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DTSTART;TZID=UTC:20270205T193000
DTEND;TZID=UTC:20270205T230000
DTSTAMP:20261025T211311
CREATED:20260920T193929Z
LAST-MODIFIED:20260921T083123Z
UID:10000303-1801855800-1801868400@foggynotions.ie
SUMMARY:JOSH RITTER
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/josh-ritter-vicar-street-dublin-february-2027/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/09/Josh-Vicar-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270208T190000
DTEND;TZID=UTC:20270208T230000
DTSTAMP:20261025T211312
CREATED:20260920T194759Z
LAST-MODIFIED:20260922T161832Z
UID:10000304-1802113200-1802127600@foggynotions.ie
SUMMARY:JOSH RITTER
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/josh-ritter-cork-opera-house-february-2027/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/09/Josh-Cork-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270212T200000
DTEND;TZID=UTC:20270212T230000
DTSTAMP:20261025T211312
CREATED:20260914T184541Z
LAST-MODIFIED:20260915T190151Z
UID:10000296-1802462400-1802473200@foggynotions.ie
SUMMARY:GILES COREY
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/giles-corey-dublin-february-2027/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/09/Giles-Corey-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270219T200000
DTEND;TZID=UTC:20270219T230000
DTSTAMP:20261025T211312
CREATED:20260607T165933Z
LAST-MODIFIED:20260611T170640Z
UID:10000241-1803067200-1803078000@foggynotions.ie
SUMMARY:ICEAGE
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/iceage-dublin-february-2027/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/06/ICEAGE-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270227T200000
DTEND;TZID=UTC:20270227T230000
DTSTAMP:20261025T211312
CREATED:20260921T192504Z
LAST-MODIFIED:20260922T085125Z
UID:10000305-1803758400-1803769200@foggynotions.ie
SUMMARY:NIGHT TEMPO
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/night-tempo-bello-bar-dublin-february-2027/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/09/NIGHT-TEMPO-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270303T200000
DTEND;TZID=UTC:20270303T230000
DTSTAMP:20261025T211312
CREATED:20260915T091702Z
LAST-MODIFIED:20260915T202406Z
UID:10000297-1804104000-1804114800@foggynotions.ie
SUMMARY:LAEL NEALE
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/lael-neale-bello-bar-dublin-march-2027/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/09/Lael-Neale-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270313T193000
DTEND;TZID=UTC:20270313T230000
DTSTAMP:20261025T211312
CREATED:20260908T094353Z
LAST-MODIFIED:20260908T163205Z
UID:10000294-1804966200-1804978800@foggynotions.ie
SUMMARY:MY NEW BAND BELIEVE
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/my-new-band-believe-button-factory-dublin-2027/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/09/MNBB-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270313T200000
DTEND;TZID=UTC:20270313T230000
DTSTAMP:20261025T211312
CREATED:20260921T194130Z
LAST-MODIFIED:20260922T085031Z
UID:10000306-1804968000-1804978800@foggynotions.ie
SUMMARY:MERCY GIRL
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/mercy-girl-bello-bar-dublin-march-2027/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/09/Mercy-Girl-WebsiteB.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270325T200000
DTEND;TZID=UTC:20270325T230000
DTSTAMP:20261025T211312
CREATED:20260929T155532Z
LAST-MODIFIED:20260930T085429Z
UID:10000313-1806004800-1806015600@foggynotions.ie
SUMMARY:JEFFREY SILVERSTEIN
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/jeffrey-silverstein-dublin-march-2027/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/09/Jeffrey-Silverstein-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270331T193000
DTEND;TZID=UTC:20270331T230000
DTSTAMP:20261025T211312
CREATED:20261013T090855Z
LAST-MODIFIED:20261013T092404Z
UID:10000328-1806521400-1806534000@foggynotions.ie
SUMMARY:SPIRITUALIZED - ACOUSTIC MAINLINES
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/spiritualized-acoustic-mainline-national-concert-hall-dublin-march-2027/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/10/SPIRITUALIZED-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270422T200000
DTEND;TZID=UTC:20270422T230000
DTSTAMP:20261025T211312
CREATED:20260826T150743Z
LAST-MODIFIED:20260826T162703Z
UID:10000289-1808424000-1808434800@foggynotions.ie
SUMMARY:SADNESS
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/sadness-bello-bar-dublin-april-2027/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/08/Sadness-Website-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270503T200000
DTEND;TZID=UTC:20270503T230000
DTSTAMP:20261025T211312
CREATED:20261022T194422Z
LAST-MODIFIED:20261023T155503Z
UID:10000333-1809374400-1809385200@foggynotions.ie
SUMMARY:MATTIEL
