-ruin-special-branch-lost-lane-dublin-2026/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/08/Poison-Ruin-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261114T200000
DTEND;TZID=UTC:20261114T230000
DTSTAMP:20261025T200929
CREATED:20261007T195734Z
LAST-MODIFIED:20261008T085656Z
UID:10000317-1794686400-1794697200@foggynotions.ie
SUMMARY:SEARCH RESULTS
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/modern-lovers-search-results-glasshouse-red-spider-mite-2026/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/10/SEARCH-RESULTS-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261115T193000
DTEND;TZID=UTC:20261115T230000
DTSTAMP:20261025T200929
CREATED:20260623T175436Z
LAST-MODIFIED:20260814T144033Z
UID:10000253-1794771000-1794783600@foggynotions.ie
SUMMARY:BASSVICTIM
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/modern-lovers-bassvictim-opium-2026/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/06/SO-Bassvictim-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261115T200000
DTEND;TZID=UTC:20261115T230000
DTSTAMP:20261025T200929
CREATED:20260728T084344Z
LAST-MODIFIED:20260730T102147Z
UID:10000283-1794772800-1794783600@foggynotions.ie
SUMMARY:CLARA MANN
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/modern-lovers-clara-mann-and-guests-sugar-club-2026/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/07/Clara-Mann-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261116T200000
DTEND;TZID=UTC:20261116T230000
DTSTAMP:20261025T200929
CREATED:20260623T192503Z
LAST-MODIFIED:20260914T122424Z
UID:10000259-1794859200-1794870000@foggynotions.ie
SUMMARY:@ & Ellie O'Neill
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/modern-lovers-at-band-workmans-2026/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/06/@-Website-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20261119T193000
DTEND;TZID=UTC:20261119T230000
DTSTAMP:20261025T200929
CREATED:20260225T095236Z
LAST-MODIFIED:20260225T095836Z
UID:10000191-1795116600-1795129200@foggynotions.ie
SUMMARY:THE PROCLAIMERS
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/the-proclaimers-national-stadium-dublin-2026/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/02/The-Proclaimers-Website.jpg
END:VEVENT
END:VCALENDAR