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/mattiel-whelans-dublin-may-2027/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/10/Mattiel-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270509T193000
DTEND;TZID=UTC:20270509T230000
DTSTAMP:20261025T211312
CREATED:20260922T164437Z
LAST-MODIFIED:20260923T084251Z
UID:10000311-1809891000-1809903600@foggynotions.ie
SUMMARY:TINDERSTICKS
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
URL:https://foggynotions.ie/concerts/tindersticks-vicar-street-dublin-may-2027/
ATTACH;FMTTYPE=image/jpeg:https://foggynotions.ie/wp-content/uploads/2026/09/Tindersticks-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20270519T193000
DTEND;TZID=UTC:20270519T230000
DTSTAMP:20261025T211312
CREATED:20260521T122523Z
LAST-MODIFIED:20260521T125153Z
UID:10000232-1810755000-1810767600@foggynotions.ie
SUMMARY:KINGS OF CONVENIENCE
DESCRIPTION:FOGGY NOTIONS PRESENTS\nTHIS IS LORELEI\nSPECIAL GUEST\nDARK TEA\nBUTTON FACTORY - VENUE UPGRADE\n21ST NOVEMBER\nSOLD OUT				\n				\n					\n				\n		\n					\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available	\n\n\n		\n	\n	\n\n	\n	\n\n	\n	\n\n\n\n			\n\n	\n\n\n				\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									TICKETMASTER\n					\n					\n				\n								\n				\n					\n				\n		\n					\n				\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n				\n				\n																														\n				\n					\n				\n		\n					\n				\n				\n									SOLD OUT. The last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes\, sold out shows across multiple continents\, to seeing some of today’s most influential artists cover his songs\, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records\, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes\, at once both strangely familiar and endearingly offbeat in Amos’ signature style. Written while touring the globe in support of releases from both his bands\, The Singer in My Band arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments\,” he recalls\, “so instead of being home and writing on the guitar or a computer\, they developed slowly and subconsciously\, existing as a sort of intangible thing while looking out the van window.” ‘Billy Came Back’\, the album’s propulsive lead single\, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out – I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone\,” says Amos. Watch the video HERE. There’s Billy\, Joey\, Genevieve\, Sarah\, and the ever-present Buddy\, an Altman-esque ensemble cast that populate the album’s stories\, scattered through distinctly American scenes and landmarks. As narrators go\, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry\, mirroring Amos’ experience of these last several years. “It’s funny\, I sent my dad the album after I finished it\, and he said it was kind of an “on the road beatnik” album and that reframed it for me\,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. They’re also very much little works of fiction with elements of truth to them.” This Is Lorelei will be traversing the globe in support of The Singer In My Band\, including a UK headline run in November. The tour includes dates with Bleachers\, @ and Colin Miller. All dates below. 2024’s Box for Buddy\, Box for Star was Amos’ first attempt at an intentionally written full-length solo album\, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas\, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success\, spawning a deluxe version with covers and collaborations including MJ Lenderman\, Hayley Williams\, Jeff Tweedy\, Cameron Winter and many more. The Singer in My Band came together in the same apartment Amos has produced much of his music\, with final touches made at his parents’ house in St. Johnsbury\, Vermont. Amos engineered\, produced\, and performed everything on Singer\, save for a blistering banjo lead on the title track courtesy of his father\, bluegrass musician Bob Amos\, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with\, and the ways they could contribute were things that I had in mind as I was writing the songs\,” he explains. There’s an economy of style to Singer that’s distinct in the Lorelei catalog\, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me\,” he says\, but is quick to note any influence is more as a set of principles than a sound. “There’s a simplicity to bluegrass\, where there are very particular rules and a very particular box – songs have to stand up by themselves in terms of melody\, lyrics and chord progression.” 								\n				\n					\n				\n		\n					\n				\n				\n									LISTEN NOW 								\n				\n					\n				\n		\n					\n				\n				\n									\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n		\n					\n				\n				\n									\n					\n						\n									ALL SHOWS
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